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04.15.19

Fair Report

The Best of Milan Design Week 2019, Part I

Each year in Milan brings something truly wonderful to behold, whether it's furniture hoisted into inflatable bubbles (Nilufar Depot), a newly open-to-the-public Piero Portaluppi interior (Massimo de Carlo Gallery), or the coolest amoeba-shaped marble tables we've ever seen (by Studio Binocle, which we're featuring here today). We'll be devoting our whole week to coverage from the fair so stay tuned, and click through for the first of our favorites.
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04.06.19

Saturday Selects

Week of April 1, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Solo exhibitions abound by some of our favorite artists, burl wood and glass blocks continue to pop up in unexpected places, and a killer collaboration by two New York talents is one of our favorite launches so far this year.
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04.05.19

Fair Report

The 9 Best Things We Saw at DesignMarch 2019 in Iceland

Iceland's DesignMarch is no New York design week — and we would never expect as much from a country with a total population of 340,000 — but like every other up-and-coming design scene around the world, from Norway to China, its practitioners are getting more savvy, more entrepreneurial, and more ambitious, resulting in more impressive work all around. Click through to see our favorite discoveries from our recent trip to this year's fair.
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Material Lust Independent
04.03.19

Q+A

Frustrated by the Limits of Design, Material Lust Sets Its Sights on the Art World

Not much had recently been heard from Material Lust until this March, when, after a few quiet years, they popped back on our radar, showing neither at a design gallery nor a furniture show, but at the New York art fair Independent, in a Spring Studios skybox overlooking a maze of gallery booths. Frustrated by the literalness of conversations they were having in the world of furniture design — and with their practice taking an increasingly conceptual turn — the pair made the conscious decision to turn Material Lust from a design brand into an artist collective.
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03.21.19

Sighted

Preview Studiopepe’s Immersive Installation For the 2019 Milan Fair, Inspired by Tarot Cards and Divination

Studiopepe's installation Club Unseen, at last year's Milan design week, was the perfect setting in which to experience design in the way it's meant to be experienced. Which is why we're excited to announce that during next month's fair, Studiopepe will stage a second presentation with the same immersive feel. Called Les Arcanistes, it will feature new ceramic tiles by Studiopepe for Bardelli, new colorways of the pair's Pastilles furniture for Tacchini, and lighting by one of our favorite brands, Areti, in a presentation exploring "the interplay between matter and divination."
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03.19.19

Fair Report

17 Projects We Loved at This Year’s Collectible Fair in Brussels

We didn't have the pleasure of personally attending this year's Collectible design fair in Brussels, where Sight Unseen hosted an installation by Objects of Common Interest, yet word traveled quickly back to us that those who did had taken to referring to our presentation as "the famous booth," an accolade that Instagram seemed to confirm. We were flattered to hear it, of course, but also honored to share the spotlight with so many other great presentations by galleries and up-and-coming designers. Click through to see our favorites.
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02.28.19

Excerpt: Exhibition

In a New Show, a 3D Artist Tries His Hand At Something New — Making Furniture

This week, in a bit of a twist, 3D artist Andrés Reisinger brought one of his metaphysical spaces to life: For one of Chamber Projects' bi-monthly Quick Tiny Shows, curated by Juan García Mosqueda and held in the courtyard of RIES's studio, Reisinger created three design objects — a lamp, a curtain, and a snakelike silver seating unit meant for group lounging, John Chamberlain-style.
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02.12.19

Fair Report

30 Designers and Brands We Loved at Stockholm Design Week 2019

People often ask about our favorite furniture fairs (besides Milan and New York, of course), and we've always reflexively said Stockholm, due to the elevated baseline of good taste and sheer quality of work that tends to emerge from the Scandinavian capital. But in truth, neither Monica nor I had been to Stockholm Design Week in more than a decade. And as easy as it is journalistically to report a fair from afar these days, it's impossible to replicate the emotional high that comes from discovering something amazing where you least expected it. Having just returned from a leisurely weeklong stay in Stockholm, I'm happy to report that our instincts were correct: Stockholm remains one of the most vital and exciting stops on the design calendar.
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