This Is One 1980s Trend Revival We Didn’t See Coming

We're not sure if it's a comfort thing or a style thing, and we're not sure if it reminds anyone else of the La-Z-Boys of yore, but if you've been watching carefully the past few years, you may have noticed that furniture designers — most particularly when it comes to beds and sofas — have been embracing a very specific aesthetic with roots in the 1980s.
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Week of July 18, 2022

A weekly recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the first furniture collection from interior designer Robert McKinley, colorful glass candlesticks by Lex Pott, and a Wright auction full of postmodern treasures.
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This Berlin-Based Furniture Brand Has All Your Color-Blocked Essentials Covered

Block colors, wavy pastels, and geometric glassware? Say no more. (Haaaave you seen our Pinterest?) Four years after founding his eponymous design brand, Berlin-based Moritz Bannach is expanding with a quartet of new offerings that build upon the bold simplicity of his first product: the Uno collection of dining/conference tables, which launched in 2018 and featured in our Saturday Selects. Bannach's latest design mimics Uno's strikingly simple planes of color and recalls the best of Memphis Design.
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The Best of the 2022 Salone del Mobile — Part VI

Remember when we said that it was impossible to actually see all of the good things that launched during this month's Milan Furniture Fair? Well, apparently it's equally impossible to actually capture all of those launches in digital form, because the hits just keep coming into our inbox. So today, we're devoting an extra post to some of our favorites from a week that already seems like a lifetime ago. (Please, take us back to risotto and martinis!)
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Olivia Bossy Doesn’t Care If You Love Her New Collection (Though Obviously We Do!)

If everyone likes Olivia Bossy’s work, then she doesn’t see the point. “There’s a dullness to something globally pleasing,” she says. “There’s always a reason and a story for me, but people can love it, hate it, or feel nothing for their own reasons.” Speaking for ourselves, though, we find the curve of sheet metal manipulated into a spiral, the rich black wood, and the coarse, illuminated fabric of the Sydney-based designer’s first furniture collection to be deeply appealing. Called Objects 2022, it's an unconventional collection born from an unusual gathering of inspirations.
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Bofred’s Breezy Villa Collection is a Perfect Entree to Summer

Launched on the cusp of summer in the Northern Hemisphere is the new Villa Collection by South African furniture studio Bofred, which taps into a global wanderlust after our collective experience of being homebound. “The inspiration behind our Villa Collection is drawn from our unbridled excitement to step back into the world and explore once more,” founders Carla Erasmus and Christa Botha write. “The collection evokes the feeling of a summer's day in a faraway villa.”
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The Best of the 2022 Salone Del Mobile — Part I

After a rocky two years, life is inching closer to normal these days, and one could use the design-world fair schedule as a barometer: After outright cancellation in April of 2020, the annual Salone del Mobile in Milan managed to squeak through a mini-show in September, only to come back with full force last week just in time for its 60th anniversary. More than 2,000 exhibitors showed at the fairgrounds this year — which we're recapping today — and we walked away from all the huge Italian dinners, garden parties, and launch presentations feeling like our sanity had finally been restored.
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Casey McCafferty sculptural furniture

Casey McCafferty’s Mythological Furniture Keeps Getting Bigger

Whether it’s Aztec carvings, Native American totems, Norse idols or African masks that you see in Casey McCafferty’s work, the Los Angeles and New Jersey–based designer uses mythology from all of these diverse cultures to inform his fantastical furniture creations. Heavily influenced by Joseph Campbell and Bill Moyers’ The Power of Myth conversations, as well as historical science fiction, he blends characters from archeology and lore with shapes found in nature when carving pieces from wood and stone that each have their own personality.
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New York Design Week, We Missed You — Here Are 25 Favorites From the Festival That Was

Well, after two years of fallow Mays due to COVID delays (and a November iteration of NYCxDesign that barely registered), New York Design Week returned with a vengeance this month. Its de facto kick-off was the incredible MASA exhibition, curated by Su Wu, which opened in a former post office in Rockefeller Center and remains a high-water mark for the month. The festivities finally ended last week with a rager of a party at Matter Projects for a dual exhibition with furniture designer Minjae Kim and his mother, the painter Myoungae Lee, which we'll cover more in-depth on the site this week. Here are our favorite projects from the past few weeks.
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Haos’s Steel and Plywood Collection is a Coolly Elevated Take on Minimalism

Haos's Sophie Gelinet and Cedric Gepner recently relocated from Paris to Lisbon, where they've opened a larger studio and workshop where they can make work on-site. But rather than take their practice to the furthest experimental reaches just because they can, they've instead created a pared-down, rigorous framework for their fourth collection, taking cues from traditional Japanese architecture, 20th-century Modernism, and the Dogme 95 movement, which sought to distill filmmaking to its essence by rejecting special effects and gimmicks.
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Classic New Yorker Covers Influenced Atelier Jouffre’s New NYC Showroom

Who among us isn’t captivated by the depictions of daily life that grace the covers of The New Yorker every week? The ones by late illustrator Pierre Le Tan, however — who drew many a domestic scene for the magazine — were in fact the muse for a new NYC showroom for French upholsterers Atelier Jouffre. Designers Olivier and Clio Garcé — who recently moved from the city to Lisbon, where they set up their own studio, Garcé & Dimofski — transformed the industrial building in Long Island City into a space where artworks and design pieces are intended to “emerge from an illustrated dreamscape.”
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