SPECIALSERIES

Carwan Gallery Launch: Lindsey Adelman

Through April 15, Sight Unseen will be showcasing the work of half a dozen designers and design firms exhibiting together at the Milan Furniture Fair under the umbrella of the soon-to-launch Carwan Gallery in Beirut. Today’s subject is Lindsey Adelman, who works out of a tiny studio in the back of Manhattan design store The Future Perfect but creates her sprawling, modular chandelier series at Urban Glass, a Brooklyn atelier that’s created work for the likes of Louise Bourgeois, Eva Zeisel, and Robert Rauschenberg. “Building visual tension is a theme that’s always interested me,” says Adelman. And in her latest work Catch, which features slumping glass orbs blown through oversized brass links, it’s the tension between “the fluid fragility of the glass and the strict, flat, weighty links. Mashing together the feminine and the masculine — something interesting usually happens,” she says.
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Carwan Gallery Launch: Philippe Malouin

Through April 15, Sight Unseen will be showcasing the work of half a dozen designers and design firms exhibiting together at the Milan Furniture Fair under the umbrella of the soon-to-launch Carwan Gallery in Beirut. First up is Montreal-born, London-based Philippe Malouin, whose projects merge a highly conceptual framework with a practical, process-based approach and visually pleasing geometries. His Gridlock series, for example, shrunk the construction of architectural cross-bracing down to a domestic scale, employing it to make lamps and mobiles, while his new Yachiyo rug uses an ancient Japanese chain-mail technique to create an indestructible floor covering that takes 3,000 hours and an army of interns to produce. Here, Malouin explains how — and why — he did it.
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Patternity’s Shift table, another collaboration with Grace’s father, launched at last month’s Clerkenwell Design Week. “People tend to misunderstand marquetry, and they think the panels are painted,” says Winteringham. “But actually they’re dyed beforehand. You can pick them out from a catalog that’s kind of like a Pantone swatchbook, with different color and grain options. The underside of the Shift table is made from sycamore and the panels are dyed cedar.”

Patternity, furniture and textile designers

For Anna Murray and Grace Winteringham, pattern is everywhere — in the flaking paint of street bollards and the crisscrossing beams of scaffolding, in the fashion photography of Mel Bles and the banded stiletto heels of Parisian shoemaker Walter Steiger. Together, Murray and Winteringham run Patternity, a studio and online resource for pattern imagery where each photo is curated, sourced, or taken by the designers themselves. Spend some time on the site, and their obsessions become clear: One week it’s rocks and strata; another it’s the vivid African textiles that line the stalls of the Ridley Road street market that runs daily in Dalston, the East London neighborhood both women call home.
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"I was surprised by how many people asked if I was planning on showing anything, as I’ve never thought of the trade fair as platform for international galleries," says Sellers, whose most recent show, pictured above and featuring a series by Dick van Hoff, stretched across both London Design Week and the Frieze Art Fair, affording her crucial access to collectors. "But this year there were noticeable challenges to that convention, with more galleries springing up in new areas like Lambrate and international dealers using the Salone to give further air time to their stable of designers. Given that the entire city gives itself over to one great big pop-up event, perhaps I could reconsider."

Libby Sellers, Design Gallerist

Had you peeked into London gallerist Libby Sellers's diary for the week of the Milan Furniture Fair earlier this month, you would have seen all the requisite stops on the circuit: Rossana Orlandi one afternoon, Lambrate and Tortona the next, plus a stop at Satellite and a time out for breakfast at the Four Seasons with Alice Rawsthorn, her former boss. There was time made for shopping — Sellers is a self-admitted clothes horse, having transformed most of her London apartment into a walk-in closet — and for a visit to the 10 Corso Como gallery and bookstore. But despite what you'd expect from one of the world's most respected supporters of emerging design, who for the past two years has commissioned work from and produced pop-up exhibitions with talents like Max Lamb and Julia Lohmann, Sellers did not walk away from the fair with an arsenal of new relationships to pursue. Her scouting is done before she even gets there, in graduate degree shows and over the internet, so that in Milan — unlike the rest of us — she gets to relax and enjoy the show.
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In the new Ventura Lambrate neighborhood of Milan, Niels van Eijk and Miriam van der Lubbe mounted a retrospective of their work from 1998 to 2010, the bulk of which was represented by a pictorial timeline of process shots, sketches, and models.

Process at the Milan Furniture Fair

Tom Dixon, Bram Boo, e15, and Thomas Eyck all showed products in copper at the 2010 Milan Furniture Fair, which closes today. There was also a minor strain of fur-covered chairs — plus one hairy, Cousin-It-style storage unit by the Campana Brothers for Edra — and a tendency toward LED and OLED lighting. But as far as Sight Unseen is concerned, the only trend worth writing home about was the diaristic glimpse into process that so many designers chose to offer this year, supplementing their finished products with sketches, models, and real-time demonstrations.
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