Justin Morin’s printed silk installations take many forms — some unfurl dramatically against an expansive gallery wall; others are cinched and pleated like couture; still others are knotted, tied, looped, bunched, gathered, or, simply hang listlessly like a flag. Morin’s specific visual vocabulary, developed over the course of a decade since he created his first printed silk work in 2011, proposes that anything and everything in our information-dense and visually overwrought world can be unraveled and represented in sensual, gradient silk.