Home Painting
09.14.17

Excerpt: Exhibition

Painting and Sculpture Make Easy — If Admittedly Strange — Bedfellows in a New Exhibition

Familiars — Fisher Parrish gallery's new exhibition of work by the Los Angeles painter Aaron Elvis Jupin and Rhode Island-based sculptor Zach Martin — makes easy, if admittedly still strange, bedfellows of the pair’s divergent mediums. The duo’s fascination with interiority sets the stage for a glimpse into some uncertain future, their works in harmony creating a sense of unease that speaks to a broader darkness ahead. The pieces in Familiars are subconscious, the artists asking us as much as themselves what will happen next.
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09.13.17

Excerpt: Exhibition

A Brooklyn Painter Moves From Two Dimensions to Three

The last time Landon Metz showed at the Copenhagen art gallery Andersen's Contemporary, he created a series of stretched, amorphous canvases, each stained a deep indigo that reached seemingly past the edges of the frame, with many that wrapped around the gallery's walls or door frames. That series, he said, stemmed from an effort "to make the medium of painting more interactive and experiential, and to integrate it into the surrounding environment." His most recent exhibition for the Danish gallery, which opened late last month, takes that notion one step farther.
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07.27.17

Up and Coming

Gradients and Bands of Gold: Jonny Niesche’s Mesmerizing New Paintings

For the Sydney-based, Australian-born artist Jonny Niesche, one of the more transformative moments of his career occurred while studying abroad at the Academy of Fine Arts in Vienna. During a crit, a mentor likened Niesche's work to a Tumblr, meaning that he hadn’t yet established enough parameters or guidelines for his practice — or, in other words, the things that might make his work stand out as his. “As long as you think about the principles of your work, then it can be your work no matter what material or form it comes in,” he was told.
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07.18.17

Excerpt: Exhibition

Visiting Brian Rideout’s New Show Is Like Walking Into One of His Paintings

Canadian artist Brian Rideout's paintings are inspired by amazing art-filled vintage interiors he finds in old magazines and DIY books, and at his new show, they're installed in a very unique, very meta way: with period-appropriate paintings by Al Held, Fernand Leduc, and Guido Molinari sprinkled in between them, and a "living room" full of vintage furniture placed in the middle of the room, so that the gallery effectively becomes a 3-D representation of the spaces depicted in his canvases.
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06.20.17

Sighted

When Paintings Become Sculptures: Jaime Keiter’s Frank Stella–Inspired Ceramics

When Jaime Keiter made a move to Atlanta last year, she decided it was time focus on her artwork, which included a series of simple, geometric pencil drawings on paper. “Moving to a new place gave me a new perspective on life, and I had less pressure to make art that was formulaic,” explains Keiter. After a friend suggested they join a ceramic studio on a whim, Keiter’s vision for her one-of-a-kind ceramic sculptures became fully formed. “I had been thinking of a way to make paintings that are unexpected — in a medium other than paper and wood. In the ceramics studio, it all sort of clicked."
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03.28.17

Sighted

Brian Rideout Makes Art For Design Lovers

Brian Rideout's American Collection Paintings are meant to transform the interiors images he finds in old decorating books and magazines into archival records of time and place: “A contemporary reference to the Flemish collection paintings of the early 17th century, American Collection Paintings … aims to reorient these glossy commercial examples into historical documents,” he says.
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Nationale Portland gallery
03.23.17

Excerpt: Exhibition

This Portland Gallery Has Shown Only Female Artists Since the Beginning of 2017

Nationale is an art gallery in Portland, Oregon that represents eight emerging artists: four male, and four female. But since the beginning of 2017, the gallery has shown three female artists in quick succession — Amy Bernstein, a painter; Francesca Capone, a textile artist; and Emily Counts, a sculptor; whose work is everything we look for in a Sight Unseen subject — colorful, multidisciplinary, and meaningful. And while directors May Barruel and Gabi Lewton-Leopold swear that the suddenly gendered roster wasn't purposeful, it certainly feels refreshing in the current climate.
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03.07.17

Fair Report

30 Artists and Galleries We Loved During New York Art Week 2017

We can't quite put our finger on what it was that made this year's Armory Arts Week feel so fresh. Was it the new venues? After all, NADA moved from Basketball City to Skylight Clarkson North, while Spring/Break moved from the old Post Office to an ex-Condé Nast office at 4 Times Square. Was it the fresh blood — the fact that NADA was even there at all, after years of coinciding with May's Frieze Fair? Or maybe it was simply the weather — we made the rounds on a gorgeously sunny Thursday that made the views at Spring Studios' Independent fair even more glorious. Whatever the case, we found much to love
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Scot Heywood
02.14.17

Excerpt: Exhibition

A Master of Perceptual Motion, Inspired by Mondrian

In his bold-colored and paneled paintings, textured by a variety of brushstrokes, Los Angeles artist Scot Heywood finds ways to generate perceptual movement and subtle energy. His exhibition of recent paintings, called “Scot Heywood: Shift ǀ Stack ǀ Sunyata,” are on view through the end of February at Peter Blake Gallery in Laguna Beach, conjuring parallels to the geometric styles of Piet Mondrian.
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