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06.30.21

Interiors

You’ll Want to Move In to the Hovey Sisters Latest Styling Project — And That’s Kind of the Point

If you're not one of the 12.5K people who follow sisters and expert home stagers and stylists Hollister and Porter Hovey on Instagram, what are you waiting for? We've long been fans of the Hoveys style, which mixes big-box basics (like a double-cushioned white West Elm sofa that pops up in many of their projects) with vintage Italian and French midcentury pieces picked up at auction and accessories that were, at least pre-pandemic, often brought home from the sisters' travels to places like Mexico City, Los Angeles, and Madrid.
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06.25.21

Excerpt: Exhibition

A New Exhibition in Los Angeles Presents “Objects as Aura”

Closing this Sunday is an exhibition in Los Angeles, called SIZED, that aims — as LA residents emerge into a newly reopened city — to recapture some of the magic of in-person, pre-pandemic events. Curated by Alexander May of Offsite.Studio, with all items available to purchase, the exhibition gathers together hundreds of objects that address our desire to collect.
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06.08.21

Sighted

The Designer Making Chairs From Discarded Puffy Coats

If you're like me — and by that I mean you spent a very cold, COVID-filled winter socializing outside — you might be ready to never see a padded puffy coat again. But I was thoroughly charmed by the work of South Korean designer Jinyeong Yeon, who uses padded goose down jackets, which remained unsold by fashion brands and manufacturers, as upholstery for his series of puffy chairs.
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06.07.21

Excerpt: Exhibition

Step Inside Object & Thing, An Intimate Art Exhibit at the 1955 Home Gerald Luss Built for Himself

The new Object & Thing exhibition, created in collaboration with Blum & Poe and Mendes Wood DM at the Gerald Luss House in Ossining, New York, opened on May 7. Since then, I've basically treated it like the design equivalent of the Mare of Easttown finale, trying to shield myself from spoilers on social media until I could visit in person last Friday. And yet, when I got there, I realized that this was a relatively pointless task: No image can replicate the feeling of stillness that comes from being inside a house that's as well-considered as the Luss House, and no Instagram tour can capture all the details that make this particular collaboration so satisfying.
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06.06.21

Saturday Selects

Week of May 31, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an Israeli furniture showroom with a Barragán-inspired look, a French housewares company with a stellar line-up, and — stay with us here — a very sexy new slidable door system.
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05.26.21

Fair Report

A Sneak Peek at Collectible Design’s First Fully Digital Fair, Happening This Weekend in Brussels

Collectible, the long-running design fair in Brussels, was one of the last fairs to slip under the wire last year just as COVID was beginning; we remember having a phone call with our solo exhibitors, Ben & Aja Blanc, asking if they felt safe enough to go. But though the fair went off without a hitch last March, due to changing restrictions in Europe, organizers Clélie Debehault and Liv Vaisberg decided to take the fair fully digital this year, introducing a new platform called Collectible Salon, which runs online from May 28-30 and concurrently with events around town.
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Matthew Byrd Noguchi stone sculptures
05.19.21

Sighted

Using Stone That’s Destined for the Dump, Matthew Byrd Creates These Interlocking, Noguchi-Inspired Sculptures

As a sculptor and stonemason, artist Matthew Byrd spends a lot of time driving around his hometown of Raleigh, North Carolina. Much of that time is spent looking at old buildings for inspiration, noticing how one intersects with the roof of another, trying to figure out how he can translate those moments into his stacked stone sculptures. But his travels often have a more practical purpose as well — late at night, Byrd drives around scoping out abandoned lots or construction sites from which he can gather raw material that would otherwise be destined for the dump.
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05.18.21

Q+A

In Her Paintings, Becky Suss Creates Real or Imagined Interiors From Memory

Because we don't cover art as our primary discipline here at Sight Unseen, we typically discover artists a bit more slowly than we do designers, and usually by way of gallery shows, art fairs, or Instagram wormholes. But I discovered Philadelphia-born painter Becky Suss in perhaps the most Sight Unseen — or at least the most me — way possible: Her 2016 painting, August (above), adorns the cover of LA harpist Mary Lattimore's Hundreds of Days, one of the many albums that helped propel me through the emotional black hole that was 2020.
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05.04.21

Sighted

Molecular Biologist By Day, Ceramicist By Night: How Science Informs Abid Javed’s Art

The Hong Kong–born, London-based artist Abid Javed became a ceramicist almost by accident: While studying for his PhD in biochemistry, Javed began searching for a medium he could dabble in to fulfill a desire to make 3D forms inspired by molecules. "I considered glass initially, but it seemed too technical to pursue as a hobby," Javed recalls. "Ceramics felt and became more intuitive." A hobby soon became a full-blown art practice; the resulting series is called Pleomorphs.
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05.03.21

Excerpt: Exhibition

Motherhood — And the Ways In Which It Challenges Us to Create — Is At the Center of This Exhibition

The idea for Egg Collective's third "Designing Women" exhibition was born long before the pandemic struck. Back in 2018, Egg's co-founders — Hilary Petrie, Crystal Ellis, and Stephanie Beamer, along with Ellis's sister, the artist Tealia Ellis Ritter — had the idea to curate a selection of female artists and designers who also happened to be mothers, and who often worked with or chafed against the constraints of motherhood in order to create.
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04.30.21

Excerpt: Exhibition

A New Gallery Show in London Takes Wood to Unexpected Places

Maybe it's because I've been watching Ellen's Next Great Designer (which, honestly, you should be as well, it's highly entertaining and it features THREE former Sight Unseen subjects!), but an exhibition where designers riff on the range and versatility of wood feels extremely low-stakes. (Also not a knock; it's an appropriately sized brief for coming out of a year of lockdown). But that's also what makes it all the more impressive that Gallery FUMI's first exhibition of 2021, called The Beautiful Grain and featuring 11 of the gallery's artists, should be so insanely inventive.
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