Week of April 20, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Three particularly timely design objects that launched in Milan, one peculiar woven-glass lamp that didn't, and a show by the design world's most beloved artist, Carol Bove, pictured above.
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At the 2015 Milan Furniture Fair, Part II

Yesterday we introduced you — both on our site and in a massive Facebook album — to all the wonderful objects we photographed while design-hunting our way through the Milan furniture fair. But thanks to seriously horrendous lighting (we're looking at you, Rho Fiera), the times we were in a hurry, and the times our camera just couldn't seem to grasp the concept of white balance while in the presence of LEDs, we couldn't possibly capture a great image of everything we saw that deserved coverage. That is where today's post steps in: Here, we bring you the best press images we gathered of all our favorite designs at this year's Salone, with nearly 50 more on offer over on Facebook.
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Thévoz-Choquet’s New Marble Accessories Collection For Bloc Studios

Over four days spent in Milan last week at the annual furniture fair, we saw dozens of exhibitions, spent 9 hours at the fairgrounds, and shot more than 800 photos. Pretty overwhelming. While we take a moment to regroup and put together our official coverage, which starts tomorrow, we figured we'd share with you one of the few projects that we didn't photograph in Milan, but didn't need to — SU alums Josephine Choquet and Virgil Thévoz launched an extensive new collection of marble tables and housewares with the Italian marble producer Bloc Studios, and thanks to the duo's superior art directing skills, it came complete with the perfectly styled set of images you'll see after the jump.
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Los Angeles Ceramicist Ben Medansky

Anyone familiar with the work of Los Angeles ceramicist Ben Medansky would be surprised to learn that, when he was a student at the Art Institute of Chicago, his work was actually colorful, spanning the full spectrum of glaze hues. But after he graduated and went to work for a succession of other artists — among them the Haas brothers, who hired him to set up and run their in-house ceramics shop, and Peter Shire, for whom he spent a sweaty summer splatter-painting dishware — he decided he needed to find his own signature style, so he abandoned color entirely upon setting up his own studio in 2012 and started by focusing exclusively on form. The strong, graphic shapes he’s been creating since, all in earthy orange stoneware peeking out from under a speckled-white glaze, have become instantly recognizable in the contemporary ceramics scene.
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These New Copper Vessels Will Make Your Houseplants Unkillable

Ask anyone what kind of houseplant you ought to get if you're cursed with a black thumb, and you're nearly always regaled with tales of the wonderful, unkillable qualities of cacti and succulents. But frankly, we've had bad luck with more than a few of that breed. Été Studios, a new product-design studio based in Seoul, Korea, is here to help. Their first line of products consists of a series of vases and pots specially designed to make growing cacti and succulents easier. Larger vessels are made from copper, a material known for its antimicrobial properties that inhibit bacterial growth, and smaller, hydroponic vases are made from two parts.
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Brook & Lyn, Los Angeles Furniture Designers

The precision-machined brass bars lining the base of Mimi Jung and Brian Hurewitz’s Pepto-pink sofa? They’re a doggie jail. At least they were, conceptually speaking, intended to be; the couple lives with three dogs in Los Angeles’s Mt. Washington neighborhood, and Truffle, the most diminutive of the bunch, necessitated the arrangement. “If you give her six inches of space underneath anything, she’ll steal things from around the house and drag them in there,” says Jung. “I wanted to make a couch that had prison bars for her, so she couldn’t get in.” Granted Jung started out sketching metal poles and wound up creating a system of stunning, diagonally canted fins that subtly shift in appearance depending on one’s vantage point, but the sofa overall was — like much of Brook & Lyn’s work — designed to serve very specific, very personal needs. Since they moved from Brooklyn to L.A. a year and a half ago, Jung and Hurewitz have been populating the studio's portfolio with pieces they’ve created for themselves, and their new home.
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Week of March 30, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was all about designers doing mesmerizing things with very simple shapes: from Nendo's new color-gradient cube tables to a series of interactive geometric projections to the London grad who's pushing the boundaries of jewelry with his mixed-material compositions (pictured).
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Acme Releases Deadstock Memphis Objects

It was only a week and a half ago that we reported on a cache of original, made-in-the-80s Memphis jewelry designs that the brand ACME has spent the past few months pulling from its archives and posting for sale on its Legacy website (where it appears that even more designs, particularly those by Peter Shire, have since been added). But we had to come in for round two today when we found out that, just this morning, Acme unleashed the motherlode: actual objects, long unavailable and highly rarefied, by the likes of Ettore Sottsass, Andrea Branzi, and Aldo Rossi. Many of them are original prototypes, some of them are one-of-a-kind, and none of them were ever put into mass production. We've posted a selection of the offerings after the jump, along with the bits of history provided by ACME — get them before the collectors do!
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B-FIT Assemblage by Fact Non Fact

B-FIT, a project by the Seoul-based design collective Fact Non Fact, is the very definition of eye candy — the geometric shapes it comprises are meant not to function in specific ways, but merely to look pretty and highlight the materials they're made from, which include iron, brass, plaster, terra cotta, marble, wood, glass and concrete. If "A-FIT," according to Fact Non Fact, refers to all the objects in our lives that are optimized for specific functions, like chairs or door handles, "B-FIT" refers to the kinds of objects that aren't. After making the pieces, designers Jinsik Kim, Yuhun Kim, and Eunjae Lee brought them to life in three ways: as a physical installation, as a conceptual deskscape, and as the Assemblage images you see here.
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Week of March 16, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a Bahamian ceramics wunderkind Instagrams her way into our hearts, a group design show makes us wish we lived in Saint-Étienne, and two Greek designers kill it with the most beautiful house (above) and choker necklace we've seen in recent memory.
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Acme Legacy’s Archival Memphis Jewelry

After our recent post on jewelry created by famous '80s-era Memphis-group architects, readers came to us asking where they could find the pieces (good luck), while even copies of the out-of-print book we pulled the images from immediately became exponentially harder to procure (for under $350, at least). And so despite the excitement the post generated, it was destined to remain a mere digital artifact for most. That's why we were so happy to discover, shortly thereafter, Acme's Legacy collection, through which the 30-year-old accessories brand — which these days focuses on designer pens — has been quietly pulling Memphis jewelry pieces out of its archives and making them available for sale at shockingly reasonable price points. From 1985 to 1992, Acme founders Adrian Olabuenaga and Leslie Bailey produced more than 100 different earrings, brooches, and necklaces by design titans like Ettore Sottsass, Joanna Grawunder, Alessandro Mendini, and George Sowden, a big chunk of which are now up for grabs on its Legacy page. We asked Olabuenaga a few questions about the history and future of the project.
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French Illustration Duo Atelier Bingo

Someday, when someone writes the definitive book looking back on how the internet changed life in the 21st century, they'll include stories like Atelier Bingo's: After living in Paris for two years post-graduation, Adéle Favreau and Maxime Prou decided on a whim one day to leave their burgeoning graphic design careers behind for a life in the countryside, and guess what? It didn't make a lick of difference. The pair now run a bustling illustration studio from a converted factory in Saint-Laurent-sur-Sèvre owned by Favreau's uncle, and thanks to the magic of email, it hasn't stopped them from selling prints online and working with clients like Vogue, The Plant, and Wrap Magazine, plus companies they did graphic design for back in Paris, now three hours away.
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