Week of March 1, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A glimpse into the past (the three-year-old side table, pictured above, we can't believe we overlooked), present (six can't-miss art exhibitions happening now), and future (four pieces launching in Milan next month).
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Still Lifes by Belgian Photographer Frederik Vercruysse

Still life photography is having a big week on Sight Unseen — yesterday we featured a pair of stylists who built their reputation on it and are now moving into interiors, and today we're highlighting a photographer who approaches shooting interiors just as though they were still lifes. Belgian-born talent Frederik Vercruysse, in fact, describes his entire body of work as "still life photography in the broadest sense of the word," according to his website, applying the approach not just to interiors but to portraits, fashion shows, and the occasional landscape as well (for clients like Wallpaper magazine, Sophie Buhai, and Muller Van Severen). But then, of course, there are his actual still lifes, which we've decided to focus on here. Shot mostly for magazines, they represent the purest form of his aim "to photograph the subject in its purest form."
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Dusen Dusen Home

The past few years have proven that — every once in a while — a fashion label can make a successful, mostly non-embarrassing crossover into furniture and housewares. Margiela, Hermès, and Rick Owens all come to mind, but who better than a textile designer to make the leap? At last week's Capsule show, Ellen Van Dusen of the Brooklyn-based clothing brand Dusen Dusen launched a brand new line of soft goods for the home that feature her signature geometric patterns — sheets, blankets, rugs, towels, pillows, and a pouf — and the extension feels totally natural, like it was meant to be. Today she's giving Sight Unseen a first peek at the line's lookbook photos, which were shot by SU contributor Brian Ferry and feature cameos by both SNL comedian Aidy Bryant and Van Dusen's official canine mascot, Snips.
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Cave Collective, Artists

We discovered Cave Collective by way of their jewelry, which we spotted at the boutique No. 6 in New York, this past October. In late November, we shot founders Cat Lauigan and Alex Wolkowicz in their Greenpoint workspace. Then, by the end of January, we found out that they'd dismantled most of the studio and jewelry line, that Lauigan had relocated to California, and that both artists were focusing on their individual practices until they figured out what to do next. And yet by that point, we knew enough about Cave Collective to take the news in stride — ever since Lauigan and Wolkowicz began their collaboration in 2010, it's been an endlessly shape-shifting and exploratory project, one that's seen them living thousands of miles apart for nearly as long as they've lived in the same city.
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Hotel Covell Is Now the Place to Stay on L.A.’s East Side

There was a time, not so long ago, when visitors to New York wouldn't dream of staying anywhere but Manhattan — that all changed, of course, as soon as Brooklyn became an international brand with Williamsburg as its capital, spawning hotels like the Wythe and the Mccarren. Airbnb's rise has also inspired adventurous travelers to fan out to all sorts of peripheral neighborhoods in big cities around the world. And so it's inevitable that a place like Los Feliz, an epicenter of Los Angeles's east-side hipster scene, recently joined the hospitality game, with the opening of the five-room Hotel Covell. Sitting above a popular wine bar of the same name, it pairs a few familiar boutique hotel tropes (thrift-store art, vintage record players) with amazing furnishings by some of our favorite local designers, including Eric Trine, Brendan Ravenhill, and Atelier de Troupe.
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Week of February 16, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: two new designs by American Design Hot List alums, a solo show by a master of Mono-ha, and various accoutrements for the chicest breakfast table ever, including marble egg cups and this epic speckled pitcher by BTW Ceramics.
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The Hollyhock House Shot by Gaea Woods

If you'd happened to wander into L.A.'s Barnsdall Art Park in the middle of the night last Friday, you might have assumed there were concert tickets, or some newfangled iPhone model, about to go on sale the next morning: even into the wee hours, a line of people three hours long snaked all around the property. Amazingly enough, though, the massive crowd had turned out not to buy something but to experience the re-opening of Frank Lloyd Wright's landmark 1921 Hollyhock House, which we overheard certain over-caffeinated line-goers describe as "super hyped." Built in 1921 in the so-called California Romanza style, the theater and home turned museum had been closed to the public for more than three years for restoration, and the city was celebrating the unveiling of its face-lift by giving the public continuous free access for 24 hours. We figured the best way to mark the occasion was to send a photographer to shoot the house after dark, a task we entrusted to the up-and-coming L.A. photographer Gaea Woods.
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Valentin Dommanget, Artist

Like most visually inclined folks his age, 25-year-old French artist Valentin Dommanget — who studied fashion as an undergrad before receiving his MFA at Central Saint Martins last spring — grew up with a steady diet of internet art. Having internalized a certain digital aesthetic that embraces all things geological and hypercolor, natural yet unnatural, he created a series of paintings that take those virtual influences and represent them through actual real-world handicraft, pairing paint-marbled canvases with torqued stretchers that mimic some kind of Photoshop rotation effect. Pictured above and below are selections from that series, plus other pieces that apply the same techniques to concrete tables, paper books, framed canvases, and crooked canvases that appear balanced atop geometric plywood cutouts.
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Andrew O. Hughes on DeWain Valentine

Our first-ever From the Archives post, which looked back at William Sklaroff's mid-century desk accessory set Radius One, dates back to November 10, 2009 — the very first day of Sight Unseen's existence. But after that, the column pretty much petered out, partly because we didn't have the time to research it properly and partly because, with millions upon millions of wonderful old things to potentially highlight, how could we ever choose just one? We've officially solved that problem today with the launch of our new and improved From the Archives series, in which designers and artists will do all the work for us: Each edition will invite a talent we admire to give a little history lesson on someone from the past who's had a strong impact on their work. Our first subject is Brooklyn glassmaker Andrew O. Hughes, speaking about the California Light and Space sculptor DeWain Valentine (no holiday-themed pun intended).
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Our Valentine’s Day Gift Guide

If you're anything like us, the idea of receiving a big, overpriced bouquet on Valentine's Day seems not only a little bit schmaltzy, but also a little bit of a waste, with all the amazing design objects out there your significant other could be spending his or her money on. Isn't it more romantic or them to be so thoughtful as to gift you something you might really, actually want? With that in mind — and with a little nudge from our friends at Aether, whose strikingly minimalist Cone speaker we had on our own wish lists long before they reached out to us — we present the first ever Sight Unseen Valentine's Day gift guide, featuring 11 items guaranteed to melt the heart of any design-lover in your life.
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Week of February 2, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: two groundbreakingly gorgeous ways to hang your clothes, two making-of videos featuring Misha Kahn and Rafael de Cardenas, and two of the hottest Mexican talents to come out of the Zona Maco art show.
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Daniel Steegmann Mangrané’s Steel Curtains

We first caught sight of one of Daniel Steegmann Mangrané's colorful curtains at Esther Schipper gallery's booth at Frieze New York last year, where we couldn't stop taking pictures of how nicely it framed the crowds rushing by on the other side. But we'd forgotten all about the Spanish-born, Brazilian-based artist until more of those curtains popped up on Sight Unseen contributor Su Wu's blog I'm Revolting last week. Steegmann appears to have a very philosophically rich practice, full of meshes and grids and insect forms that reference Brazilian oil laborers and the writings of Roger Caillois, but the curtains, from what we can tell, are pure formalism, and the best kind — they completely transform your experience of a space. They curtains themselves are made from steel mesh and produced by a Spanish interiors company called KriskaDecor, but with geometric cutouts lined in laser-cut and powder-coated steel frames.
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