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Meet The RISD Grad Pushing Pastel Pulp To The Forefront of Sustainable Design

Twenty-two-year-old Mike Ruiz-Serra grew up in Westchester, a great vantage point from which to peer in on New York’s constantly evolving design scene. And for his first collection as an industrial design graduate from RISD, he cites barely-older-than-him contemporaries like Zach Martin and Thomas Barger as people whose work helped him to understand the full potential of his favored medium: paper pulp.
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Get Ready To Fall In Love With Caudex Studio, Brooklyn’s Haute Couturier Of Ceramics

Caudex Studio is something of a secret, if anything with a website and an Instagram account could be considered as such these days. Launched late last year by fledgling ceramicist Éloïse Larochelle (who cut her teeth in fashion design in Givenchy's atelier and—in case those cross-disciplinary bonafides don't suffice—had the brand's logo designed by a friend at M/M Paris), Caudex planters are one-of-a-kind, wheel-thrown and made in two pieces—a drainage-friendly top set on a glaze-lined base that collects water, "for optimal plant health."
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Matthias Selden

Sorry, Hygge Hive — Mattias Sellden Just Took Nordic Design Out Of Its Comfort Zone

For Swede Mattias Sellden, the first step towards making a name for himself was, for better or worse, admitting that he wanted to. “For me, even showing what I do was a hurdle. I still don’t have a website and I started my Instagram only in August of last year — three months after my graduate exhibition.” Sellden chalks this reticence up to the Nordic code of conduct known as Janteloven, which he describes as “the very Swedish notion not be a show-off.”
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Week of January 27, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a burgundy banquette comes with a matching deeply-hued dining table, a new Brooklyn-based ceramics studio run by a couturier (or close enough), and one more memorable find from Maison & Objet.
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Guide to Mexico City

A Tour of Mexico City’s Secret Spots With One of Its Biggest Tastemakers

Despite being a recent transplant, Su Wu — who rose to prominence as a writer and curator with her cult-favorite blog I’m Revolting — is already a fixture on the local art and design scene in Mexico City. Spending the day with her would be a dream assignment for any design writer, or really anyone who considers themselves a fan of good things and great stories. From her family home to an all-but-lost Noguchi mural tucked away above a bustling downtown market, Wu’s vision of Mexico City stays true to her own compelling vernacular.
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Inside the Mind-Blowing Live/Work Compound of Mexican Artist Pedro Reyes

The sprawling studio compound of Mexican artist and designer Pedro Reyes is as much a laboratory as it is a factory — an environment with controlled variables and a given set of inputs working toward a desired outcome, whether that’s the downfall of Jeff Bezos’s Amazon or simply preserving outmoded technologies. Reyes is preoccupied not with objects in and of themselves, but how they’re made, why they’re made, and how they in turn shape us.
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Week of October 22, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: new Nordic rugs, a few fine configurations of brass, and a retail space that proposes a new feminine aesthetic—or does it?
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Week of October 1, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was an interiors goldmine, from a luxe Tribeca apartment designed by ASHNYC to Studiopepe’s first coffee shop to a Russian pizzeria we’d happily move into (above).
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Week of September 10, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Your weekly pink interior from Melbourne, enigmatic lighting inspired by the Wiener Werkstätte (casual!), and an expansive exhibition that confronts the limits of materiality.
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