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03.04.19

Excerpt: Exhibition

A Showcase for Experimental Craft — And Iridescence — On View in London

Like Salon in New York, the Collect fair in London has recently evolved to become a platform for enabling more risk-taking work, showcasing the latest possibilities, processes, and technologies at play in the field of making. The peripatetic London gallery Seeds, a longtime SU favorite, returned to the fair this year with newly commissioned works from nine contemporary designers.
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02.28.19

Excerpt: Exhibition

In a New Show, a 3D Artist Tries His Hand At Something New — Making Furniture

This week, in a bit of a twist, 3D artist Andrés Reisinger brought one of his metaphysical spaces to life: For one of Chamber Projects' bi-monthly Quick Tiny Shows, curated by Juan García Mosqueda and held in the courtyard of RIES's studio, Reisinger created three design objects — a lamp, a curtain, and a snakelike silver seating unit meant for group lounging, John Chamberlain-style.
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02.11.19

Excerpt: Exhibition

A Brand New Design Gallery in Mexico City Just Launched With an All-Star Lineup

MASA was inevitable, and MASA was what we'd been waiting for — a stake planted for high-end design within the cultural renaissance happening in Mexico City right now. Everyone talks about the city's epic food scene, and its influential art galleries, and the Zona Maco fair, and the budding starchitects building fancy museums. There's even a Design Week Mexico and a couple of good design galleries working with local talents. But before MASA debuted this past week, with an exhibition of furniture and lighting by 15 of the city's top artists and designers, there wasn't really a definitive platform for contemporary experimental design, at least not one as ambitious as this.
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11.20.18

Excerpt: Exhibition

At Paris London Hong Kong, a Danish Artist’s Spare, Self-Contained Vignettes

What is it about self-contained vignettes — in which the artist creates not only the work but also the structure the work sits upon — that are so pleasing? This is the second exhibition of its kind that we've featured this week, in which the plinth is part and parcel with the piece: Called "Bit by Bit Above the Edge of Things," Danish artist Marie Herwald Hermann’s first exhibition at Paris London Hong Kong in Chicago presents six of these tableaus — primarily made from porcelain, stoneware, and silicone — framing a small room punctuated by a seventh piece in ceramic, fiber, and wood.
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10.29.18

Excerpt: Exhibition

The Matisse- and Picasso-Inspired Danish Artist On the Brink of Stardom

It’s hard not to look at Christiane Spangsberg’s paintings as a cross between Matisse and Picasso, but when you start really exploring the simplicity of the lines, the additions of a lilac or pink or teal, and the titles of the works — they become so much more. The Copenhagen-based artist has found a way to explore the perception of people in their daily and digital lives through her emotive portraits.
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10.23.18

Excerpt: Exhibition

You’ll Never Guess Which European Metropolis Inspired Svenja Deininger’s Latest Body of Work

Sometimes the reason you are drawn to one piece of art or another is obvious. In the case of Viennese artist Svenja Deininger — who opens "Crescendo," her third solo exhibition at Marianne Boesky Gallery, this Thursday — we could say it is because her work falls somewhere pleasingly on the spectrum between figurative and abstract. At its most abstract, it resembles the color-field painters we espouse so heartily on this site; at its most figurative, there is something almost Hockney-esque about her canvases. But sometimes the reason you are drawn to one piece of art or another reveals itself to you only later.
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