Parisian interior design duo Hauvette & Madani, who we interviewed a few months ago, just completed a new project — a former farm turned holiday home outside of Paris — and it has everything we could possibly want in a vacation house. The interiors of the stone farmhouse are bursting with the warm touches and earthy palettes we’ve come to love about the duo’s work: pale wood-clad accent walls; arcade-like arched walls in the joint living room and kitchen; patterned tiled floors; and a glossy white ceramic hearth that looks like it’s going to do numbers of Pinterest. The four bedrooms are even full of vintage pieces that you can take home, at a price, including ’70s chrome side tables, Art Deco chairs, and brass Jacques Biny appliqué lamps. The outside isn’t too bad, either. The complex, in Cogners, near the wine producing Loire Valley, sits within two hectares of private parkland complete with rolling hills and a quaint waterfall, as well as the idyllic surrounds of the French countryside at your doorstep. And the best part? You can rent it all yourself.

Architect Jeff Shelton has spent his career re-contextualizing the streets of Santa Barbara, California. Whether for residences, businesses, or — soon! — public infrastructure, amidst the endless white “Spanish-style” buildings that define the city, Shelton's whimsical reimagining of the familiar plaster forms stand out. Squiggly purple metalwork, psychedelic patterns, irregular voids, curiously slumped volumes, and unconventional glasswork create structures that, while remaining distinctively Santa Barbara, are also unquestioningly his own.

Post Service, designed by the Copenhagen studio Tableau, offers an entirely new way of thinking about the mental health conversation — that instead of "earth tones and fluffy couches," sterility and sameness, a wellness clinic focused on the mindfulness practices around grief might offer an array of beautiful colors and inspiring designs.

When we think of the Mediterranean island of Sardinia, certain colors come to mind: teal, for the brilliantly blue waters of the coast; terracotta for its lush buildings and native ceramics; and taupey brown for the nuraghi, a series of mysterious Bronze Age stone ruins shaped like beehives that dot the island. Gray, as a hue, definitively doesn't appear anywhere in that palette. And yet when speaking of what inspired their Porto Cervo interior for the fashion boutique Modes, the architects Gonzalez Haase pay homage to the non-color.