The Best of the 2022 Salone Del Mobile — Part IV

Our fourth — and biggest — Salone del Mobile round-up of 2022 finishes up our overview of in-town presentations, with a few Rho Fiera stragglers and a whole lot of the neighborhood-based fair 5Vie, which launched in 2013 and is still going strong.
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The Best of the 2022 Salone Del Mobile — Part III

Our third Salone del Mobile round-up of 2022 picks up where yesterday's grab-bag of in-town shows left off: We're staying inside (well, and just outside) Milan's inner ring, sweeping up another round of the brand presentations, bar and restaurant pop-ins, installations, and collaborations that didn't live at the fairgrounds or at Alcova.
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The Best of the 2022 Salone Del Mobile — Part II

For our second Salone del Mobile round-up of 2022, we're taking you on a trip around town. For anyone who has never been to the Milan furniture fair, it's a bit impossible to grasp just how many things there are to see, and reader, we won't be showing you all of it. But please enjoy a sampling of our favorites.
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The Best of the 2022 Salone Del Mobile — Part I

After a rocky two years, life is inching closer to normal these days, and one could use the design-world fair schedule as a barometer: After outright cancellation in April of 2020, the annual Salone del Mobile in Milan managed to squeak through a mini-show in September, only to come back with full force last week just in time for its 60th anniversary. More than 2,000 exhibitors showed at the fairgrounds this year — which we're recapping today — and we walked away from all the huge Italian dinners, garden parties, and launch presentations feeling like our sanity had finally been restored.
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Atelier Areti Adds A Joyful Dollop of Color to Its Latest Collection of Lights

Starting from the notion that an archetypal light is composed of a base, an arm, and a source of illumination, Atelier Areti set out to transform one of these three elements in each light in their new Elements collection, playing around with geometries, angles, and inversion in a way that feels both off-kilter and perfectly balanced. Restricting themselves when it comes to shape and form, they’ve taken a lot more liberty with their palette: It’s the first time they’ve used color across every piece in a collection, juxtaposing a variety of greens, yellows, reds, and blues.
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A Surrealist Wine Label, and Other Graphic Design Picks For June

Each month The Brand Identity shares with our readers a selection of the most interesting studios, packaging designs, and branding and identity projects featured recently on their site. This month: an uptown hotel with a new downtown vibe, a Mallorcan yoga studio identity inspired by Joan Miró, and a Surrealist wine label that celebrates the unexpectedness of every vintage (above).
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This Copenhagen Gallery’s First Show Features a Cheese Cracker–Like Room Divider

Copenhagen may be famed for Danish Modern furniture, but the contemporary designs on show at a new gallery in the city’s Østerbro neighborhood are decidedly more exciting (for us, anyway). The debut exhibition at Carlota Oyarzun gallery occupies two rooms of a private residence, which boasts historic details and enviable herringbone floors. In wonderful contrast to the period features, the group show, titled It Will Follow, brings together 14 local and international designers who explore “how bold materials are adapted to function with simplicity in form and subtle detailing.”
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Casey McCafferty sculptural furniture

Casey McCafferty’s Mythological Furniture Keeps Getting Bigger

Whether it’s Aztec carvings, Native American totems, Norse idols or African masks that you see in Casey McCafferty’s work, the Los Angeles and New Jersey–based designer uses mythology from all of these diverse cultures to inform his fantastical furniture creations. Heavily influenced by Joseph Campbell and Bill Moyers’ The Power of Myth conversations, as well as historical science fiction, he blends characters from archeology and lore with shapes found in nature when carving pieces from wood and stone that each have their own personality.
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Week of May 30, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a dream house outside Lisbon, a tulip-shaped lamp that's got us nostalgic for our childhoods, and the absolute coolest co-working space we've ever seen, courtesy of Maniera gallery.
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Gabrielle Teschner on Why Being an Artist Is a Job You Can’t Lose

Gabrielle Teschner’s signature “Sculptures-That-Are-Flat” are made of individually painted planes of muslin that are stitched together, then ironed. Their scale ranges from hand-held (called ‘Minutes’ and measuring around 7x10 inches) to environmental, monolithic (up to 16x14 feet). Employing the symbolic and physical language of architectural forms, spatial relationships, and, often, weather patterns, Teschner explores dichotomies, concepts of strength and softness, force and flow, and phenomena of perception, among other impulses and ‘attractions,’ as she calls them. All of these are a way of understanding and questioning what it is to be in the world.
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Sight Unseen Book How to Live With Objects

We Wrote a Book! And You’re Going to Want to Drop Everything and Pre-Order It *Immediately*

We've written a lot over the past two years about people's pandemic projects — the creative things they holed up doing while the world was temporarily shut down — but you know what? We were secretly working on one, too, and it's a big one. Introducing How to Live With Objects, the first-ever Sight Unseen book: an absolutely gorgeous, 320-page coffee-table book, published by Clarkson Potter this fall, that champions a new approach to interiors — simply surrounding yourself with the objects you love. It comes out November 15, but it's available for pre-order now and we're doing our big cover reveal in the hopes that you'll do just that!
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Lesser Miracle’s Debut Solo Show is Fantastical and Deeply Felt

For some, a global pandemic was just the intervention they needed to change course or to finally give a latent vocation the opportunity to blossom. For Brooklyn-based art producer and sculptor-turned–furniture designer Vince Patti, a pandemic-enforced interlude of “being underemployed with a lot of time with my hands” — coupled with a newfound interest in the home environment — led him to escape more frequently to his Bed-Stuy studio. There, he began making side tables, dining tables, benches, and platform beds — and eventually hooked up with Mischa Langley, Patti’s now partner in furniture and life. Together, they formed the design practice Lesser Miracle, whose debut solo show at David Lewis’ home-cum-gallery in Chelsea is where we met for this interview on a sunny Sunday afternoon in May.
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