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04.18.22

Excerpt: Exhibition

Classic New Yorker Covers Influenced Atelier Jouffre’s New NYC Showroom

Who among us isn’t captivated by the depictions of daily life that grace the covers of The New Yorker every week? The ones by late illustrator Pierre Le Tan, however — who drew many a domestic scene for the magazine — were in fact the muse for a new NYC showroom for French upholsterers Atelier Jouffre. Designers Olivier and Clio Garcé — who recently moved from the city to Lisbon, where they set up their own studio, Garcé & Dimofski — transformed the industrial building in Long Island City into a space where artworks and design pieces are intended to “emerge from an illustrated dreamscape.”
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04.16.22

Saturday Selects

Week of April 16, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a Vienna Secession–inspired editorial, a futuristic department store in Seoul, and a new Italian furniture featuring a who's who of international designers. 
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04.13.22

Sighted

Fiona Lynch’s New Furniture Collection References Everything from Rudolf Schindler to the Ace Hotel Aesthetic

Melbourne-based interior designer Fiona Lynch's first furniture collection was spun out of her own interior design for the new Ace Hotel Sydney, which opens later next month. Before coming up with her ideas for the hotel’s rooftop restaurant spaces, Lynch traveled to New York City and Los Angeles as a kind of “study tour” of American design, visiting and drawing inspiration from the Schindler house, Frank Lloyd Wright's Hollyhock, and the Isamu Noguchi Foundation and Garden Museum in New York.
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Aaron Poritz sculptural wood furniture
04.12.22

Q+A

Aaron Poritz’s Henry Moore–Inspired Sculptural Wood Furniture is Next Level

Aaron Poritz's latest furniture collection — Big Woods, currently on show at Cristina Grajales Gallery in New York City — is both a fond look back at his childhood spent in the forests of Massachusetts, and an evolution of years spent working with, learning about, and appreciating the material for its visual, tactile, and workable qualities. His odyssey began in Nicaragua in 2012, where a chance encounter with an exporter of hurricane-felled trees resulted in the creation of his first range of wooden furniture. Focused on joinery techniques and traditional Danish shapes, and informed by his background in architecture, however, the designer’s initial work is miles apart the Henry Moore-influenced soft curves, organic shapes, and bulbous protrusions of the sculptural designs he’s currently exhibiting. 
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04.11.22

Excerpt: Exhibition

A New Show Highlights the Appealingly Messy Side of Contemporary Ceramics

Closing in Barcelona this week is an exhibition that celebrates some of the bigger trends in contemporary ceramics these days — namely bright, drippy glazes; lumpy, organic forms; and raw, tactile, fissured surfaces. Presented by Side Gallery, “Exposed Material” is an overview of work by four artists who span several generations and hail from places ranging from America to Auckland, New Zealand.
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04.09.22

Saturday Selects

Week of April 4, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, dinner party hosting as an extreme sport, exquisite new vessels by Shio Kusaka, and an excellent new exhibition exclusively focused on female and nonbinary woodworkers. 
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04.07.22

Q+A

This Housewares Brand Thinks the Future of Design Lies in Uniting 3D Printing With Contemporary Talents — and Traditional Artisans

In recent years, 3D printing technology has finally started to come into its own, making the dream of an on-demand manufacturing industry — one that yields products people might actually want — feel closer at hand than ever. That's the realization that inspired cousins Ismail and Adnane Tazi, who founded the Parisian housewares brand Trame in early 2020, to rethink their entire approach to production just two years later, culminating in the launch of their new Alhambra.gcode collection.
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04.06.22

Up and Coming

Introducing Manon Steyaert, the French Artist Making Plastics Look Pretty

By now, you might be aware that latex is having a bit of a moment in the fashion world. But have you ever seen sheets of the stuff applied to — or, more specifically, becoming — the canvas? We hadn't, or at least we hadn't seen instances where it was not only used but was in fact the main event, which is precisely why we found the work of Paris-born, UK-based artist Manon Steyaert so interesting.
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Theoreme Editions Collection 02 Sight Unseen
04.05.22

Sighted

Theoreme Editions’ New Collection Features Mirror, Metallics, and a Hint of Mint

Named after a 1968 movie by Italian director Pier Paolo Pasolini, the Paris-based brand Theoreme Editions describes its curatorial approach as embodying the same “fetish for form” and penchant for storytelling through art as Pasolini's radical film did. After presenting their debut collection of furniture, which we spotted during Milan Design Week in 2019 as well as at the 2020 Collectible Design Fair, founders David Giroire and Jérôme Bazzocchi invited 10 new French designers to collaborate with artisans across Europe. Intended as a continuity of the first, Collection 02 keeps a sculptural and poetic thread running through a range of numbered and limited editions.
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04.02.22

Saturday Selects

Week of March 28, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a new limited-edition program by Hem brings three of our favorite Swedish talents into the fold, a megastar mass-market designer creates marbleized housewares, and the checkerboard trend takes on an oh-so-British archetype — the toast rack. 
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04.01.22

Excerpt: Exhibition

In His First Gallery Show, Ryan Preciado Combines His Love of Wood, the 80s, and High-Gloss Finishes

L.A. designer Ryan Preciado traffics heavily in nostalgia, particularly for his own Cali upbringing: "When I was a kid, my grandpa would give me five bucks to buff and polish his cars; I bet that’s why I’m attracted to the glossy finish," he told us back in 2019. He also cited his grandmother's garden chairs, and his uncle's car-show habit, as formative design influences. All of those influences were on display in his first gallery show, A Cliff to Climb, at Canada gallery in New York earlier this month — including via a new, ultra-polished green cabinet that he created at his friend’s autobody shop. 
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