Oscar Piccolo’s London Home Is a Perfect Reflection of His Creative Approach

The first time we saw photos of Sicilian-born, London-based designer Oscar Piccolo's home, featured on The Modern House, we had to chuckle — it's not every day you find a guy whose name means "small" in his native Italian living in a cozy one-room flat in London. But the second time we saw it featured, on Architectural Digest's Clever site last week, where our very own writer Zoe Sessums described how Piccolo has thoughtfully transformed the space over the past three years, we began to notice all the ways in which his home suits him perfectly in more than just name.
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A New Exhibition Asks: Can Digital Representations Eclipse the Experience of Physical Objects?

Soft Baroque's "World of Ulteriors" exhibition at Étage Projects in Copenhagen, which closes this week, features many items that are simply variations on the duo's existing work. The new conceit here is the way in which these items are presented: In each vignette, a collection of furniture sits atop a curved, zero-horizon backdrop — something akin to a seamless, but here depicting a fictional interior that's completed by Soft Baroque's domestic objects.
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Week of June 10, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: four new options for filling up an empty white wall, an exhibition of color field paintings by German artist Ulrich Erben, and a new American-meets-Iranian furniture collab that includes the epic color-blocked pastel throne above.
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Six More Things We Loved at This Year’s Design Miami/Basel

The buzziest thing about this week's Design Miami/Basel show might have been the controversy over Virgil Abloh's collaboration with Vitra, but there were a few other major standouts we saw, such as Floris Wubben's increasingly complex and ambitious experiments with extrusion for The Future Perfect, stylist Connie Hüsser's curated object menagerie, and Franco-Danish duo OrtaMiklos's collection of blobby furniture inspired by Roman decadence. See all six projects we liked, after the jump.
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This is the Coolest Furniture Coming Out of Ireland By a Mile

If you happened to step into the new Orior showroom during New York Design Week, you were rewarded with a serious feast for the senses — plush, vibrantly colored velvets, deep green marbles and glossy woods, all of it showing the mark of impeccable craftsmanship. Here was Atlanta, a sinuous cobalt-blue sofa wearing a tasseled skirt, and Nero, a glossy oak table with a Brutalist marble base. There was Mara, a walnut and marble credenza fronted by varicolored leather doors, and Futurist, a muscular couch whose tomato-red leather cushions sit atop ebony legs. This, you realized, was furniture with personality, and the coolest thing coming out of Ireland by a mile. So where exactly did it come from?
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Philippe Malouin on How He Created What Just Might Be Basel’s Most Unusual Collection Ever

Every year, it seems like the contemporary work exhibited at the premiere design fairs gets more intricate and labor-intensive, more whimsical and wacky, more conceptual and process-driven. At this week's Design Miami Basel show, however, Salon 94 Design is departing from that convention in an epic way, with a presentation called Industrial Office that draws on basic ideas and questions from Philippe Malouin's work on commercial office furniture, but pushed to extremes in terms of materials, engineering, and fabrication. We spoke with Malouin to find out more.
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Four Emerging Artists Whose Work You Should Know Now

With the increasing blurriness of the line between design and art, it's difficult to have a comprehensive conversation about one without maintaining an awareness of the other. And so we make a constant effort to keep up with the art world, and keep an eye out for new talents that appeal to our aesthetic sensibilities. Today, we're sharing four up-and-coming international artists whom we bookmarked in the first half of 2019, and whose names you should know if you don't already — check out their work after the jump!
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Week of June 3, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a chair made from unrecyclable Styrofoam, lights that make us dream of seafood feasts, and punk-inflected marble — plus other highlights from this weekend's EDIT Napoli.
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The 21-Year-Old Cape Town Ceramicist Making Art Inspired By Gay Love

Under the name Nebnikro, Cape Town-based artist Ben Orkin makes lumpy and unusual ceramic vessels inspired by gay love. “I hope through my work to express the beauty of gay love in a world which mostly sees it as unnatural, destructive, and dangerous,” he says. His organic shapes are often symmetrical to reflect the connecting of two bodies — either physically or emotionally, or both.
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An Artist Responds to the Work of Victor Vasarely, Father of the Op-Art Movement

An internationally exhibited conceptual artist working in photography, sculpture, and installation, Oran Hoffmann was invited to the Fondation Vasarely in Aix-en-Provence in 2017, where he sifted through boxes of Vasarely’s tiles, parallelograms, serigraphs, and other ephemera used to inspire and lay the groundwork for the unusual architecture of the foundation and the optically boggling sculptures and spaces within. Hoffmann’s new book is the culmination of a year of research and working with Vasarely’s archives.
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In Copenhagen, A Colorful Showcase of Emerging Danish Designers

Among the highlights of last week's 3Days of Design in Copenhagen was DAWN, a showcase of 30 established and emerging talents at Nomad Workspace, curated by Spatial Code and Who’s Agency. Located in a former courthouse turned co-working space, the exhibition featured work by designers and brands like Kristina Dam and Friends & Founders alongside newer companies like Nuura Lighting, &drape, and Lisette Rützou.
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Italian interiors stylist Greta Cevenini

Meet Greta Cevenini, The Best Italian Interiors Stylist You’ve Never Heard Of

Greta Cevenini has been quietly circling behind the scenes of the Italian design world for the past few years, styling lookbooks for Spotti and cc-tapis and envisioning spreads for Icon Design; she most recently took the helm for Cassina’s new catalogue, which was released during Salone. Her work is quiet — cool and rich with light-touch visual references well before they become ubiquitous, leaning more on texture and subtle color variations rather than dramatic, scene-stealing statements.
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