Week of March 11, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A sneak peek at works bound for this year's Milan fair, our dream sofa in bright blue velvet, a new source for discovering Latin American design talents, and an alternative to terrazzo for anyone who's just about had enough.
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Think Women Are Underrepresented in the Creative Arts? This Exhibition Does Too

The design world hasn't yet grappled with the chronic underrepresentation of women by brands — the Instagram @showmealist was a good idea that seems to have sadly fizzled out — but female designers and curators are doing just fine supporting each other, thankyouverymuch. The latest is an exhibition at Ox Poblenou in Barcelona, inaugurated on International Women's Day and curated by Sanna Völker, a Swedish furniture designer and curator living in Spain.
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Five Artists We Loved At Armory Arts Week 2019

Armory Arts Week was admittedly a little weird this year. Collective Design took a sabbatical, as did NADA, which hosted a gallery open downtown in place of its sprawling art fair. Spring/Break moved out of its former Condé Nast digs and we never quite made it to the new location. And, oddest of all, the pier that typically hosts VOLTA showed structural damage at the eleventh hour, leaving a raft of galleries and artists homeless (some were folded into a last-minute show at David Zwirner galleries titled, appropriately, Plan B). Luckily, there was still plenty to love.
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A New England Studio Shakes Off Its Traditional American Vernacular

O&G, the Rhode Island–based studio lead by creative director and co-founder Jonathan Glatt, has been riffing on traditional American furniture for a long time; they're best known for their updated Windsor-style chairs, benches, and settees, often dyed in brilliant hues, from a kelp-like green to a lapis blue. Their two newest collections, however, look to a different set of influences.
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Week of April 25, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the best in totally affordable and totally unaffordable fashion and design, two illustrations and a Toronto house we wish we could move into immediately, and a few more Milan fair stragglers, including the playful room divider above by Ana Arana.
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Casa Perfect Opens in New York, And It’s Even Better Than the Instagrams

Casa Perfect — the shoppable interior concept from The Future Perfect — finally opened in New York City this weekend after the success of previous Los Angeles iterations, and it was predictably awesome: Copacabana-like tropical lights by Chris Wolston, ethereal glass pieces by John Hogan, lush velvets by Lazzarini & Pickering, oil-finished tables by Floris Wubben, and a spectacular Chipperfield-designed wood staircase that flies up the home's central void, all the way from the subterranean kitchen to the roof.
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Week of March 4, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a truly epic new daybed, a visual exploration of the rise of "chubby furniture," and a new material made entirely from the byproduct of sunflower crops.
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How Do You Capture Kinetic Motion in a Still Photo?

That's the challenge Kinfolk magazine recently gave London-based photographer Aaron Tilley for its current Architecture issue. Tilley's work is often concerned with motion or the moment just before motion begins; his subjects include bread whose slices appear caught in mid-tumble or paper sheets that seem to be floating on a table's edge. For Kinfolk, however, the still-life photographer was asked to create the effect of a Rube Goldberg machine — a series of photos in which one action triggers another and another until the payoff in the final frame.
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In Brussels, New Designs at the Place Where Art, Architecture, and Industry Meet

When we first heard that Belgian architects Kersten Geers and David Van Severen were collaborating with the Kortrijk-born, Turin-based painter Pieter Vermeersch for an exhibition at Maniera Gallery, we became, we'll admit, somewhat unreasonably excited. Our love for Vermeersch's signature gradients is well-documented on this site, and, if you'll recall, Office KGDVS's angular furniture collection was what set off our love for the Brussels-based Maniera all the way back in 2014.
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A Showcase for Experimental Craft — And Iridescence — On View in London

Like Salon in New York, the Collect fair in London has recently evolved to become a platform for enabling more risk-taking work, showcasing the latest possibilities, processes, and technologies at play in the field of making. The peripatetic London gallery Seeds, a longtime SU favorite, returned to the fair this year with newly commissioned works from nine contemporary designers.
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In a New Show, a 3D Artist Tries His Hand At Something New — Making Furniture

This week, in a bit of a twist, 3D artist Andrés Reisinger brought one of his metaphysical spaces to life: For one of Chamber Projects' bi-monthly Quick Tiny Shows, curated by Juan García Mosqueda and held in the courtyard of RIES's studio, Reisinger created three design objects — a lamp, a curtain, and a snakelike silver seating unit meant for group lounging, John Chamberlain-style.
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