05.31.18

Sight Unseen OFFSITE

The In-Demand Architect–Turned–Furniture Designer to Know Now

Giancarlo Valle didn’t set out to design furniture. A trained architect, his practice moved first indoors to interiors, then even further to the things that fill them. An interest in objects initially manifested in the collecting of furniture from across eras, but soon, collecting wasn’t enough. At Collective Design this spring, he debuted his first collection in a holistic installation that saw his own highly personal pieces alongside historical ones. Last week, for Sight Unseen OFFSITE, Valle debuted new work in collaboration with Viso Project, a new, sustainability-focused textile studio.
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05.30.18

Fair Report

Our 75+ Favorite Finds From New York Design Week 2018

With the move of Collective Design back to March, NYC x Design — nowadays jokingly referred to as "New York Design Month" — technically shrunk a bit this year to just 15 days long, from the beginning of Egg Collective's Designing Women show to the last day of ICFF. Yet its cornucopia of content was as impressive as ever.
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05.29.18

Sight Unseen OFFSITE

28 Designers to Know From This Year’s Sight Unseen OFFSITE

In this year’s edition of OFFSITE Selects, the works on view were international in scope and wildly varying in scale, from a chubby-legged, rusty velvet chaise by newcomer Jessica Herrera of Oôd Studio to six tiny marble vessels by Chile’s Rodrigo Bravo (both got quickly scooped up by gallerists or other in-the-know design people).
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05.26.18

Saturday Selects

Week of May 21, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: fresh renderings from Barcelona’s OFFF Festival, a gallery exhibition of a design-world darling, and the 80’s-inspired HQ Of a cute candle company.
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05.25.18

Sight Unseen OFFSITE

Inspired by Crop Circles, Grain’s Lands Rug is Early American Settler Chic

To create their textile pieces, the Seattle-based studio Grain used to travel all the way to Guatemala, working with artisans in the country where founders James and Chelsea Minola first met and fell in love. But over the past few years, the designers have begun sourcing producers a bit closer to home: Their Lands Rug, a custom version of which debuted at The Primary Essentials in Manhattan last week, is woven by a 30-year-old textile mill near their alma mater, RISD.
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06.20.16

Sighted

The Coolest Glass Chairs Since Kuramata

Guillermo Santoma's interior work shows an acute understanding of things like just how much geometry is enough and how interesting cuts in the architecture can lift a just-great renovation into something otherworldly. Over the past few months, Santomá has released a series of chairs that embody many of those same principles.
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SAIC x Sight Unseen OFFSITE
05.23.18

Sight Unseen OFFSITE

Five Talents to Watch from SAIC’s Ceramics Exhibition at Sight Unseen OFFSITE

This year, two recently famous American designers themselves — Pete Oyler of Assembly Design and Jonah Takagi of Atelier Takagi — launched an intensive studio class in the SAIC Designed Objects program, aimed at taking students on a holistic journey from concept to exhibition, with the ultimate goal being a showcase of ceramic drinkware; the results were on view at this weekend’s Sight Unseen OFFSITE.
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05.22.18

Sight Unseen OFFSITE

The Principals’ Epic, Prismatic Plant Installation at Saturdays NYC

In the backyard of the Soho surf shop Saturdays NYC, Brooklyn design studio The Principals are exploring the border between the physical and sacred worlds. For an installation called Golden Arch, they’ve installed an 8-foot-tall triangular wave structure made from the studio’s modular, stackable Prism Planters. Spanning the garden from north to south, it symbolizes the emergence of the sun, moon, and stars from what Australian aboriginal cultures call “dreamtime” — the period during which the universe was created — into the physical world.
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05.21.18

Sight Unseen OFFSITE

Studio Sayso’s Colorful, Affordable, Goes-With-Everything New Furniture Collection

For Sight Unseen OFFSITE, Sophie Lou Jacobsen and Sarita Posada are launching Studio Sayso, which unites Jacobsen’s product design practice with Posada’s expertise in interiors. The studio’s Collection 01, which is currently on view at Creatures of Comfort, features colorful tables, chairs, and lamps inspired in part by Posada’s hometown outside Jerico, Colombia, where each house is painted a different vibrant hue.
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05.20.18

Sight Unseen OFFSITE

We Asked 13 Designers and 13 High-Profile Creatives to Collaborate for Charity, and the Results Will Surprise You

Since we started Sight Unseen nine years ago, we’ve found ourselves writing again and again about the fertile ground between creative fields. So it wasn’t much of a leap from there to Field Studies, for which we paired 13 furniture and interior designers with 13 creatives in food, fashion, film, art, and music and invited them to create a collaborative object together — all 13 of which are now available to purchase on 1stdibs, with proceeds going to a charity of each pair's choosing.
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Kim Markel's Glossier furniture
05.20.18

Sight Unseen OFFSITE

Candy-Colored Furniture Made From Recycled Glossier Packaging

Kim Markel's new series of translucent, candy-colored colored furniture pieces in reclaimed plastic is composed partly of Glossier’s pink-hued packaging empties, which the brand asked its employees to collect for months. The collection includes a cabinet, chairs, side tables, and mirrors, as well as a vanity table made from spun stone dust, a new material Markel developed using a by-product of the quarrying process.
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05.19.18

Sight Unseen OFFSITE

Minimalist, Shaker-Inspired Cleaning Tools That’ll Make You Want To Do Chores

When the exhibition Furnishing Utopia debuted at Sight Unseen OFFSITE two years ago, it followed a relatively strict set of parameters: 11 international designers would spend a week at two Shaker sites in New York and Massachusetts, engaging in an intensive workshop yielding new furniture and objects directly inspired by artifacts from those sites. But this year's exhibition examines the impact of the Shakers on contemporary design in a much more conceptual way: Called Hands to Work, it features objects by more than 25 studios, each meditating on contemporary attitudes towards everyday chores.
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