Week of January 5, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: chairs knit from sweaters, furniture made from kitchen flooring, and a sculpture fabricated by a robot and installed by a crane.
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Melbourne Visual Artist Esther Stewart

Even though we often talk about how globalization and the internet have vastly accelerated the velocity of cool, there sometimes seems to be a lag when it comes to scouting talents from Down Under. Case in point: Are we the last to know about Melbourne-based Esther Stewart's incredible geometric paintings and angular sculptures?
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Oyyo, Swedish Textile Designers

Lina Zedig and Marcus Åhrén, of the Stockholm-based studio Oyyo, take a best-of-both-worlds approach to their work. If Zedig is the self-described perfectionist who obsesses over color and composition, Åhrén is the “action person, always keen to get new projects going and thinking that everything is possible.” For their first collection, which launched in 2013, they employed age-old techniques to craft flat-weave dhurries, but imbued the familiar form with unexpected geometric and architectural patterns. And while their carpets — in combinations of pastel pinks, yellows, and oranges, deep blues, greens, and black — have a cozy, at-home feel, they also reflect the restless, roving spirit in which Åhrén and Zedig, avid travelers, created them. It’s design for settling in, not settling down.
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Hallgeir Homstvedt, Designer

As we prepare to welcome the new year, let's all take a moment to reminisce about how great 2014 was. Sure, some had better years than others, but there's one thing that can't be contested — Norwegian designer Hallgeir Homstvedt had an immensely successful run, launching four products to the market and cementing relationships with companies like Muuto, Lexon, and Established & Sons. So what is it exactly that brings manufacturers knocking at his door? We've got a hunch that it's the designer’s ability to be adaptable and cooperative throughout the design process, whilst sticking to a very distinct concept, something he learned on the job during a three-year stint with design studio Norway Says. His products are tactile and interactive, smart and perfectly proportioned.
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The Best of 2014

It's been a big year for Sight Unseen, from the launch of our OFFSITE show to the expansion of our staff to celebrating our 5th anniversary, not to mention having recently started the process of redesigning our website for the very first time. But the more exciting and action-packed things get, the faster time seems to speed by — it's nice to take a moment to pause and reflect. With the holidays upon us, we decided to put together a simple best-of list that highlights some of our most popular content from 2014, including the five stories that got the most traffic on Sight Unseen, the five (er six, counting the one above) images that got the most likes on Instagram, and our five most-repinned photos on Pinterest.
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Gabriel Orozco’s Asterisms at the Guggenheim

It may look like a staging area for the production of Stuart Haygarth chandeliers or Massimiliano Adami cabinets, or possibly an excerpt from the website Things Organized Neatly. But the comely technicolor garbage pile pictured above is actually a piece by the Mexican art-star Gabriel Orozco, who's known for his use of humble materials and found objects, and it's moving into New York's Guggenheim museum as of this Friday. Asterisms is a process-oriented installation — our favorite kind! — featuring thousands of objects Orozco collected from two separate sites: a sports field near his New York home and a wildlife reserve on the coast of Baja California Sur, the latter of which happens to enjoy a constant flow of industrial backwash from across the Pacific that every so often yields bits of aesthetically pleasing detritus.
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Mathieu Julien and Jin Angdoo of Amateurs

For all its perks — freedom, travel, never having to take off your pajamas — the freelance life has one perpetual drawback: the panic that starts to creep in whenever you're between jobs. Add that to the sense of creative fulfillment that every designer and artist craves, and it's no wonder so many of them start their own projects on the side. For the Paris-based couple Mathieu Julien and Jin Angdoo, whenever they don't have work as a freelance illustrator (Julien) and a film and animation director (Angdoo), they dream up new projects to release under the extra-wide umbrella of their shared endeavor, Amateurs; launched in June, the website comprises projects that are experimental, hand-crafted, and fall somewhere between art and design, like painted tea towels and flags, embroidered sweaters and blankets, plus actual paintings as well. We checked in with the duo to find out more about the collaboration.
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Week of December 15, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: new jewelry based on Superstudio sketches from the '70s, a new BDDW housewares line based in the middle of nowhere, and a tropical photoshoot by Studiopepe that basically makes us want to jump on a plane immediately and fly south.
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Tanya Aguiñiga and Meg Callahan on Cotton

Nearly a year ago, when we first conceived the notion of arranging interviews between two creatives working with the same material, the idea was to make things interesting by choosing people with very different practices — a designer using resin to make furniture, for example, conversing with an artist using it to make paintings. That’s exactly what we thought we’d done when we invited Meg Callahan, an Oklahoman quilt-maker living in Rhode Island, to talk cotton with Tanya Aguiñiga, a furniture and accessories designer raised in Mexico and based in Los Angeles, and yet it turned out the pair had much more in common than we’d realized: both studied furniture at RISD, both create contemporary work with traditional influences, and — with Callahan about to, it turns out, launch a furniture collection — both have an interest in blurring the boundaries between hard and soft. Which was fitting, in a way, since this story was inspired by a new series of films produced by Cotton that explore the common threads in the daily lives of two seemingly disparate people.
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sarah kissell's palm springs wedding

This is What Happens When Art Directors Get Married

It can be easy to become immune to the Postmodern references and patterns currently littering the digital ether, but there’s something different about Sarah Kissell, the Los Angeles–based designer behind the graphically-fitting guise Pure Magenta. As she describes it, it’s the simultaneous practice of excess and restraint — especially while exploring questionable taste — that Kissell values the most. “Riding the line between the two is when things become interesting to me,” she says. “It also widens the opportunity to succeed or fail, which is a healthy place to be a young designer.” And healthy is exactly where the designer is right now, dividing her time as senior art director for the terminally trendy fashion retailer Nasty Gal, as well as developing Pure Magenta’s graphic identity and soon-to-launch jewelry line.
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Matthew Philip Williams, Furniture Designer

The first work we ever knew from Portland, Oregon–based furniture designer Matthew Philip Williams was a collection he calls The Step-Family. The pieces, which were designed individually but at the same time, include a pinchpot mug in Yves Klein blue, a laminate and maple bench, and a steel and Douglas fir coat rack. The items are so aggressively functional — and make use of such logical and simple material choices — that you would never guess that Williams’s first inclination was to be a fine artist.
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Down the Long Driveway, You’ll See It

There's nothing we love better than when our very talented, creative friends introduce us to their very talented, creative friends, and this week didn't disappoint: In our inboxes arrived the most beautiful submission from Mary Gaudin, a New Zealand photographer living in Montpellier, France, who was introduced to us through Brian Ferry, one of Sight Unseen's contributors and a wonderful photographer in his own right. Gaudin recently published a book on modernist New Zealand homes in collaboration Matthew Arnold of Sons & Co called Down the Long Driveway, You'll See It; the title is a quote from one of the book's subjects, upon giving directions to his home. The book documents 14 homes built between 1950 and 1974, and it's a revelation not only for the beautiful way in which it's photographed but for the peek it gives into New Zealand's architectural history.
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Week of December 8, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: three new jewelry lines we're coveting, our top must-have from the shop at the newly reopened Cooper Hewitt museum (above), and are speckles the new squiggles? You be the judge.
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