Laura Houseley on Ready Made Go at the London Design Festival

Last week's London Design Festival included plenty of beautiful objects thoughtfully displayed on pedestals or on gallery walls. But possibly even more compelling was the setup at the Ace Hotel's Ready Made Go exhibition, curated by Laura Houseley of Modern Design Review magazine, where visitors could experience a handful of new designs by local up-and-comers actually put to work in their intended habitat.
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Week of September 20, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Photographs that make us scratch our heads (like the one above by photographer/architect Erin O'Keefe), a colorful Baggu x New Friends collab, and a bunch of fall art exhibitions.
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Top 5: Mobiles

A periodic nod to object typologies both obscure and ubiquitous, featuring five of our favorite recent examples. Today, we're turning our attention to a perennial favorite subject: mobiles! (And for those in small spaces, don't worry — these beauties will look as good hanging against a wall as they do in mid-air.)
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David Haskell on His Psychotic Plants Show at Coming Soon

New York-based editor and Kings County Distillery co-founder David Haskell has been collecting cacti and other succulents in his spare time for the past decade, and he’s also spent his Tuesday nights over the last two years cultivating his skills as a budding ceramicist. In search of the perfect pots for his handpicked plants, Haskell linked his two passions, the results of which are on view at “Psychotic Plants,” opening tonight at Coming Soon.
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Norwegian Product Designers Gunzler Polmar

Gunzler Polmar, led by ceramicist Victoria Gunzler and furniture designer Sara Wright Polmar, haven't churned out a ton of work just yet, but the projects they have designed — including their new textile series launched this week at 100% Norway in London — display an eye for form, proportion, and material that certainly merits further attention.
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Sevak Zargarian, Ceramicist

Sevak Zargarian is a London-based graduate of the Central Saint Martins undergrad course in Ceramics, for which his final project was the series of Grogged Vases pictured in the first half of this post. To make them, Zargarian first creates his own "grog" — broken-up scraps of stained and fired clay normally mixed into pottery to invisibly prevent kiln shrinkage — then makes a plaster bowl mold, which he dips into a bucket of grog-filled slip in a reverse-casting process. His Grogged Jars, below, use smaller grog bits and conventional plaster molds. Zargarian focuses on process- and materials-driven experimentation based around the tactile qualities of clay, yet rather than only celebrating the hand-made element of his work, he's more interested in how he might someday apply his studio discoveries to industrial production.
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Norwegian Product Designers Stokke Austad

It's a bit strange to call Stokke Austad Up and Coming, especially since their current project list includes the interior design for a major new wing of Oslo's airport. But this week we're spotlighting three of our favorite studios presenting new work at this year's edition of 100% Norway at the London Design Festival, and we'd be remiss if we didn't include them in that list.
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Tetra, A Designer Smoking Accessories Shop

Launched yesterday, Tetra is the first shop devoted entirely to beautiful smoking accessories like lighters, ashtrays, and incense burners — objects that have either have never before been aggregated in one place, or, more often, have been neglected by design entirely. Marianne Brandt, Enzo Mari, and Dieter Rams created incredibly sleek smoking accoutrements for the home in the '50s and '60s, and Tetra's intent is to revive that tradition in a contemporary way.
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Norwegian Furniture Designer Silje Nesdal

This week we're showcasing three Norwegian studios showing new work as part of this year's 100% Norway at the London Design Festival. First up is Silje Nesdal, who began her career with a short stint in fashion and textiles, then incorporated those skills into a furniture practice, creating objects that are functional and honest in their construction.
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Week of September 14, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A series of things we never dreamed we'd be able to buy (a huggable Greek column, an original Sottsass pen), a special guest report from Maison et Objet, and the most beautiful sculpture we've seen in ages, pictured above, spotted at Art Berlin Contemporary.
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Jim Walrod on His “Difficult” Exhibition at R & Company

It’s not news that certain works by designers such as Ray and Charles Eames, Robert Venturi and Denise Scott Brown, or Ettore Sottsass deserve a place on a podium. That their initial reception was shock, outrage, and even utter disgust, then, may come as a surprise — that’s the premise explored in “Difficult,” a new exhibition at New York gallery R & Company curated by interior designer Jim Walrod.
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James Hyde’s Varieties of Useful Experience at Volume Gallery

He just opened a sprawling solo show at the Chicago design gallery Volume, but if you're not familiar with the work of James Hyde — or at least not to the degree of other Volume alums like Jonathan Nesci, Tanya Aguiñiga, or Stephen Burks — you're not alone. And in fact, that's kind of the point: Hyde, who began his career in New York in the '70s, is a painter, and even when his works take the form of sofas or lamps, they remain squarely in the realm of art.
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Antiquing in Hudson

Patrick Parrish and Alex Gilbert, Antiquing in Hudson

On a recent blazing-hot Saturday afternoon, we joined Artsy's Alex Gilbert and gallerist Patrick Parrish on an antiquing trip along Warren Street in Hudson, New York, documenting all the objects and furnishings that managed to stop the couple in their tracks, which — considering their level of expertise — is no easy feat. See their favorite finds after the jump.
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