Portland Textile Artist Kayla Mattes

Kayla Mattes’ tapestries are an antidote to the disconnection and depersonalization that spending hours online can sometimes leave you feeling. Her work is plugged in to all the technology we take for granted but she recontextualizes it, slows it down, and the effect is immersive, dizzying, a little chaotic, and oddly comforting.
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Italian Product Designer Giorgia Zanellato

About six or seven years ago, when Jill and I were still editors at the late, great I.D. magazine, we had a gut feeling that something was happening in Italian design. For years its reputation had been seemingly stuck in the '80s — no one ever, ever talked about its contemporary scene — and yet suddenly we were seeing a few young talents pop up here and there. We commissioned a story on the subject, but despite our prescience (as evidenced in part by the subsequent head-spinning rise of Luca Nichetto), we missed something seriously major: Fabrica. Neither of us realized the impact its residency program and Sam Baron–led design studio would have in nurturing Italy's brightest new voices, from Matteo Cibic to Matteo Zorzenoni to today's subject, Giorgia Zanellato.
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Week of June 8, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a look inside Andreas Murkudis's new full-service design outpost in Berlin, a sneak peek at our favorite projects launching at Design Miami/Basel next week, and our first picks from this year's degree shows, starting with the vanity above.
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ECAL Takes Over Apartment 50 in Le Corbusier’s Radiant City

Since it was renovated in the early 2000s and restored to its original 1952 condition, Apartment 50 in Le Corbusier's famous Cité Radieuse housing complex in Marseilles, France, has played host to a rotating cast of designers — Jasper Morrison in 2008 followed by the Bouroullecs, Konstantin Grcic, and, perhaps most successfully, Pierre Charpin. But a group of Swiss design students may have just completed our favorite intervention yet.
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Wintercheck Factory’s Collection No. 300

When we asked Brooklyn's Wintercheck Factory — who debuted their latest collection with us at Sight Unseen OFFSITE last month — to shoot those new pieces in the most appropriate scenario they could imagine for our Self Portrait column, their choice of venues ended up being even more fitting than they themselves realized. A 1910 bank building in Bed-Stuy is about to become the duo's new studio, and clearly it makes for a stunning backdrop, but having been ripped up, painted, retiled, left to rot, bricked up, and, now, appropriated as a creative space, it can also be read as a symbol of Wintercheck Factory's own gradual reinvention.
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Week of January 27, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a stunning geometric '70s tapestry piece, dispatches from the LA Art Book Fair, an unconventional take on a diamond ring, and a jealousy-inducing Art Deco-era necklace (pictured above) found by Caitlin Mociun at an antique fair in Miami.
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Top 5: Dust Pans

Our Top 5 column is a periodic nod to object typologies both obscure and ubiquitous, with five of our favorite recent examples highlighted in each post. Today, the subject is dust pans, whose utilitarian beauty is being rediscovered by a new generation of retailers and designers.
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French Sculptor Cécile Mestelan’s Ceramic Objects

As an MFA student at ECAL, French-born artist Cécile Mestelan got into making small-scale sculptures with plaster for practical reasons — cost and ease of transport — but stuck with the material for more poetic ones: "It’s a very powerful and open material to work with; you can do so much with it, from modeling and sculpting to engraving," she says.
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Thing Industries

When designers approach their medium with such a religiosity that it pushes their work into an unattainable or off-putting place, it can make the viewer a bit uncomfortable. On the other hand, not taking your work seriously enough is a recipe for kitsch, and being relegated to that dustbin of history. Enter Bridie Picot and Matt Smith, two native New Zealanders behind the design studio Thing Industries, whose work flits back and forth between the arch and the architectural.
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Week of June 1, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: one of our favorite ICFF stragglers, two exhibitions inspired by kids' playgrounds, and three Sight Unseen OFFSITE alumni who have somehow developed entirely new bodies of work since mid-May.
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Aleksandra Pollner, Furniture Designer

After her family bribed their way out of Poland in the ’80s, says Aleksandra Pollner, they spent years moving from place to place to place. Her perpetually uprooted childhood, she says, had a profound effect on her work as an adult: “I became fascinated with boundaries, tensions, spaces in between, where we find solace, and what makes us feel comfort and discomfort,” concepts that inspired pieces like her new Line and Circle table and Ma floor light, pictured above.
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Andy Rementer & Margherita Urbani in Tokyo

We here at Sight Unseen consider ourselves to be relatively worldly — I say this literally as Monica touches down in Norway — but if there's one place that's proved a holy grail for the both of us, it's Japan. We've never had the opportunity nor the funds to go, despite being relatively obsessed with the idea of both shopping and scouting there. So when two of our most visually attuned friends offered to provide us with a diary of sorts during their recent trip there, we jumped at the chance: Philadelphia-based partners-in-crime Andy Rementer and Margherita Urbani (whom many of you likely know from their collaborations in Apartamento magazine) were recently in Tokyo for two weeks.
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Branden M. Collins, art director

For those of you who follow our website religiously, the name Branden M. Collins may ring a few bells: You may remember his poppy, brushstroke patterns for our Sight Unseen x Print All Over Me collab at the Standard Shop during Art Basel Design Miami last December. Or maybe you recall seeing his black-and-white zig-zag vases at our recent pop-up Think Big! at Space 15 Twenty in Los Angeles. Collins — who along with Madeline Moore operates as the San Francisco–based multi-disciplinary duo The Young Never Sleep — is more than just a graphic designer though. He’s also an art director, stylist, illustrator, photographer, product and costume designer, and serial collaborator.
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