Week of May 25, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a hip summer pop-up shop in Sagaponack, two ceramicists branching out into wallpaper and shelf brackets, and more work you might have missed during ICFF, like the Earnest Studio trivets above.
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Curse The Darkness by The American Design Club With Roll & Hill

When the American Design Club first started back in 2008, the idea was to find new ways to gain exposure for emerging talents in the U.S. scene, a goal pursued primarily via juried exhibitions — and a goal that happened to dovetail perfectly with Sight Unseen's vision for a New York design week event that would put the spotlight on exactly the kind of emerging voices the AmDC comprised. In 2011, the second year of our Noho Design District show (the precursor to Sight Unseen OFFSITE), we hosted the club's fifth exhibition, and last month we were thrilled to host its 12th. Called "Curse the Darkness" and presented in partnership with the lighting brand Roll & Hill, the show invited designers to submit "objects that can hold a candle and light up a room."
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Giselle Hicks in Helena, Montana

Once upon a time, it was nearly impossible to have a creative career without immersing yourself in the artistic community of a large metropolitan area. But with the ease and connectivity that comes with living in the golden age of the Internet, it’s become more and more common to see people working in places most would consider more than a bit off the beaten path. Take ceramicist Giselle Hicks: In 2011, after completing an artist-in-residency program at the Archie Bray Foundation in Helena, Montana, Hicks relocated to Philadelphia for a six-month stint and found that she wasn’t cut out to live the big city lifestyle. “The city felt like an obstacle course. It overwhelmed me. I felt like I was just keeping my head above the water," she remembers. "I longed for the big sky, open spaces, and the beauty and ease of life in Montana. I love the culture and diversity and opportunities a big city has to offer, but in my daily life and studio practice I need quiet and lots of space to grow and evolve."
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Piet Hein Eek’s Wonder Room at The Future Perfect

In case you missed it, on Saturday we recapped our favorite offerings from around town during NYCxDesign. But there was one location whose showcase we saved for its own story: The Future Perfect, where owner Dave Alhadeff has given over the entire Noho shop to Dutch designer Piet Hein Eek until mid-June.
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Week of May 18, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week we're bringing you a special ICFF edition, with our favorite finds from elsewhere around town (in other words, all the things we would have seen in person if we hadn't been tending to our own event!)
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Creative Women at Work: Kyle DeWoody

If there weren't already plenty of reasons for us to love Kyle DeWoody — her friendliness, her amazing taste, the fact that she's not afraid to rock a baseball cap — she's also a poster child for blurring disciplinary boundaries, something we've long championed as well. She even named her company after the idea: She explains Grey Area, the online gallery she founded with Manish Vora in 2011, as "the undefined space between art and design, where art is made functional and the functional is made art." Even her own background has defied any categorization: Before founding Grey Area, she moved from curating to art consulting to design to film production and journalism. (In fact, DeWoody hooked up with Vora when he was running the arts website Art Log, for whom she used to write.) Her wide-ranging interests are in part what make Grey Area so great — the gallery sells everything from plush, hand-stitched Sharpies to elegant leaning brass bar carts, from plaster iPhone pillows by Snarkitecture to cat-themed beach towels by Andrew Kuo. DeWoody is constantly scouting new talent from unexpected sources, so for our Creative Women at Work series with Shinola, we got in touch to find out exactly how she does it. Here are some of her workplace essentials.
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A Tour of the 2015 Show: Part II

...In which we show you the rest of the incredible work we presented this year at Sight Unseen OFFSITE, which took place at Hudson Mercantile and featured the work of more than 100 designers, who hailed from places as varied as Los Angeles, Vancouver, Indianapolis, St. Augustine, FL, Detroit, Seattle, Montreal, and, of course, Brooklyn. If you happened to miss it — or if you just want to relive the glory — check out our slideshow after the jump, which features all of the studios that exhibited on the 6th floor of our show.
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A Tour of the 2015 Show: Part I

As anyone who's ever made an album knows, sophomore efforts are by far the toughest to pull off. And so, even though we here at Sight Unseen have been putting together a major Design Week showcase in some way or another since 2010, this year marked only our second outing as Sight Unseen OFFSITE, which debuted last year to enormous fanfare and praise.
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At the 2015 Collective Design Fair

Comprising four days, 12,000 square feet, and 50-something exhibitors, Sight Unseen OFFSITE is a major undertaking — a Herculean one, in fact, if you consider that there are only two of us leading the entire operation. So when we announced in April that we were doing an additional show this year, at the Collective Design fair, people quite understandably looked at us like we'd lost our minds. And yet we persisted on the sheer force of our belief that Steven Learner and his team at Collective are doing great things for design, things we wanted to be a part of — not just providing a platform for some of the world's most important design galleries to sell to clients, but attempting to widen the dialogue with special projects like (this year) on-site design performances by The American Design Club, a Nap Lab by Various Projects and Print All Over Me, installations by OS & OOS and Jonathan Nesci, and of course, an offer to let us curate a corollary to Sight Unseen OFFSITE that featured six up-and-coming American designers making gallery-level work. If you didn't get the chance to see last week's Collective Design fair, which welcomed more than 10,000 visitors, here's our best of show — and stay tuned for images from our own presentation at Collective, which we'll be posting tomorrow.
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Print All Over Me HOME

Sight Unseen is the exclusive curator of the new PAOM HOME line, where our job is to help choose what kinds of objects to feature and then to invite up-and-coming illustrators, artists, and designers to contribute prints to those items. For the inaugural collection — which features IKEA slipcovers, plant cozies, pillows, linen throws, beanbags, cushions, and more — we selected four powerhouse female design studios: Caitlin Mociun, Pia Howell, Studiopepe, and Alex Proba. Get a 20% off discount code after the jump!
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The Making of the Principals’ Dynamic Sanctuary for Ford

Sight Unseen OFFSITE opens today, and front and center at this year's show is an undulating structure that, from a distance, looks incredibly mysterious — its walls are made from an unusual material, and they periodically emit a strange, pulsing blue glow. As you approach the structure, you first pass through a very narrow entryway that obscures your view of what's inside, but once you arrive there — well, that's the magic of the Dynamic Sanctuary, an installation by the Brooklyn design studio The Principals that's a kind of poetic metaphor for the design ideas behind Ford's 2015 Edge vehicle.
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Chris Wolston’s Fetish Lights

One of the many great things about living in this post-Postmodern, cyber-gray area of the 2k10s, is that artists and designers can draw inspiration from pretty much any culture or period and come away with something new and exciting. There's the brightly colored, geometric, “playful” route that has become so popular with today’s makers — and then there’s Brooklyn’s Chris Wolston. His approach to making is often from a primordial or primitive perspective, where senses of the handmade and the human spirit are easily discernable.
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Designing for The New Escapism

Months ago, when we first began chatting with Ford about what a partnership for our Sight Unseen OFFSITE event this weekend would look like, we alighted on a phrase Ford had used to talk about the spirit that their new Ford Edge vehicle embodies: They called it the new escapism, which involves designing pockets of personal space that might help to bring a sense of calm and balance to everyday life’s otherwise volatile pace. From that nugget evolved a framework for both the Dynamic Sanctuary installation we commissioned from The Principals (above) — which uses light to visualize users’ biorhythms, creating a calming oasis during the hectic schedule of New York design week — and the programming we’ve created surrounding it.
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