Preview the 2015 Show!

In March we broke the news about our second annual New York design week exhibition, Sight Unseen OFFSITE, which is free and open to the public and takes place this year at Hudson Mercantile, 500 W. 36th St. at 10th Ave., from May 15 to 18. But today we're giving you an official preview of the show, which this year encompasses nearly 100 brands, designers, and studios creating everything from furniture to a photo booth to an immersive living room installation to a vegan-friendly daily lunch cafe.
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Week of May 4, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week we survey some amazing recent design-art by the likes of Scott Burton and Nick Van Woert (pictured above), then cast our gaze forward instead of back, previewing some of the furniture and accessories set to launch during New York design week from folks like Matter and Umbra Shift.
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Sabine Marcelis at Etage Projects

Copenhagen's Etage Projects is one of the newer galleries on the scene, but it's fast becoming one of our picks for the best. In the past two years, exhibition subjects have included SU favorites like Fredrik Paulsen, Jo Nagasaka, and Eva Berendes; the show currently on view includes Dutch designers Luuk van den Broek (who we're working on a much larger story on!) and Sabine Marcelis, who with Brit Van Nerven is responsible for one of our favorite pieces of design from the past year. Marcelis's newest project, called Voie Lights, is the first in a series of two investigations into the manipulation of light paths.
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Camilla Low geometric sculptures

Oslo’s Camilla Løw on Her Graphic, Geometric Sculptures

There's this thing we do constantly at Sight Unseen that we don't even realize we're doing: We gravitate towards creatives who work in other disciplines, like art or fashion, only to find out they've either gone to school for or been massively inspired by design. Upon visiting, last June, the Oslo studio of sculptor Camilla Løw, whose work we'd seen on a few Tumblrs and fallen for, we quickly learned that she, too, fell into the latter camp — although she studied fine art, she spoke to us about architecture and her dreams of someday designing furniture, and showed us her prized books on Bauhaus jewelry and the work of Andrea Branzi. Some of her own pieces even function as vases or stools. But make no mistake, she is an artist, one who's shown at galleries like Jack Hanley and Andrew Kreps, fairs like Frieze, and museums like the Astrup Fearnley. Read on to learn more about her process and ideas, and how design fits into it all.
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Anders Ruhwald in PIN-UP No. 18

In the lull between Milan and the frenzy of New York design week, it's easy to become a bit myopic about what's going on elsewhere in the design world. But we'd be remiss if we didn't point out an exhibition happening right now with one of most fascinating concepts we've ever come across: At Chicago's Volume Gallery last week, the Detroit ceramicist Anders Ruhwald opened "The Charred Room," an exhibition that explores "the aftermath of a fire – objects as they should be, recognizable to an extent in shape and position in relation to one another – but charred. Slumped, melted and morphed the objects lose their direct references that create comfort, leaving the viewer with renderings of domestic detritus vaguely familiar." We had the pleasure of speaking with Ruhwald about the lead-up and the process behind that exhibition earlier this year, on assignment for PIN-UP, and with the magazine's permission, we're excerpting that story here today.
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Dixonary

If we had to elect the most Sight Unseen–like book ever published, Tom Dixon's Dixonary might land at the very top of that list. In the intro he writes, "A book about me? I wasn't sure I needed one — at least until I am dead, at which point people can write what they like." But personally we wish this kind of book existed for all of our favorite visual artists. In it, Dixon pairs photographs of his own designs, dating all the way back to his early-'80s punk days, with the images that inspired them, and then tells the micro-stories behind each one.
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An Interview With Ford’s Moray Callum on the Future of Car Design

Next week marks the start of New York design week, which is jam-packed with events. But there is one place you'll be able to find a moment of respite from all the madness: inside the Dynamic Sanctuary, a 5' x 9' responsive light chamber created by Brooklyn studio the Principals for Sight Unseen OFFSITE, which is meant to bring the design thinking behind the 2015 Ford Edge to life.
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Kate Jackling, Photographer

We first came across the work of UK photographer Kate Jackling through a collaboration with COS that was endlessly re-pinned a few months back. That campaign — with its clothes draped over pink, yellow, and blue geometric forms — was so good that we had to know more about the photographer responsible for styling such a fun and playful set. Once we came across her website, we knew we'd hit the jackpot. Jackling’s photos are clean, playing with shadows and reflections to elevate product photography into something more artistic — photos that sell the product, yet also sell Jackling herself as someone who clearly understands her craft.
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Week of April 27, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A look way back at — what else? — 1970s-era Italian design; a dip into the recent past in Milan; and a forecast of things to come at our OFFSITE event, debuting in just two weeks! Plus, the amazing risograph talents of Glasgow-based artist Gabriella Marcella, above.
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Alex P. White, Artist

When we first met Brooklyn artist Alex P. White, it was in his role as a co-conspirator with interior designer Kelly Behun, with whom he'd created one of the most genius furniture collections in recent memory. But we've since gotten to know him as much, much more — as an interior designer and artist in his own right (whose playful project names include Playshroom and Wytchbytchru); as a designer whose latest furniture collection will debut in two weeks at Sight Unseen OFFSITE; and as the proprietor of a wonderfully specific Instagram feed, where we first stumbled upon this book in his rather extensive printed archive. When we asked him to write about Underground Interiors for our recurring From the Library column, we had no idea we'd get such a fun, deeply personal romp through its pages. If you're into conversation pits, wall-to-ceiling carpeting, elephant side tables, geometric travertine, or tubular steel, we suggest you read on in full.
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The New Frontier at Bellevue Arts Museum

When we were first introduced to the multi-talented photographer Charlie Schuck, a good three years ago, he was running the heart-stoppingly chic concept store Object in Seattle, at which he paired things like Masanori Oji trivets with pieces he commissioned from local studios like Iacoli & McAllister and Grain. It was the first, most beautifully executed sign that a larger narrative was galvanizing around Pacific Northwest designers — one that reaches its apex this month with a museum show Schuck has curated for the Bellevue Arts Museum in Bellevue, Washington.
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Samantha Bittman, Artist

It was a couple of years ago that Chicago-based artist Samantha Bittman first captivated us with her intricate, meticulous paintings on woven textiles. We’ve been transfixed by her work ever since, so when we had the chance recently to visit her studio and delve into her process, we jumped. Bittman creates dazzling surfaces of optically challenging patterns that draw you in to reveal greater depths, dimensionality, and unsteadying shifts in perspective. There’s an objective, mathematical precision to her pieces but there’s also a remarkably human warmth — the result, perhaps, of giving in to the parameters created by the loom while also resisting them.
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Week of April 20, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Three particularly timely design objects that launched in Milan, one peculiar woven-glass lamp that didn't, and a show by the design world's most beloved artist, Carol Bove, pictured above.
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