Totokaelo Art—Objects’s Spring Campaigns

The cult Seattle boutique Totokaelo already carries clothing and objects so beautiful that each new season wreaks havoc on the wallets of aesthetes around the country. The only way the store could possibly improve on that game? By shooting those new collections in scenarios designed to make said aesthetes even crazier. To promote its spring Art—Object catalog, the store's creative director Ashley Helvey masterminded two such campaigns: a photo shoot shot by Robin Stein and styled by Margaret Macmillan Jones in the technicolor plaza of Seattle's King County Correctional Center (designed in the '80s by Martha Schwartz and Benson Shaw), and a video, also in collaboration with Stein, that features Cameron Mesirow of Glasser along with music from her latest album, Interiors.
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Fort Standard’s Gregory Buntain on his Tombstone Chairs

From an outside perspective, the Brooklyn furniture-design studio Fort Standard exudes the aura of a successful business with a clear DNA. Yet that wasn't always the case: When co-founders Ian Collings and Greg Buntain first joined forces in 2011, after graduating together from Pratt, they had no idea what direction to take — they simply dove headlong into the making process. “We had one goal: to do our own thing,” Buntain said in a recent interview. Their stock may have risen since then, but behind the scenes, the pair still make an effort to keep things loose; to maintain a sense of discovery in their shared practice, they both do separate solo work on the side, little personal experiments and objects they create for their own homes. Occasionally these prototypes are developed into Fort Standard products, but most of the time they go unseen, as was the case for Buntain's marble Tombstone chairs before we spotted them on Instagram. When we approached the designer to ask him if we could share them with you in the interview after the jump, it turned out he had a home full of personal pieces he'd made but also never shared with the public, which he was kind enough to walk us through in the second half of this story.
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Alyson Fox

When you consider the range of projects designer Alyson Fox has carried off, you might wonder if there’s anything she can’t do: prints, illustration, jewelry, clothing, textiles, not to mention a book of portraits. While Fox has degrees in photography and sculpture, she says she never really had a preconceived idea “of what I wanted to do or what it would look like.”
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Week of March 3, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: foam that looks like marble, a digital print that looks like a painting, and the hot new decor trend that borrows from the gym, of all places.
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Mel Nguyen’s Desktop Deposits Series

Earlier today we posted a studio visit with the young Minneapolis artist Mel Nguyen, shot by photographer Debbie Carlos. But it only featured a small selection of Nguyen's work, in which each project is typically disassembled and morphed into three more. "If you look at a single project of mine and only associate me with that project, it will be not a complete representation of my practice," Nguyen says. We figured it was worth showing you one more example from her portfolio: her recent clay Desktop Deposits series, made for the Kansas City, Missouri, project Objet Boutique curated by Dean Roper.
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At New York Design Week 2012, Part I: ICFF

We may have spent most of our New York Design Week(end) tending to the most successful Noho Design District ever — wrap-up post coming soon! — but this year we were determined to see as much of everyone else's presentations as possible, including spending more time walking the International Contemporary Furniture Fair at the Javits, checking in with old friends while discovering new talents. And since Roll & Hill opted not to reprise the bar they plopped in the middle of the fair last year, plying us with beers and chips as we charged our phones and completely lost track of time, we were able to do a relatively thorough sweep before racing back out into the sunshine again. We started out just snapping products we loved, but then couldn't resist adding a Sight Unseen twist, so we asked some of the more adventurous designers and brand ambassadors to strike a pose with one of their new pieces — which turned out to be a welcome break from the tedium of spending one's days doing business inside a windowless convention center. See our highlights here, then stay tuned for our roundup of this year's offsite shows.
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Mel Nguyen, Artist

As an artistically inclined teenager feeling bored and marooned in the suburbs of Minnesota, Mel Nguyen did what any millenial in her situation would do: She turned to the internet for creative stimulation. “Even as a high schooler I was looking at all these graphic design blogs, seeing how the field was changing, and thinking, wow,” she says. As soon as she enrolled as an art student at the Minneapolis College of Art and Design, she started her own tumblr, showing off her experiments sliding from 2-D into to 3-D and back again. She managed to build such a following on the site that her work went viral in certain online art and design circles — so much so that it’s hard to believe she’s only 21, and won’t graduate until this spring.
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The Fruit Shop by Hsian Jung

Taiwan-born, London-based Hsian Jung works as a curator and interior stylist, but in his spare time, he recently started a hand-formed ceramics line called The Fruit Shop, through whose website he releases collections inspired by individual fruits and vegetables. "Friends were describing my pottery as reminiscent of sweet melons and pumpkins, an insight that inspired this project," explains Jung. To launch his first series, based around the cantaloupe, he styled a series of photographs using "cheap objects from daily life that have similar color tones as the ceramics but totally different textures," he says.
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The 2014 Whitney Biennial

Perhaps the most telling moment regarding this year's Whitney Biennial came when we posted an image of Dutch artist Peter Schuyff's spiral-carved pencils on Instagram. "Where is this craft show?" joked Mondo Cane's Patrick Parrish. "Bedford Ave?" he asked, referring to Brooklyn's main hipster thoroughfare. Yep, this biennial feels decidedly different than years past. There are still inscrutable videos, and works we simply slid by for lack of interest, but this year had moments that felt smaller, more tactile, more intimate — and for us, more compelling — than in years past.
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Nicole Patel on Her Textile Wall Panels

When we first met the multi-talented Nicole and Sweetu Patel back in 2004, they were running Brooklyn's Citizen Citizen, a high-concept British design showroom that sold objects like crucifix-shaped brushes by FredriksonStallard. But they gave up the project shortly afterward, and have continued to evolve creatively in the last decade: Nicole went on to focus on her interior design business and form a creative partnership with curator Josee Lepage, while Sweetu went on to work for Cappellini and later founded the men's heritage clothing shop C.H.C.M. It was there that we recently spotted Nicole's latest brilliant endeavor, a series of wall panels that she makes from the likes of Japanese indigo textiles and Belgian linen, meticulously stretched and then embellished with things like handmade rope or tone-on-tone embroidery. Beyond hanging them in her husband's store, she hadn't yet put them out in the world, so we decided to do the honors.
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Week of February 24, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: furniture worthy of a "French Fries Party," super-minimalist $99 lamps, candy-colored stools by Jeff Martin (above), and incredibly styled images by the likes of Gemma Tickle and the Bouroullec brothers.
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Equilibrio Frágil y Simétrico by Cristian Montesinos

For his ongoing series of miniature totems, Barcelona-based graphic and furniture designer Cristian Montesinos collects and paints scraps of found wood, which he keeps on hand for the assembly and photographing of each piece. "Biking or walking in Barcelona I always find what I need," he says. "I keep the pieces, classified by size, and use them when I need them. When I work with these woods, I feel I'm returning to them a part of the dignity that was lost when they were thrown away. When I paint them I try not to completely cover the material, as part of the idea is to show and appreciate the tangible past of the object."
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Last, a New Swedish Design Trio

No pun intended, but we had to share one last find from this month’s Stockholm Design Week: Last, a new arena for selling one-of-a-kind products by Swedish design trio Åsa Jungnelius, Gustaf Nordenskiöld, and Fredrik Paulsen. They are, respectively, a glass designer working with glass, a potter with clay and a furniture designer with wood. All share a common desire for not only producing sustainable products, but also to promote a kind of design that is slower, more considered, and intended to stand the test of time (i.e. the last spoon you might ever buy).
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