In Her Debut Collection, Sarah Ellison Channels the ’70s Through a Distinctly Australian Lens

Armed with years of research, Australian stylist and designer Sarah Ellison debuted her first collection of furniture late last year, inspired by the playful proportions of '70s. In her pieces, these references are reinterpreted through a distinctly Australian lens, with colors and textures from the coastline captured through material choices such as travertine, mirrored glass, ceramic, and linen.
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This Curator Instituted a Media Blackout to Help Visitors Enjoy Her Exhibition

While we here in the States debate whether or not Instagram has destroyed the design show (Spoiler alert: It hasn't), an exhibition in Barcelona recently confronted the issue head-on: For Perception, a group exhibition curated by designer Sanna Völker, no images of the exhibition were allowed to be published before or during the show, "in order for visitors to experience the installation without preconceptions and to allow them to create their own conclusions and impressions."
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Week of June 4, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: limited-edition prints by one of our favorite up-and-coming painters, a new line of large-scale planters inspired by Julius Schulman's Case Study House photos, and a solo show of sculptures by Carol Bove (above).
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At the Reform Design Biennale, Helping to Push Design in a More Radical Direction

Last summer, we received an invitation from Danish designer Maria Bruun to participate in the Reform Design Biennale, an open-call, juried design exhibition she co-founded in 2014 with her friends and colleagues, Louise Hagemenn, Rasmus Fox, and Jens Dan Johansen. The brief for designers? To create an experimental piece that might challenge their typical practice or usual methods of production — i.e., what the curators describe as doing "the illogical in order to create something logical." The results are on view starting tomorrow at Munkeruphus, just outside of Copenhagen.
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A New Furniture Collection Highlights the Color-Shifting Magic of Car Paint

A new exhibition at A Plus A Gallery in Venice, Italy, brings together artists and designers Richard Wheater, Jochen Holz, and M–L–XL in conjunction with this summer's architecture biennale. Wheater’s neon installations show off light and shapes as much as the cords and electricity themselves; Holz’s neon lights and glass objects are wild and free, with bulges and tubes composing cartoon-like moments. But the real star here is M-L-XL's new furniture collection, inspired by everyday extruded metal L-profiles and painted with holographic car paint.
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The In-Demand Architect–Turned–Furniture Designer to Know Now

Giancarlo Valle didn’t set out to design furniture. A trained architect, his practice moved first indoors to interiors, then even further to the things that fill them. An interest in objects initially manifested in the collecting of furniture from across eras, but soon, collecting wasn’t enough. At Collective Design this spring, he debuted his first collection in a holistic installation that saw his own highly personal pieces alongside historical ones. Last week, for Sight Unseen OFFSITE, Valle debuted new work in collaboration with Viso Project, a new, sustainability-focused textile studio.
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Our 75+ Favorite Finds From New York Design Week 2018

With the move of Collective Design back to March, NYC x Design — nowadays jokingly referred to as "New York Design Month" — technically shrunk a bit this year to just 15 days long, from the beginning of Egg Collective's Designing Women show to the last day of ICFF. Yet its cornucopia of content was as impressive as ever.
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28 Designers to Know From This Year’s Sight Unseen OFFSITE

In this year’s edition of OFFSITE Selects, the works on view were international in scope and wildly varying in scale, from a chubby-legged, rusty velvet chaise by newcomer Jessica Herrera of Oôd Studio to six tiny marble vessels by Chile’s Rodrigo Bravo (both got quickly scooped up by gallerists or other in-the-know design people).
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Studio Sayso’s Colorful, Affordable, Goes-With-Everything New Furniture Collection

For Sight Unseen OFFSITE, Sophie Lou Jacobsen and Sarita Posada are launching Studio Sayso, which unites Jacobsen’s product design practice with Posada’s expertise in interiors. The studio’s Collection 01, which is currently on view at Creatures of Comfort, features colorful tables, chairs, and lamps inspired in part by Posada’s hometown outside Jerico, Colombia, where each house is painted a different vibrant hue.
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We Asked 13 Designers and 13 High-Profile Creatives to Collaborate for Charity, and the Results Will Surprise You

Since we started Sight Unseen nine years ago, we’ve found ourselves writing again and again about the fertile ground between creative fields. So it wasn’t much of a leap from there to Field Studies, for which we paired 13 furniture and interior designers with 13 creatives in food, fashion, film, art, and music and invited them to create a collaborative object together — all 13 of which are now available to purchase on 1stdibs, with proceeds going to a charity of each pair's choosing.
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Kim Markel's Glossier furniture

Candy-Colored Furniture Made From Recycled Glossier Packaging

Kim Markel's new series of translucent, candy-colored colored furniture pieces in reclaimed plastic is composed partly of Glossier’s pink-hued packaging empties, which the brand asked its employees to collect for months. The collection includes a cabinet, chairs, side tables, and mirrors, as well as a vanity table made from spun stone dust, a new material Markel developed using a by-product of the quarrying process.
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Minimalist, Shaker-Inspired Cleaning Tools That’ll Make You Want To Do Chores

When the exhibition Furnishing Utopia debuted at Sight Unseen OFFSITE two years ago, it followed a relatively strict set of parameters: 11 international designers would spend a week at two Shaker sites in New York and Massachusetts, engaging in an intensive workshop yielding new furniture and objects directly inspired by artifacts from those sites. But this year's exhibition examines the impact of the Shakers on contemporary design in a much more conceptual way: Called Hands to Work, it features objects by more than 25 studios, each meditating on contemporary attitudes towards everyday chores.
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