Charcolor Furniture, by Louie Rigano and Avantika Agarwal

Our first introduction to Louie Rigano, a New Jersey-born, RISD-educated designer who's now studying in the Design Products program at RCA, was a piece he'd made for the American Design Club's Trophy Show, back in 2013. Called Glittering Urn, it was a neo-classical form made slightly punk-rock by virtue of its material: a resin that had been almost entirely suffused with glitter. So it came as no surprise when we received an email last week from the designer — who describes his process as a "search for moments of unexpected accord between the spectacular and the practical" — of a new furniture collection he'd created in collaboration with fellow student Avantika Agarwal, which paired relatively simple wooden forms with an audacious coloring process. To create Charcolor Furniture's seared rainbow effect, CMYK pigments are literally burned onto the wood.
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Week of September 8, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: marble, fake marble, and a marbled painting made with a broom. Plus, select highlights from the London Design Festival, which started today.
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Future Tropes at Volume Gallery

"Timeless" is probably the most overused — and abused — word in design in recent years, typically employed by designers in the context of sustainability in order to imply that a piece has such a classic look or function that its expected longevity can somehow justify its existence in a sea of wastefulness and overproduction. Future Tropes, a new group show that opened this past weekend at Chicago's Volume Gallery, approaches the concept of timelessness from a very different angle, however: "The work should be slightly ahead of the world, slightly un-contemporary, setting the stage for future codes yet operating in a place that precedes our ability to apply language to those codes." (—Jan Verwoert, as adjusted by RO/LU.) In other words, objects that are equally linked to our prehistoric past and our distant, utopian future. Volume curators Sam Vinz and Claire Warner proposed that brief to Leon Ransmeier, ROLU, Jonathan Muecke, Tanya Aguiñiga, Jonathan Olivares, and Anders Ruhwald, who exchanged ideas on the topic before each creating a custom piece responding to it. See the results after the jump.
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Ricky Swallow vs. Matt Paweski, for Herald St London

As much fun as it is, as journalists, to the pick the brains of the artists and designers who inspire us every day, there's something we enjoy even more: being a fly on the wall as two of our favorite creatives spar back and forth about their craft. It's something we'll never understand as intimately as those who are makers themselves, and when those makers are as thoughtful about their work as Los Angeles artists Ricky Swallow and Matt Paweski are, it makes for a most excellent Friday read. Swallow interviewed Paweski in advance of the latter's solo exhibition, opening tomorrow at Herald St gallery in London, and we were lucky enough to nab a transcription of that Q&A. Read on to find out what makes a Matt Paweski, which direction his work is going in, and what the heck a "kerf" actually is.
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Andy Coolquitt, Artist

“It was a weird thing for a kid growing up in a Baptist family to collect,” says Andy Coolquitt of the whiskey bottles that formed his earliest stockpile. “I was interested in the beautiful, sculptural shapes of the bottles and the graphic design of the labels. It was something we didn’t have in our house, so it was a bit exotic. I had them displayed in this little cave-like space off the garage.” The now Austin-based artist was raised in Mesquite, Texas, in what he describes as a “bland, boring suburban existence,” with little “interest in visual culture.” Rebellion came in the form of “having a whole lot of stuff around me and letting that stuff dictate my aesthetic.” Since then, Coolquitt has literally turned obsessive scavenging into an art form. Metal pipes and tubing, plastic lighters, aluminum cans — these are just a few of the found materials he repurposes and transforms, setting them up in conversation with each other and giving them a life-like, almost human quality.
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CC-Tapis Rugs

An offshoot of a 1940s-era French-Persian rug house, CC-Tapis is a contemporary design label founded in 2011 and based in Milan. Each rug is hand-crafted by Tibetan artisans in Nepal using natural fibers, dyes, and processes to create a high-quality work of art. The company occasionally collaborates with artists and includes more traditional degradé wool patterns in its archive but we fell hard for these perfectly styled, geometrically-inclined specimens from their most recent catalog. Shot by Lorenzo Gironi, the photos of the collection are a perfect blend of simple colors and minimal props that bring the rugs into the third dimension with style. Check out some of our favorites below.
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Week of August 18, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week had a very geometric vibe, from our favorite picks from the NYNOW gift fair, to a lamp inspired by '80s virtual reality, to a photography series showcasing the nature of shadows.
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Week of August 11, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was all about next-level workplace decor: colorful benches for happy waiting rooms, amazing ceramics for air-freshening plants, and the coolest Christmas-colored desk we've ever seen.
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Jamie Wolfond of Good Thing

When we're asked by other journalists to talk about the evolution of American design, we pretty much always point to the same thing: the rise of independent designers and studios producing and selling their own work. Young American designers have increasingly become entrepreneurs in the past ten years, leveraging local manufacturing resources and online shopping platforms in order to bypass the need to wait around for big brands to do it for them. The latest such endeavor is Good Thing, a new company founded by designer Jamie Wolfond and based in New York that launches next week at NY NOW. Good Thing's first collection consists of nine products by six different designers, from a sand-cast aluminum trivet to a coiled-plastic vase to a handmade clay mug. We spoke to Wolfond about the new venture and how he's making it work.
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Week of July 21, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: ceramic vessels with Dimetapp-like drips (above), lamps in geometric stone, and a color chain reaction on Instagram that was the highlight of our week.
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Week of June 23, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week we indulge our inner shopaholics with a new Norwegian emerging-design purveyor, three designer pop-ups in New York and LA, and a mini online shopping guide that includes a little something for the guys, too — chic Op-Art pocket squares.
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Moving Mountains on Refinery29

There's only one thing we love as much as exhibiting the work of our favorite designers, like we did with Syrette Lew of Moving Mountains this May at our Sight Unseen OFFSITE event. And that's snooping around their studios, unearthing old sketches, and pleading with them to put killer side projects into production. Luckily for us (since we've been a bit flush with travel this summer) Refinery29 took care of Lew's visit for us. A gorgeously photographed studio visit with the Hawaiian-born, Bushwick-based designer ran on the site yesterday, and we thought it only fitting to share a few of our favorite bits here. Check out a short excerpt from that piece after the jump, then scroll down to read the rest over at Refinery29!
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