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SARKOS' hand-painted wallpaper
09.30.15

Up and Coming

SARKOS, a Brooklyn Wallpaper Company

One of the primary objectives of Sight Unseen OFFSITE has always been to feature up-and-coming designers who are experimenting with materials and processes in interesting, and often very personal, ways. So we were delighted earlier this year to welcome Stephanie Dedes Reimers’s just-launched wallpaper company SARKOS to our line-up. SARKOS — whose name translates from an Ancient Greek word for the tactile sense of our earthly spirit — mixes deeply personal inspiration with fine art, hand-painting techniques, creating a line of papers that are muted and highly individual.
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06.30.15

Invitation

Q+Q’s 2015 Collection, Shot by Amanda Ringstad

When we first invited one of our favorite prop stylists, Seattle's Amanda Ringstad, to create a shoot around Q+Q's line of waterproof, solar-powered watches last year, she attempted to abstract the simple, color-blocked designs into ambiguous shapes and arrangements. For its 2015 collection, however, the Japanese brand — who partnered with us for a second time at this year's Sight Unseen OFFSITE — went wild with pattern, so we thought it would be especially compelling to return to Ringstad once again and see how that might change her aesthetic approach. The result is a series of playful, summery images shot inside a big bucket of water that imagine the watches as eye-catchingly outfitted, anthropomorphized bathers.
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06.24.15

Up and Coming

Nina Cho, Furniture Designer

“One of the most important ideas in traditional Korean architecture and art is the aesthetic of emptiness — practicing the beauty of the void,” Nina Cho explains to me over the phone from her studio in Detroit, where she recently set up camp after graduating from Cranbrook. “In painting, the unpainted portion is as important as the portion that was painted; it’s about respecting the emptiness as much as the object.” Cho should know; she was born in the States but grew up in Seoul, and as a child she would often visit traditional Korean architecture sites. But little did she know the impact those visits would have on her future career.
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06.06.15

Saturday Selects

Week of June 1, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: one of our favorite ICFF stragglers, two exhibitions inspired by kids' playgrounds, and three Sight Unseen OFFSITE alumni who have somehow developed entirely new bodies of work since mid-May.
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05.29.15

Excerpt: Exhibition

Curse The Darkness by The American Design Club With Roll & Hill

When the American Design Club first started back in 2008, the idea was to find new ways to gain exposure for emerging talents in the U.S. scene, a goal pursued primarily via juried exhibitions — and a goal that happened to dovetail perfectly with Sight Unseen's vision for a New York design week event that would put the spotlight on exactly the kind of emerging voices the AmDC comprised. In 2011, the second year of our Noho Design District show (the precursor to Sight Unseen OFFSITE), we hosted the club's fifth exhibition, and last month we were thrilled to host its 12th. Called "Curse the Darkness" and presented in partnership with the lighting brand Roll & Hill, the show invited designers to submit "objects that can hold a candle and light up a room."
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05.22.15

Sight Unseen OFFSITE

A Tour of the 2015 Show: Part II

...In which we show you the rest of the incredible work we presented this year at Sight Unseen OFFSITE, which took place at Hudson Mercantile and featured the work of more than 100 designers, who hailed from places as varied as Los Angeles, Vancouver, Indianapolis, St. Augustine, FL, Detroit, Seattle, Montreal, and, of course, Brooklyn. If you happened to miss it — or if you just want to relive the glory — check out our slideshow after the jump, which features all of the studios that exhibited on the 6th floor of our show.
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05.22.15

Sight Unseen OFFSITE

A Tour of the 2015 Show: Part I

As anyone who's ever made an album knows, sophomore efforts are by far the toughest to pull off. And so, even though we here at Sight Unseen have been putting together a major Design Week showcase in some way or another since 2010, this year marked only our second outing as Sight Unseen OFFSITE, which debuted last year to enormous fanfare and praise.
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05.20.15

Fair Report

At the 2015 Collective Design Fair

Comprising four days, 12,000 square feet, and 50-something exhibitors, Sight Unseen OFFSITE is a major undertaking — a Herculean one, in fact, if you consider that there are only two of us leading the entire operation. So when we announced in April that we were doing an additional show this year, at the Collective Design fair, people quite understandably looked at us like we'd lost our minds. And yet we persisted on the sheer force of our belief that Steven Learner and his team at Collective are doing great things for design, things we wanted to be a part of — not just providing a platform for some of the world's most important design galleries to sell to clients, but attempting to widen the dialogue with special projects like (this year) on-site design performances by The American Design Club, a Nap Lab by Various Projects and Print All Over Me, installations by OS & OOS and Jonathan Nesci, and of course, an offer to let us curate a corollary to Sight Unseen OFFSITE that featured six up-and-coming American designers making gallery-level work. If you didn't get the chance to see last week's Collective Design fair, which welcomed more than 10,000 visitors, here's our best of show — and stay tuned for images from our own presentation at Collective, which we'll be posting tomorrow.
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05.19.15

Sight Unseen Presents

Print All Over Me HOME

Sight Unseen is the exclusive curator of the new PAOM HOME line, where our job is to help choose what kinds of objects to feature and then to invite up-and-coming illustrators, artists, and designers to contribute prints to those items. For the inaugural collection — which features IKEA slipcovers, plant cozies, pillows, linen throws, beanbags, cushions, and more — we selected four powerhouse female design studios: Caitlin Mociun, Pia Howell, Studiopepe, and Alex Proba. Get a 20% off discount code after the jump!
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05.15.15

Sight Unseen OFFSITE

The Making of the Principals’ Dynamic Sanctuary for Ford

Sight Unseen OFFSITE opens today, and front and center at this year's show is an undulating structure that, from a distance, looks incredibly mysterious — its walls are made from an unusual material, and they periodically emit a strange, pulsing blue glow. As you approach the structure, you first pass through a very narrow entryway that obscures your view of what's inside, but once you arrive there — well, that's the magic of the Dynamic Sanctuary, an installation by the Brooklyn design studio The Principals that's a kind of poetic metaphor for the design ideas behind Ford's 2015 Edge vehicle.
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05.13.15

The Making of

Chris Wolston’s Fetish Lights

One of the many great things about living in this post-Postmodern, cyber-gray area of the 2k10s, is that artists and designers can draw inspiration from pretty much any culture or period and come away with something new and exciting. There's the brightly colored, geometric, “playful” route that has become so popular with today’s makers — and then there’s Brooklyn’s Chris Wolston. His approach to making is often from a primordial or primitive perspective, where senses of the handmade and the human spirit are easily discernable.
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05.12.15

Sight Unseen OFFSITE

Designing for The New Escapism

Months ago, when we first began chatting with Ford about what a partnership for our Sight Unseen OFFSITE event this weekend would look like, we alighted on a phrase Ford had used to talk about the spirit that their new Ford Edge vehicle embodies: They called it the new escapism, which involves designing pockets of personal space that might help to bring a sense of calm and balance to everyday life’s otherwise volatile pace. From that nugget evolved a framework for both the Dynamic Sanctuary installation we commissioned from The Principals (above) — which uses light to visualize users’ biorhythms, creating a calming oasis during the hectic schedule of New York design week — and the programming we’ve created surrounding it.
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