Week of July 18, 2022

A weekly recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the first furniture collection from interior designer Robert McKinley, colorful glass candlesticks by Lex Pott, and a Wright auction full of postmodern treasures.
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Vaspaar, an Up-and-Coming Digital Design Gallery, Looks at Collecting As an Act of Preservation

For Kaisha Davierwalla and Andrea Grecucci, the Milan-based designers who run the digital gallery Vaspaar, the art of collecting amounts to more than simple acquisition. It’s not merely about possessing a beautiful material object — though Vaspaar offers plenty of those — but an act of preservation. Whether that’s preserving “something from the passing of time, or as a token of memory, a symbolic representation of an era, or the significance of an object and the emotions involved,” they explain, “we look at the act of collecting from both a deeply academic viewpoint and also from how personally we tend to get attached to these pieces.”
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Aimee McLaughlin On Starting a Ceramics Podcast (Pot-cast?) and Why Ceramics is Like Therapy

Though Aimee McLaughlin, of Objet Aimée, is drawn to the shapes, proportions, and details of antiquity, there’s nothing dusty about her ceramics. With a voracious curiosity and thoughtfulness, she re-contextualizes and refreshes classical forms: She’ll make the earthy naturalism of a speckled stoneware pot more romantic with twisted handles; render a pitcher that evokes fluted Greek columns in a satisfyingly deep, glossy green; or achieve a beautifully tonal black-on-black pattern of snake scales for the serpent-shaped arms that adorn a sinuous, double-headed vessel.
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Week of June 20, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a must-have print collab between Studiopepe and The Paper Collective, a tulip-shaped table that’s got us nostalgic for our childhoods (wait, are tulips trending??), and a few greatest hits from the this month's 3 Days of Design in Copenhagen.
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Atelier Areti Adds A Joyful Dollop of Color to Its Latest Collection of Lights

Starting from the notion that an archetypal light is composed of a base, an arm, and a source of illumination, Atelier Areti set out to transform one of these three elements in each light in their new Elements collection, playing around with geometries, angles, and inversion in a way that feels both off-kilter and perfectly balanced. Restricting themselves when it comes to shape and form, they’ve taken a lot more liberty with their palette: It’s the first time they’ve used color across every piece in a collection, juxtaposing a variety of greens, yellows, reds, and blues.
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Week of May 23, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a recap of this year's excellent but small Frieze New York, a designer whose cherry-wood pieces recall Matisse as a woodworker, and an exhibition that captures Alvar Aalto's earliest life and works.
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In a New Exhibition, a Designer in Conversation With His Artist Mother

The intimacy and complexity of family bonds are a boundless source of artistic inspiration, but New York–based designer Minjae Kim and his mother, the South Korean artist MyoungAe Lee, have taken it a step further with their a collaborative show now up at Matter Projects. When their respective work in placed conversation, the result is both intriguing and poignant.
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At a Los Angeles Gallery, Ceramic Fountains and a Living Room Rendered Entirely in Clay

For those of us who’ve gotten to know our homes and domestic spaces a little too well in the last couple of years, House and Garden, a joint installation of new work by Lily Clark and Analuisa Corrigan at Stroll Garden, offers a chance to refresh the familiar. At the LA gallery, Corrigan has rendered a living room of furnishings in clay while Clark has created a garden of working ceramic fountains staged with live plant vignettes by Alice Lam of A.L. BASA. All of it Invites you to pause and give a second thought to what seems ordinary and everyday and then think yet again.
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Rasmus Nossbring’s Glass Sculptures Look Like They Were Squeezed Through a Tube of Swedish Caviar

For Swedish glassblower Rasmus Nossbring, it’s the immersive nature of the medium that’s so compelling. "Glass moves like nothing I've ever seen before and to use it demands full attention from your whole body and mind," says the Stockholm-based artist. "It’s like super Zen and an adrenaline rush at the same time. A lot of people describe it as a dance, and I would say that on the best days I feel like I become one with the material."
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A Cult Fashion Brand Moving Into Interiors Inspired Nordic Knots’ Latest Collaboration

Home and family, in literal and figurative ways, have guided the rug company Nordic Knots from the outset, when Liza Laserow-Berglund, her husband Fabian Berglund, and his brother Felix began their endeavor. Their aim was “to bring something from our home in Sweden to every home — and at the center of every beautiful Swedish home is a great rug.” So, it makes sense that the idea of home – leaving it, searching for it, returning to it, creating it yourself – would be the focus and inspiration for Nordic Knots’s new collaboration with their old friends Bessie Afnaim Corral and Oliver Corral of New York’s luxe yet understated lifestyle brand Arjé.
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Fiona Lynch’s New Furniture Collection References Everything from Rudolf Schindler to the Ace Hotel Aesthetic

Melbourne-based interior designer Fiona Lynch's first furniture collection was spun out of her own interior design for the new Ace Hotel Sydney, which opens later next month. Before coming up with her ideas for the hotel’s rooftop restaurant spaces, Lynch traveled to New York City and Los Angeles as a kind of “study tour” of American design, visiting and drawing inspiration from the Schindler house, Frank Lloyd Wright's Hollyhock, and the Isamu Noguchi Foundation and Garden Museum in New York.
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