Heddle & Needle

Before she got hooked on weaving, Rachel Gottesman was both a painter and a jewelry-maker, and the influence of those preoccupations is wonderfully obvious in her small-scale textiles, which she creates under the name Heddle & Needle. Gottesman treats each small weaving as a tiny canvas on which to work out ideas about things like color, composition, linearity, topography, and adornment. Formerly a director of artist relations at Threadless in Chicago, Gottesman moved back to New York about a year ago, and in the short time since she discovered her affinity for the medium, she's made weavings that incorporate grids, geometrics, hieroglyphs, brass charms — even tiny squares made to look like Boucherouite rugs. The weavings are small – usually no more than a foot wide and two feet long, though she has plans to go big — and accessibly priced, which is why we immediately looked her up when we needed someone to create a textile series for our recent pop-up at Space Ninety 8. At the same time, we thought it was the perfect time to get to know her a little bit better on the site.
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Pool at Interieur Biennale

Vase Trophé ©POOL Here's the truth: We haven't visited France in nearly a decade, and though we know there's a scene there full of wonderful young talents on the verge of something huge, we'd be hard pressed to dissect it with the same kind of intimate knowledge that we bring to the players on our own soil. That said, if there's one studio we've kind of been obsessing over lately, it's Pool — the Paris-based duo of Léa Padovani and Sébastien Kieffer, who met while working for designer Noe Duchaufour-Lawrence. As Pool, they've created products for La Chance, Petite Friture, and Gallery S. Bensimon, and in Kortrijk this week, at the Interieur Biennale, they're gathering their best work together under one roof. The exhibition Walk the Line, on view until Sunday, includes previous favorites, like their hammered copper and painted metal Maillet lamp, as well as never before seen works like the green Trophé vase at the top of this post. Go see it if you're in the area, and if you're not, keep an eye on this page for great things coming down the pike and read on for even more fantastic images.
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Week of October 13, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a brilliant Belgian design fair, a predominantly Pomo Chicago auction, and beautiful domestic interiors from Berlin to Brooklyn.
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Lawrence Laske at Wright: Design Studio & Collected Works

Before we began Sight Unseen five years ago, Monica and I worked for the beautiful but now-defunct design magazine I.D. And though we were helping to run one of the most venerable design publications in the country, in hindsight, we were mere babies in terms of our design education. Which is perhaps why, when we received an entry to our annual competition for a molded plastic beach chair by a designer named Larry Laske back in 2008, the name failed to ring a bell. But maybe it wasn’t purely our ignorance. After all, Laske is the classic case of a behind-the-scenes designer who ought to be much more famous than he is. The creative mind behind two classic pieces for Knoll in his own right (the ‘90s-era Toothpick and Saguaro tables) Laske also worked for years alongside Ettore Sottsass, and designed incredible prototypes with some of the world’s most famous designers: Ingo Maurer, Philippe Starck, and Matteo Thun, among them. Next week at Wright, an online-only auction will be held to benefit Laske’s foundation, A Brain Tumor and A Dream.
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Week of September 29, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Maybe it's just the gloomy New York weather, but today we're wishing we could be anywhere but here: a Los Angeles gallery show, a Copenhagen vintage pop-ups, or a 1950s Milanese apartment belonging to none other than Ettore Sottsass.
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Su Wu, Writer

There are people you meet in life to whom you feel a deep and immediate connection, so much so that the particulars of how and why you both arrived at the same place at the same time matter much less than the fact that you did. That’s pretty much how we feel about Su Wu, whose inspiring blog I’m Revolting we admired from afar for months before reaching out two years ago, asking her to collaborate, and becoming instant friends. Earlier this summer, however, when we found out that one of our favorite photographers would be visiting LA, we realized this was the perfect time to find out a bit more about the circumstances that led Wu to where she is right now, both philosophically and quite literally — the downtown LA loft she calls home.
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Week of September 15, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: We're having a serious way-back moment — two collections that reference 70s-era Superstudio, a 1960s Cappellini reissue, and a mirror inspired by an engraving from the 14th century.
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Steven Haulenbeek’s Ice-Cast Bronze Collection

We’ve heard of something being a product of its environment, but never has that phrase rung so true as it does with the pieces in Steven Haulenbeek’s Ice-Cast Bronze series, on view this month at Chicago’s Casati Gallery, which were made largely in a trough of ice outside Haulenbeek’s studio window during last winter’s deep freeze. Haulenbeek — who knows from frigid winters, having grown up and studied sculpture in Michigan and lived in Chicago for the better part of his adult life — originally conceived the series back in 2011, when he was fooling around with pouring wax into frozen puddles on Chicago’s city streets. But this winter’s extreme conditions — while providing little but consternation for everyone else — gave Haulenbeek the opportunity to take the whole operation onto a much larger scale. We recently spoke with the Chicago-based designer to find out a little more about the origins and making of his new collection.
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best ikea furniture pieces

The First 59 Minutes of Jill’s Day

We were recently asked to participate in IKEA’s brand-new “Show Us Your IKEA: The First 59” campaign, which focuses on how IKEA pieces can help make the most out of the first hour of your day. So we thought this was as good a time as any to invite our readers into one of my favorite spaces and to share a bit of my own morning routine.
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Charcolor Furniture, by Louie Rigano and Avantika Agarwal

Our first introduction to Louie Rigano, a New Jersey-born, RISD-educated designer who's now studying in the Design Products program at RCA, was a piece he'd made for the American Design Club's Trophy Show, back in 2013. Called Glittering Urn, it was a neo-classical form made slightly punk-rock by virtue of its material: a resin that had been almost entirely suffused with glitter. So it came as no surprise when we received an email last week from the designer — who describes his process as a "search for moments of unexpected accord between the spectacular and the practical" — of a new furniture collection he'd created in collaboration with fellow student Avantika Agarwal, which paired relatively simple wooden forms with an audacious coloring process. To create Charcolor Furniture's seared rainbow effect, CMYK pigments are literally burned onto the wood.
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minimalist design incense holders

27 Incense Burners That Double As Art Objects

A few years ago, we noticed an uptick in the number of incense burners being produced by small-scale makers, and produced this little nothing of a story. Fast-forward two years, and that uptick has suddenly become a deluge — like jewelry once was, incense burners have become an indispensable part of a designers’ small goods line-up, as well as a place to experiment with form and materials. The rise in popularity of incense has gone hand in hand with an explosion in the world of ceramics (since incense burners can, by definition, only be made from a certain number of materials, including clay). But it all comes back to the recent popularity of cleansing rituals in general, be they part of a greater wellness trend or simply a way to reclaim some shred of sanity in these troubled times. Even better, these minimalist takes look stylish even when not in use. Breathe deep and scroll through to find where to find — and buy — our favorites right now.
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Ricky Swallow vs. Matt Paweski, for Herald St London

As much fun as it is, as journalists, to the pick the brains of the artists and designers who inspire us every day, there's something we enjoy even more: being a fly on the wall as two of our favorite creatives spar back and forth about their craft. It's something we'll never understand as intimately as those who are makers themselves, and when those makers are as thoughtful about their work as Los Angeles artists Ricky Swallow and Matt Paweski are, it makes for a most excellent Friday read. Swallow interviewed Paweski in advance of the latter's solo exhibition, opening tomorrow at Herald St gallery in London, and we were lucky enough to nab a transcription of that Q&A. Read on to find out what makes a Matt Paweski, which direction his work is going in, and what the heck a "kerf" actually is.
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