Portuguese Designer Célia Esteves of GUR Rugs

While Portugal is probably best known, these days, for manufacturing clothing and shoes for big brands like COS, Zara, and Camper — or if you're a product designer, for supplying 50% of the world's cork — Porto-based designer and printmaker Célia Esteves homed in on its longtime flat-weave rug-making tradition when she founded GUR two years ago. After meeting a weaver in her hometown of Viana de Castelo, who for 15 years had been handcrafting the style of rug that she'd seen on "every Portuguese kitchen floor" since she was a child, Esteves decided to hire the weaver to use the same technique to produce colorful limited-edition designs commissioned from illustrators she knew and admired, like Atelier Bingo and Ferreol Babin. We recently interviewed Esteves about the project, which has collabs with Après Ski and Reality Studio on the way; scroll down to read more about how she transformed a local craft into a contemporary design brand.
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Q+Q’s 2015 Collection, Shot by Amanda Ringstad

When we first invited one of our favorite prop stylists, Seattle's Amanda Ringstad, to create a shoot around Q+Q's line of waterproof, solar-powered watches last year, she attempted to abstract the simple, color-blocked designs into ambiguous shapes and arrangements. For its 2015 collection, however, the Japanese brand — who partnered with us for a second time at this year's Sight Unseen OFFSITE — went wild with pattern, so we thought it would be especially compelling to return to Ringstad once again and see how that might change her aesthetic approach. The result is a series of playful, summery images shot inside a big bucket of water that imagine the watches as eye-catchingly outfitted, anthropomorphized bathers.
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L.A.’s Newest Design Brand, TOOOLS

Back in 2012, we wrote about the launch of a gallery called Beginnings in Brooklyn, which, a year later, met an untimely and unfortunate end. But two of the gallery's founders have since gone on to forge a new (ahem) beginning, this time giving it a far less superstitious name: TOOOLS, a Los Angeles–based object-design company recently started by artist Caroline Hwang and designer Joel Speaskmaker that aims to be "a new company with an old ethos: form & function." See what the duo have to say about the project, and see tons of images, after the jump.
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Top 5: Transparent Jewelry

A periodic nod to object typologies both obscure and ubiquitous, featuring five of our favorite recent examples. Today, the subject is transparent jewelry, which has evolved beyond its '60s pop connotations to encompass designs both subtle and edgy.
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Slowly by Sam Moyer at Galerie Rodolphe Jansen

While the Chicago-born, Brooklyn-based artist Sam Moyer has played around with fabric painted to look like marble in the past, the geometric panels suspended in gorgeous bronze armatures that she recently installed at Galerie Rodolphe Janssen in Brussels are, in fact, the real deal. Meant to interact with the space's striking ceilings and the summer light that filters through them, the slabs are cut so thin as to be almost semi-translucent, a subverting of expectations about the way certain materials are supposed to look, feel, and function — a common theme in Moyer's work, and one that will sound familiar to many designers, which is probably why we've found ourselves so drawn to her.
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Week of June 15, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week we survey the sudden trend of gymnasium-inspired designs, the best of Design Miami/Basel, and a few of our favorite works by photographer Suzanne Mooney, pictured above. Plus: the weirdest design-world video we've ever, ever seen, featuring Chen Chen, Katrina Vonnegut, and a cat driving a dumptruck.
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Italian Product Designer Giorgia Zanellato

About six or seven years ago, when Jill and I were still editors at the late, great I.D. magazine, we had a gut feeling that something was happening in Italian design. For years its reputation had been seemingly stuck in the '80s — no one ever, ever talked about its contemporary scene — and yet suddenly we were seeing a few young talents pop up here and there. We commissioned a story on the subject, but despite our prescience (as evidenced in part by the subsequent head-spinning rise of Luca Nichetto), we missed something seriously major: Fabrica. Neither of us realized the impact its residency program and Sam Baron–led design studio would have in nurturing Italy's brightest new voices, from Matteo Cibic to Matteo Zorzenoni to today's subject, Giorgia Zanellato.
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Week of June 8, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a look inside Andreas Murkudis's new full-service design outpost in Berlin, a sneak peek at our favorite projects launching at Design Miami/Basel next week, and our first picks from this year's degree shows, starting with the vanity above.
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Wintercheck Factory’s Collection No. 300

When we asked Brooklyn's Wintercheck Factory — who debuted their latest collection with us at Sight Unseen OFFSITE last month — to shoot those new pieces in the most appropriate scenario they could imagine for our Self Portrait column, their choice of venues ended up being even more fitting than they themselves realized. A 1910 bank building in Bed-Stuy is about to become the duo's new studio, and clearly it makes for a stunning backdrop, but having been ripped up, painted, retiled, left to rot, bricked up, and, now, appropriated as a creative space, it can also be read as a symbol of Wintercheck Factory's own gradual reinvention.
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French Sculptor Cécile Mestelan’s Ceramic Objects

As an MFA student at ECAL, French-born artist Cécile Mestelan got into making small-scale sculptures with plaster for practical reasons — cost and ease of transport — but stuck with the material for more poetic ones: "It’s a very powerful and open material to work with; you can do so much with it, from modeling and sculpting to engraving," she says.
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Aleksandra Pollner, Furniture Designer

After her family bribed their way out of Poland in the ’80s, says Aleksandra Pollner, they spent years moving from place to place to place. Her perpetually uprooted childhood, she says, had a profound effect on her work as an adult: “I became fascinated with boundaries, tensions, spaces in between, where we find solace, and what makes us feel comfort and discomfort,” concepts that inspired pieces like her new Line and Circle table and Ma floor light, pictured above.
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Week of May 25, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a hip summer pop-up shop in Sagaponack, two ceramicists branching out into wallpaper and shelf brackets, and more work you might have missed during ICFF, like the Earnest Studio trivets above.
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