Node Lights by Amsterdam’s Odd Matter

The young Amsterdam-based duo Odd Matter, who we mentioned today in a separate post dedicated to their new work at Aram Gallery, have been busy bees lately. In addition to that project, the Dutch and Bulgarian designers recently launched a series called Node, which includes four highly expressive, sculptural lamps in copper and Jesmonite with forms designed to underscore their functions.
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3D Objects Made of Everything From Cement to Jell-O

Plenty of designers who work primarily in two dimensions translate their patterns and images to textiles, but up-and-coming London designer Lucy Hardcastle's oeuvre is particularly diverse — a former textiles student, she creates three-dimensional objects, sets, and artworks made of everything from cement to Jell-O, then draws on those creations to make prints for clients like Nike and Alexander Wang.
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Week of July 13, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: very on-trend iridescent flatware and terrazzo coasters, gorgeous oil-slick vases from a recent RISD grad, and the debut of the booksleeve (pictured above), an innovation we never realized we needed until now.
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Michael Wilkinson’s Decay-Inspired Landscape Series

Much of the collage-based work of Glasgow artist Michael Wilkinson, according to his New York gallery Tanya Bonakdar, "examines notions of power and resistance through an intricate web of political, cultural, and personal references" — among them the "histories of art and political radicalism, Marxist theory, popular music, and punk subculture of the 1970s and 1980s" — incorporating things like survival gear and vintage photographs. Yet his new gridded Landscape pieces, which we spotted in Bonakdar's booth at Frieze New York in May, take a more subtle (and visually beautiful) approach.
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English Artist Henry Jackson Newcomb

While many of his peers are busy creating digital landscapes of shapes and planes that mimic three dimensions, the young Norwich, England–based artist Henry Jackson Newcomb makes sculptural assemblages that — owing in part to the aforementioned trend — often look inspired by digital ones. Yet by incorporating elements like chunks of concrete, panels painted with unfinished-looking brushstrokes, and haphazardly taped rings of rubber tubing, Newcomb introduces an imperfect rawness that keeps his work squarely rooted in the physical world.
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Melbourne Creative Agency Wildhen Design

We've said it before — Australia often feels like a strange parallel universe to us. We know it's bursting with amazing design talent, but it all feels so far away, and it's not easy for us to assess what the new hot restaurant or hotel or creative agency may be at any given time. For those of us who pride ourselves on being up on the cultural landscape of the Western hemisphere, it's a weird feeling, but in a way, it's also a nice one: We didn't have to think too hard when the Melbourne firm Wildhen sent us their portfolio recently, we just poked through it and objectively liked what we saw, from packaging for a boutique pharmacy to still life shoots for an online nursery.
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Portuguese Designer Célia Esteves of GUR Rugs

While Portugal is probably best known, these days, for manufacturing clothing and shoes for big brands like COS, Zara, and Camper — or if you're a product designer, for supplying 50% of the world's cork — Porto-based designer and printmaker Célia Esteves homed in on its longtime flat-weave rug-making tradition when she founded GUR two years ago. After meeting a weaver in her hometown of Viana de Castelo, who for 15 years had been handcrafting the style of rug that she'd seen on "every Portuguese kitchen floor" since she was a child, Esteves decided to hire the weaver to use the same technique to produce colorful limited-edition designs commissioned from illustrators she knew and admired, like Atelier Bingo and Ferreol Babin. We recently interviewed Esteves about the project, which has collabs with Après Ski and Reality Studio on the way; scroll down to read more about how she transformed a local craft into a contemporary design brand.
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Q+Q’s 2015 Collection, Shot by Amanda Ringstad

When we first invited one of our favorite prop stylists, Seattle's Amanda Ringstad, to create a shoot around Q+Q's line of waterproof, solar-powered watches last year, she attempted to abstract the simple, color-blocked designs into ambiguous shapes and arrangements. For its 2015 collection, however, the Japanese brand — who partnered with us for a second time at this year's Sight Unseen OFFSITE — went wild with pattern, so we thought it would be especially compelling to return to Ringstad once again and see how that might change her aesthetic approach. The result is a series of playful, summery images shot inside a big bucket of water that imagine the watches as eye-catchingly outfitted, anthropomorphized bathers.
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L.A.’s Newest Design Brand, TOOOLS

Back in 2012, we wrote about the launch of a gallery called Beginnings in Brooklyn, which, a year later, met an untimely and unfortunate end. But two of the gallery's founders have since gone on to forge a new (ahem) beginning, this time giving it a far less superstitious name: TOOOLS, a Los Angeles–based object-design company recently started by artist Caroline Hwang and designer Joel Speaskmaker that aims to be "a new company with an old ethos: form & function." See what the duo have to say about the project, and see tons of images, after the jump.
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Top 5: Transparent Jewelry

A periodic nod to object typologies both obscure and ubiquitous, featuring five of our favorite recent examples. Today, the subject is transparent jewelry, which has evolved beyond its '60s pop connotations to encompass designs both subtle and edgy.
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Slowly by Sam Moyer at Galerie Rodolphe Jansen

While the Chicago-born, Brooklyn-based artist Sam Moyer has played around with fabric painted to look like marble in the past, the geometric panels suspended in gorgeous bronze armatures that she recently installed at Galerie Rodolphe Janssen in Brussels are, in fact, the real deal. Meant to interact with the space's striking ceilings and the summer light that filters through them, the slabs are cut so thin as to be almost semi-translucent, a subverting of expectations about the way certain materials are supposed to look, feel, and function — a common theme in Moyer's work, and one that will sound familiar to many designers, which is probably why we've found ourselves so drawn to her.
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Week of June 15, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week we survey the sudden trend of gymnasium-inspired designs, the best of Design Miami/Basel, and a few of our favorite works by photographer Suzanne Mooney, pictured above. Plus: the weirdest design-world video we've ever, ever seen, featuring Chen Chen, Katrina Vonnegut, and a cat driving a dumptruck.
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