Hans Ulrich Obrist’s Lost Interview with Ettore Sottsass, From Surface Magazine

It's no secret that we're devotees of the work of the late Italian design legend Ettore Sottsass, but to the extent that everyone we know has been caught up lately in the more superficial elements of his influence — the post-modernist colors, patterns, and geometries — we jumped at the chance to share with you this reminder of his intellectual legacy: one of several previously unpublished interviews with Sottsass conducted by Hans Ulrich Obrist in 2001. It was given to us as a little holiday present by Surface magazine's new editor Spencer Bailey, who oversaw its inclusion in the Dec/Jan Art Issue, which was co-edited by ForYourArt founder Bettina Korek and is the fourth since Surface was redesigned and reimagined this past July. Says Bailey: "Last fall, I was talking with Serpentine Gallery co-director Hans Ulrich Obrist over dinner in London about his unpublished interviews with artists and designers. He mentioned that he has several with Ettore Sottsass, so I asked him to send them to me. This one in particular blew me away. Hans Ulrich is a master interviewer, and Sottsass is, well, Sottsass. When I was putting together Surface's first annual Art Issue, I just knew I had to publish it." Sight Unseen is the only place on the web you can read the entire edited interview as it ran in the magazine — check it out after the jump, including images added by us, and don't forget to subscribe to Surface when you're done!
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Daniel Entonado, Illustrator

Daniel Entonado is a Madrid-based illustrator, textile designer, and graphic designer whose drawings are dense, whimsical, and often totem-like. We stumbled on his work randomly on Instagram, but apparently according to some he's the "zine king of Madrid" — check out selections from his portfolio below, then see one of his zines in action on Vimeo.
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Week of December 9, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: a designer-made winter salad recipe, a stunning new furniture collection by POOL (pictured above), tools so chic they make us want to start gardening, an explosion of pop-up stores and sand piles, and more.
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50 Gifts We’re Coveting

Introducing the first annual Sight Unseen holiday gift guide! We've been scouring our favorite shops, both here and abroad, and starting yesterday we've been featuring 25 items per editor. Today's picks come from Monica, whose taste runs more towards all things monochromatic, graphic, and geometric.
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At Art Basel and Design Miami 2013: Part III

We never quite know what to say after attending a large art and/or design fair. Did we see anything that particularly stood out? Of course. Did we identify any trends? Does it matter? Sure, there were motifs here and there — marble abounded once again in the design tent, as did Prouvé, while the artists seemed really into pineapples and coconuts this year — but all that feels pretty inconsequential. When we attend shows like these, we have a lot of fun documenting them as we go, and meeting new people doing interesting things along the way. Then we come home with a trove of new talents to explore for future Sight Unseen stories. That's really the heart of it. So while we'd planned to tell you more about what sold (Sebastian Errazuriz's motorcycle, clocks by Humans Since 1982, Vuitton's Perriand cabana), what didn't sell (actually we have no idea), and what the mood of this year's show was like (It was better than last year! It was worse than last year!), we think we'll leave it at this: 134 annotated photos on our Facebook page sharing our highlights from the fair, so you can make some discoveries of your own.
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At Art Basel and Design Miami 2013: Part II

If you spent even an ounce of time at the pool while in Miami for Basel last week, or having cocktails with friends, or sleeping late thanks to an epic hangover, there's an excellent chance you failed to see everything that was on view at the various fairs and satellite exhibitions around town. We ourselves had so little time at Art Basel itself that we did an embarrassingly inadequate skim through what amounted to about a third of the show, promising ourselves we'd come back later in the week (yeah right). And then there were the personal moments we missed just by virtue of not being able to be at every gathering of friends, every party, or every impromptu beach hang at any given time — the weird, wacky, and wonderful experiences our friends had amidst the hyper-stimulation that is Basel, which we witnessed fragments of during the rare times when we were able to sit down and catch up on our Instagram feed. Because we couldn't be everywhere nor see everything, we decided to ask some of our favorite design-world folks to share with us what they saw — the one favorite photo they took in Miami last week, from droopy hot dogs to Modernist masterpieces.
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SE Lamp by NOMTN

Last month, we introduced you to L.A. set designer Adi Goodrich, who builds raucously colorful backdrops for clients like Sony and Target from her studio inside a former coffee shop. Today, we're sharing the work of Goodrich's studio mate, longtime best friend, and frequent collaborator Eric Johnson — aka NOMTN. We spotted a prototype of his perky and practical SE clamp lamp on Instagram, where it was perched atop the desk of someone we happen to follow.
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At Art Basel and Design Miami 2013: Part I

Hello from sunny Miami! Sight Unseen has been here all week attending the 2013 Art Basel and Design Miami shows, and it's been a wild ride, as usual. We've brunched with Ruinart and Piet Hein Eek, partied with Dom Perignon and Jeff Koons, and seen performances by Jonah Bokaer and Pharrell. We almost did yoga with Grey Area, but got (happily) stuck hanging out at NADA instead. We tried to document it all, but it hasn't been easy — here's a small taste of what we've seen so far! We'll be back next week with a more comprehensive post, but for now, check out these pics and then head over to our Facebook album to see dozens and dozens more.
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Alpha Cruxis by Rebecca Martin

Tasmanian-born designer Rebecca Martin started the fashion label Alpha Cruxis earlier this summer from her studio in Neuköln, Berlin. Its launch collection consists of five geometrically shaped handbags that Martin meticulously handcrafts from rigid 3mm-thick Italian leather, using methods she likens more to carpentry than fashion design — sanding, carving, etc.
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Shop Sight Unseen on Print All Over Me

In April, we introduced you to BYCO, a production platform and online shop for custom clothing designs submitted by up-and-coming fashion talents. But BYCO also had a small section for housewares, where designers could apply imagery to a standardized selection of pillows, duvets, and curtains — an idea that co-founders Jesse and Meredith Finkelstein have taken one step further with their new spinoff project, Print All Over Me. The site harnesses the same overseas manufacturing capabilities the pair utilize for BYCO, but instead of producing custom pieces, it offers designers a choice of eight blanks onto which they can apply any image file — think CafePress, but with shirts, sweatpants, hats, pillows, totes, and scarfs that are actually fashion-forward (Jesse's also the designer behind the New York label JF&Son). Print All Over Me is technically still in beta, but we were so excited about its possibilities that we invited a few friends — Will Bryant, Mel Nguyen, New Friends, Clay Hickson, and Tim Colmant —to post a few items just for us. Read on to check out and shop their mini-collections, or create and sell your own designs.
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Week of November 25, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: hot guys in design, a new online furniture shop in Berlin, Artsy's definitive Design Miami preview (including the Jeff Zimmerman ombre vases above), and more.
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Renato D’Agostin, Photographer

Renato D'Agostin was born and raised in Venice, Italy, "where for most people photography in those days meant weddings and passport pictures," he says. Yet the city did manage to nurture his future career, if only inadvertently so: After falling in love with a photograph of an elephant that his mother won in a town prize drawing, he commandeered his father's Nikon, signed up for a local photography class, and spent his teenage years documenting scenes from everyday Venetian life, a process he's hewed towards ever since. Still, he considers his first foray away from home in 2002, on a road trip through the capitals of Western Europe, to be his most formative experience. "I took that trip to see if interpreting reality was what I really wanted to do," D'Agostin recalls. "From that moment on, I never had any doubt. I felt like traveling was the place where I wanted to live, and the camera was my extension."
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