Ashley Helvey’s #IRL Exhibition

Today on the site, we're giving you a peek inside Seattle creative Ashley Helvey's home and studio, but we also wanted to show you the results of the work that was being created there during our visit. Last week, at Seattle's Love City Love art space, Helvey debuted an exhibition with possibly the best name — and best concept — we've heard to date: "#IRL (internet shorthand for 'In Real Life ') is Helvey's exploration and reflection on being an artist in the age of Tumblr, Instagram and the reblog," the show text reads. "With the vast array of technological opportunities we have to broadcast our identity and redistribute images of art and design, at what point do we create our own content? #IRL presents work created by Helvey, that references images and works from the internet, many of which have been re-posted on her blog, HunterGathererer. These works, brought together under Helvey's distinct aesthetic and material sensibility, reject the lament that there is really nothing new. Instead, this exhibition celebrates the impact of technology and social media and its wealth of imagery as direct inspiration for creating real and tangible art objects.'"
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Sol Hashemi, Artist

Growing up in Vancouver, Sol Hashemi was wedded to his father's camera, dreaming since age six of someday becoming a nature photographer. Now 27 and living in Seattle, however, he may be the farthest thing from it — while he does wield a camera for a living, and occasionally points it at the odd plant or rock, his sculptures and still-life compositions go to great lengths to make them appear as un-natural as possible, marrying them with things like glitter, candy wrappers, and cans of baked beans. His work is all about weird — or not so weird, if you're a Tumblr devotee — juxtapositions.
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Amanda Ringstad, Photographer

Amanda Ringstad is a Seattle-based still-life and product photographer, and though there's remarkably little written about her on the internet, the information that's there makes perfect sense the instant you look at her work. She has a BFA in photography and studied sculpture and art theory in graduate school; in practice, this translates to the most arresting images you've ever seen of staples, garlic shoots, and those weird foam thingys you put between your toes during a pedicure.
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Brooklyn Artist Esther Ruiz On Her “Miniature Landscapes From a Distant Future”

Brooklyn artist Esther Ruiz refers to her sculptures as "settings," "little parties," and "miniature landscapes from a distant future," but whatever you call them, they're meant to act as colorful, abstracted symbols of imaginary places she's conjured in her mind, and the objects that reside within them. Ruiz, who was born in Houston and graduated from the art program at Rhodes College in Memphis in 2011, showed the series in her first New York solo show this past October, at the Bushwick artist's space Wayfarers. According to her artist's statement, she's inspired "mostly by space operas, pop culture, geometry and the setting sun."
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Cassie Griffin, Ceramicist

Cassie Griffin is a Brooklyn-based ceramicist who was introduced to us by our friend (and sometime model) Lulu Wolf. However, when we went to search the Internet for more information about Griffin’s dreamy ceramics — and their goofy everyday object–styled photos — we came up empty, save for a post on Design Sponge. So we reached out to Griffin herself, who gave us the scoop.
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A Memphis-Inspired Wall Mural Pops Up in Melbourne

We were pretty beside ourselves last week when the news floated our way that not only was the terrific Melbourne art and design shop Third Drawer Down opening a second location but that its exterior was going to be hand-painted by Camille Walala, the French-born, London–based graphic designer and illustrator whose work we've been obsessing over for the last year and a half.
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Francesca Capone, textile designer

Francesca Capone creates work that experiments with textile processes and language. The RISD-trained designer employs traditional textile processes such as hand-weaving, jacquard, machine knitting, marble printing, screen-printing and various dyeing methods such as shibori. But an MFA in "cross-disciplinary writing" at Brown has also led her to explore what happens when she distorts words and meaning through photo-manipulation, scanning, and digitally layering books. Combined, these methods result in unique and striking geometric patterns on fabric and painterly compositions of abstracted textual fields.
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Totokaelo Art—Objects’s Spring Campaigns

The cult Seattle boutique Totokaelo already carries clothing and objects so beautiful that each new season wreaks havoc on the wallets of aesthetes around the country. The only way the store could possibly improve on that game? By shooting those new collections in scenarios designed to make said aesthetes even crazier. To promote its spring Art—Object catalog, the store's creative director Ashley Helvey masterminded two such campaigns: a photo shoot shot by Robin Stein and styled by Margaret Macmillan Jones in the technicolor plaza of Seattle's King County Correctional Center (designed in the '80s by Martha Schwartz and Benson Shaw), and a video, also in collaboration with Stein, that features Cameron Mesirow of Glasser along with music from her latest album, Interiors.
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Mel Nguyen’s Desktop Deposits Series

Earlier today we posted a studio visit with the young Minneapolis artist Mel Nguyen, shot by photographer Debbie Carlos. But it only featured a small selection of Nguyen's work, in which each project is typically disassembled and morphed into three more. "If you look at a single project of mine and only associate me with that project, it will be not a complete representation of my practice," Nguyen says. We figured it was worth showing you one more example from her portfolio: her recent clay Desktop Deposits series, made for the Kansas City, Missouri, project Objet Boutique curated by Dean Roper.
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The Fruit Shop by Hsian Jung

Taiwan-born, London-based Hsian Jung works as a curator and interior stylist, but in his spare time, he recently started a hand-formed ceramics line called The Fruit Shop, through whose website he releases collections inspired by individual fruits and vegetables. "Friends were describing my pottery as reminiscent of sweet melons and pumpkins, an insight that inspired this project," explains Jung. To launch his first series, based around the cantaloupe, he styled a series of photographs using "cheap objects from daily life that have similar color tones as the ceramics but totally different textures," he says.
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Equilibrio Frágil y Simétrico by Cristian Montesinos

For his ongoing series of miniature totems, Barcelona-based graphic and furniture designer Cristian Montesinos collects and paints scraps of found wood, which he keeps on hand for the assembly and photographing of each piece. "Biking or walking in Barcelona I always find what I need," he says. "I keep the pieces, classified by size, and use them when I need them. When I work with these woods, I feel I'm returning to them a part of the dignity that was lost when they were thrown away. When I paint them I try not to completely cover the material, as part of the idea is to show and appreciate the tangible past of the object."
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Last, a New Swedish Design Trio

No pun intended, but we had to share one last find from this month’s Stockholm Design Week: Last, a new arena for selling one-of-a-kind products by Swedish design trio Åsa Jungnelius, Gustaf Nordenskiöld, and Fredrik Paulsen. They are, respectively, a glass designer working with glass, a potter with clay and a furniture designer with wood. All share a common desire for not only producing sustainable products, but also to promote a kind of design that is slower, more considered, and intended to stand the test of time (i.e. the last spoon you might ever buy).
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