04.27.15

Studio Visit

Samantha Bittman, Artist

It was a couple of years ago that Chicago-based artist Samantha Bittman first captivated us with her intricate, meticulous paintings on woven textiles. We’ve been transfixed by her work ever since, so when we had the chance recently to visit her studio and delve into her process, we jumped. Bittman creates dazzling surfaces of optically challenging patterns that draw you in to reveal greater depths, dimensionality, and unsteadying shifts in perspective. There’s an objective, mathematical precision to her pieces but there’s also a remarkably human warmth — the result, perhaps, of giving in to the parameters created by the loom while also resisting them.
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04.25.15

Saturday Selects

Week of April 20, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Three particularly timely design objects that launched in Milan, one peculiar woven-glass lamp that didn't, and a show by the design world's most beloved artist, Carol Bove, pictured above.
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04.24.15

Fair Report

e7’s Zinc Project Was One of This Year’s Salone Satellite Standouts

Our last bit of Milan coverage this week comes from a brand-new design studio comprised of three ECAL grads — Giulia Chéhab from Italy, Micael Filipe from Portugal and Romain Viricel from France — whose Zinc Project caught our eye in the very last row of this year's Salone Satellite. A table and shelf series made from galvanized zinc, the project was inspired by the aesthetic irregularities that arise from the galvanization process.
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04.23.15

Fair Report

At the 2015 Milan Furniture Fair, Part II

Yesterday we introduced you — both on our site and in a massive Facebook album — to all the wonderful objects we photographed while design-hunting our way through the Milan furniture fair. But thanks to seriously horrendous lighting (we're looking at you, Rho Fiera), the times we were in a hurry, and the times our camera just couldn't seem to grasp the concept of white balance while in the presence of LEDs, we couldn't possibly capture a great image of everything we saw that deserved coverage. That is where today's post steps in: Here, we bring you the best press images we gathered of all our favorite designs at this year's Salone, with nearly 50 more on offer over on Facebook.
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04.22.15

Fair Report

At the 2015 Milan Furniture Fair, Part I

Another year, another Milan. Every year we attend the behemoth furniture fair known as Salone expecting to come away with something smart to say about the current state of design. But the truth is, you spend the week bombarded with so much stuff that you're often left with just a few fleeting mental images of your favorite things, whether it's a colorful chair sheathed in Flyknit-esque sneaker material or a particularly delicious gnocchi you nearly licked off the plate. Luckily, that's what cameras are for. We shot nearly everything we saw this year, whether it was for an immediate Instagram, a file-away-for-later trend, or to share with you here, in our best of the best round-up from last week.
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02.19.13

Sighted

The Faye Toogood Collection at We See Beauty

When we first heard that Faye Toogood, one of our all-time favorite furniture designers and stylists, had been trysting with the make-up industry, creating a concept collection for the recently launched beauty brand MAKE — well, we weren’t one bit surprised. After all, Toogood has made a career of never quite doing what you’d expect her to do. What’s surprising, actually, is why more designers haven’t tried their hand at beauty. To dabble in a new discipline like fashion or ceramics would involve acquiring a rigorous new skill set. But to devise a collection for an existing makeup brand, as Toogood has, requires only a preternatural sense of materiality and color, both of which the designer has in spades.
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04.21.15

Fair Report

Thévoz-Choquet’s New Marble Accessories Collection For Bloc Studios

Over four days spent in Milan last week at the annual furniture fair, we saw dozens of exhibitions, spent 9 hours at the fairgrounds, and shot more than 800 photos. Pretty overwhelming. While we take a moment to regroup and put together our official coverage, which starts tomorrow, we figured we'd share with you one of the few projects that we didn't photograph in Milan, but didn't need to — SU alums Josephine Choquet and Virgil Thévoz launched an extensive new collection of marble tables and housewares with the Italian marble producer Bloc Studios, and thanks to the duo's superior art directing skills, it came complete with the perfectly styled set of images you'll see after the jump.
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04.20.15

Sighted

Aelfie x Studio Proba Rugs

For the rest of this week, we'll be bombarding you with our favorite finds from last week's Milan furniture fair, but we'd be remiss if we didn't first highlight one of the best things to recently launch on our shores: A colorfully graphic series of limited-edition rugs, pillows, and prints that represent a powerhouse collaboration between two Brooklyn designers, Alex Proba of A Poster a Day, and rug designer Aelfie Oudghiri. The two designers have strangely similar backgrounds — both attended medical school in Europe before finding their way to Brooklyn's collaborative design community — as well as a complementary aesthetic that's heavy on geometry and asymmetry.
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04.18.15

Saturday Selects

Week of April 13, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: While the international design community (including Jill and Monica) convened in Milan for the Salone del Mobile, we put Ryland on the case to round up a few of his favorite finds, ranging from the dark, moody objects of Blackman Cruz at Wright (pictured above) to a Technicolor Instagram account involving pool noodles and sneakers.
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04.13.15

8 Things

Los Angeles Ceramicist Ben Medansky

Anyone familiar with the work of Los Angeles ceramicist Ben Medansky would be surprised to learn that, when he was a student at the Art Institute of Chicago, his work was actually colorful, spanning the full spectrum of glaze hues. But after he graduated and went to work for a succession of other artists — among them the Haas brothers, who hired him to set up and run their in-house ceramics shop, and Peter Shire, for whom he spent a sweaty summer splatter-painting dishware — he decided he needed to find his own signature style, so he abandoned color entirely upon setting up his own studio in 2012 and started by focusing exclusively on form. The strong, graphic shapes he’s been creating since, all in earthy orange stoneware peeking out from under a speckled-white glaze, have become instantly recognizable in the contemporary ceramics scene.
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04.11.15

Saturday Selects

Week of April 6, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week brought a bounty of our favorite things: oxidized metal, iridescent leather, lenticulars, mini-sized fruit and furniture, and a special appearance by a Bucky Fuller–inspired Jell-O mold.
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04.10.15

Sighted

These New Copper Vessels Will Make Your Houseplants Unkillable

Ask anyone what kind of houseplant you ought to get if you're cursed with a black thumb, and you're nearly always regaled with tales of the wonderful, unkillable qualities of cacti and succulents. But frankly, we've had bad luck with more than a few of that breed. Été Studios, a new product-design studio based in Seoul, Korea, is here to help. Their first line of products consists of a series of vases and pots specially designed to make growing cacti and succulents easier. Larger vessels are made from copper, a material known for its antimicrobial properties that inhibit bacterial growth, and smaller, hydroponic vases are made from two parts.
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04.09.15

Excerpt: Exhibition

Ben Peterson’s “Nebraska”

On this site, we don't tend to feature exhibitions once they've already closed, but this one retains one of the most incredible visual archives we've seen to date, a record of objects that were as beautifully displayed as they were constructed. Ben Peterson's "Nebraska," which was on view at San Francisco's Ratio 3 gallery from January 17 to February 28, featured a series of architectural ceramic sculptures by the Oakland-based artist, painted in different, natural hues to erase traces of their clay past and to resemble something more like weathered and patinated concrete. Almost Brutalist in form, the sculptures were installed on site-specific pastel plinths, an extreme juxtaposition that somehow seemed just right.
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