Meet UNNO, the New Online Gallery Championing Latin American Design

UNNO, a new online-only gallery from architect Laura Abe Vettoretti and interior designer Maria Dolores, is making the most of the situation after plans to open a physical gallery in Milan last year were put on hold. Their mission, they tell us, is to introduce the richly varied landscape of Latin American design to collectors across the globe, spurred on by the region’s fertile mix of craft tradition and yet-to-be-discovered crop of contemporary designers.
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A Roberto Burle Marx book, and Other Graphic Design Picks for March

In a new column, each month The Brand Identity will share with our readers a selection of the most interesting studios, packaging designs, and branding and identity projects featured recently on their site. This month: A book on the work of iconic landscape artist Roberto Burle Marx, the design of a favorite Spotify playlist series, an identity for an experimental Australian tea house, and more.
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James Shaw On Why He Hopes His Design Practice Will One Day Eat Itself

“Daffodils are great,” says British designer James Shaw when I point out the bright yellow bunch sitting behind him in his southeast London workshop during our Zoom call. “They always start off really unpromising as those little green buds, and then they get better and better and they last for ages.” It’s an apt metaphor for Shaw’s own work, which often begins as discarded post-consumer plastic that he turns into slightly trippy organic forms reminiscent of crude cake frosting, created with his self-built plastic extruding gun and sculpted into quotidian objects from toilet paper holders to bowls, candelabras, and chairs.
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Week of February 22, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, two wooden, wavy moments, a pair of brightly optimistic gallery exhibitions, and a whole slew of mood-lifting lighting designs.
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Travertine, Salt, and Wood: Gregory Beson and the Beauty of Tangible Materials

There’s something refreshingly thoughtful about the way New York–based furniture designer and Parsons professor Gregory Beson talks about his practice. He may be represented by Love House in New York and Rossana Orlandi in Milan, but when discussing his recent collection, Home Group One, it’s not some white-gloved gallery where he pictures it. “I see the pieces as plinths for living,” says the Massachusetts-born designer, describing the series of tables, chairs, and shelving formed of interlocking planes of solid walnut.
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Ken Miller’s New Book Pictures Photography Anew

A new volume by editor and curator Ken Miller celebrates photography not for the referential images it can capture, but for the possibilities of the medium in and of itself. Titled PICTURES, the book celebrates non-representational photography, and it’s a formal announcement of sorts that photographs, as an art form, have come into a category all their own and not just in service of documentation, representation, or narrative.
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Week of February 15, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a Disneyland-inspired renovation, Gaudí-inspired floor lamps, and a can't-miss wallpaper collaboration by a dream duo.
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caine heintzman andlight vancouver

This Canadian Designer is Leading the Charge — No Pun Intended — to Prove Lighting Can Be Both Efficient and Beautiful

Caine Heintzman’s designs are among the most expressive produced by his company, ANDLight; you've surely seen his Vine light, which can only be described by the contemporary term "chonky," hanging in places like the Pieces Home in Kennebunk, Maine. But in fact, Heintzman's designs are typically inspired by hardy, everyday industrial objects. He designs in a modular way so that his products can exist singularly or be grouped and customized for various spaces and projects, and evolve far into the future.
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