Week of September 14, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A series of things we never dreamed we'd be able to buy (a huggable Greek column, an original Sottsass pen), a special guest report from Maison et Objet, and the most beautiful sculpture we've seen in ages, pictured above, spotted at Art Berlin Contemporary.
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Week of June 8, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a look inside Andreas Murkudis's new full-service design outpost in Berlin, a sneak peek at our favorite projects launching at Design Miami/Basel next week, and our first picks from this year's degree shows, starting with the vanity above.
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Studiopepe, Stylists and Set Designers

When describing their sensibility, Arianna Lelli Mami and Chiara Di Pinto of the Milan-based Studiopepe invoke the versatility of classic white shirt: “You can wear it anytime, to go to the supermarket or to a soirée. The same is for design. Good design — whether a masterpiece or anonymous — goes with everything.” Their evocative aesthetic, though, is anything but simple. “Eclecticism and curiosity” are important starting points for them, and their output is rich with visual references, ranging from the harmony of classical forms to the glamour of Italian cinema in the ‘60s. But they don’t merely quote their source material, they transform it.
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Week of February 23, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: long-awaited collections from two of our favorite designers, a new exhibition and book from the doyenne of Memphis, and a serious contender for the best watering can we've ever seen.
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Week of December 8, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: three new jewelry lines we're coveting, our top must-have from the shop at the newly reopened Cooper Hewitt museum (above), and are speckles the new squiggles? You be the judge.
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Maryanne Moodie, Brooklyn Textile Artist

There are few people who get the opportunity to uproot, relocate, and be instantaneously welcomed by a community of powerful and creative women. But Maryanne Moodie — the Melbourne, Australia native who settled in Brooklyn last year after her husband got a job a Etsy — did just that. Since arriving, she says, “I’ve been able to meet and forge fast friendships with so many amazing textile ladies — inspirational women who are creative as well as business focused. I’ve had the chance to collaborate professionally with them — as well as down a few glasses of wine over plans for world domination.”
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Jewelry By Architects

Sight Unseen: Jewelry By Architects

Until about six months ago, there was only one Munari we idolized: Bruno, one of our favorite 20th century designers and design theorists. (If you haven't read Design As Art, we suggest you hop to it!) But then, one fateful day this past spring, we were wandering aimlessly around the internet when we stumbled on what is perhaps the biggest editorial coup we've scored in years, and thus began our love affair with Cleto Munari — the Italian designer, who as far as we can tell is unrelated to Bruno, commissioned a dream-team of architects like Ettore Sottsass and Peter Eisenman in the early '80s to create a jewelry collection for his eponymous company, and the project had almost no coverage anywhere on the web. We immediately snapped up a copy of the incredible out-of-print book that documented it, which we're excerpting just a small portion of here.
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Shinola’s Daniel Caudill in Detroit

It wasn't too long ago that bringing up Detroit made people feel sad. For decades it was America's most downtrodden city; the first and only time I visited, 15 years ago, at age 19, I gasped dramatically upon arrival that it looked like its downtown had literally been bombed out and abandoned. But two or three years ago, Detroit got a brand new narrative, unfortunately by way of an annoyingly over-baked media frenzy that branded it the next hipster haven, complete with coffee shops, urban farms, and its first Whole Foods. The arrival of Shinola — which opened a watch factory and bicycle workshop there last year — quickly became a part of that narrative, even moreso when it opened its second retail location in New York a few months ago and began introducing the East Coast to its $2,000 artisanal bicycles and handmade leather goods. And yet the company is playing an important part in what's really going on in Detroit, beyond all the coffee shops and organic foods, which is that it's in the process of replacing parts of its failed industrial economy with a creative one, and that its residents and legislators are counting on that renewal to get the city back on its feet.
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Q+A With Shabd on Martha Stewart Living

When we interviewed Brooklyn artist and fashion designer Shabd for our Paper View book a year and a half ago, it was all about the fine art practice she sidelined in order to start her tie-dyed clothing and accessories business. But with this post, everything comes full circle — now that Shabd has a book out of her own, filled with tutorials on her dyeing techniques, we're finally taking the chance to hear more about what she actually does on a daily basis, by way of an interview recently posted on the Martha Stewart Living blog.
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Gemma Holt, designer

Gemma Holt is one of those designers who seems to be both everywhere and nowhere at once. If you’re organizing a group exhibition heavy on young designers or putting together a collection of talents for an expertly curated new shop, chances are she's on your list: The RCA-trained, London-based designer’s work often has conceptually rigorous thinking behind it, but her forms are usually quite simple and her jewelry pieces are the sort of elegantly crafted bits that tend to fly off the shelves. If you’re the average Pinterest-happy design-lover, however, you might not know a whit about her, considering there’s maddeningly little written about Holt on the web. It’s possible she keeps a purposefully low profile; after all, she’s worked for years for one of the biggest names in furniture design (Martino Gamper). But today the secret’s out: We’re taking it upon ourselves to introduce you both to Holt herself and to three of her incredible pieces, which we’ve recently launched in the shop. (Above: O&D bangles, $380)
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Milena Silvano on Intelligent Clashing

Rhiannon Gilmore's posts on Intelligent Clashing often begin with a tiny nugget of an idea — a pattern, a color, a shape — that after a bit of research flourishes into a loose, visually driven narrative. In her most recent post, though, the nugget wasn't so much tiny as nearly floor-length: a beautifully draped woven silk poncho trimmed with fringe and edged with reclaimed and antique textiles. The poncho was the creation of Milena Silvano, a UK stylist-turned-slow fashion enthusiast who's become something of an obsession for Gilmore in recent weeks: "For some time I’d been wondering: Where were the UK designers producing small, slow collections like those coming out of the States? I was thinking along the lines of ERMIE or Wiksten — collections that hold the personalities and the passions of the women who make them and are small enough to feel truly intimate and exclusive, in a warm wholesome way. I’d started to think there just wasn’t anyone working in this way here in the UK, and then I found Milena Silvano."
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Regina Dabdab, Jewelry Designer

“Paris is so beautiful, but it’s also way too cold,” says jewelry maker Regina Dabdab of the city she’s called home for the past six years, referring to its disposition rather than its weather. Despite generations of fashion designers adopting Parisian women as muses — Yves Saint-Laurent had Loulou de La Faliase; Balenciaga loves a classic Françoise Hardy silhouette — for Dabdab, their no-nonsense élan is far too restrained, and too much in contrast with the raw and untamed ethos of her native Brazil. It’s the latter qualities, combined with a strong sense of geometry, Dabdab tries to imbue her work with. “I don’t design for the reserved Parisian woman,” she says. “I think of home.”
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