Erika Emerén is Doing Magical Things With Concrete

Swedish designer Erika Emerén's current practice involves dyeing and casting concrete in an experimental process that she has very little control over, then using it to make chairs, tables, and soon, lamps too. "The results always vary, especially when I'm mixing different colors," she says. "But that's what I prefer, to make something unique. The that I can't control is what makes the design interesting."
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Chiyome minimalist handbags

Chiyome’s Japanese-Inspired, Minimalist Handbags

It’s easy to look at the work of designer Anna Moss and draw associations with a familiar sort of functional Japanese minimalism: her line of handbags, CHIYOME, is named for her Japanese great-grandmother. Yet for Moss, the starting point is plainly straightforward: “I strive for simplicity and that can take many forms,” she explains. What interests her is not minimalism for the sake of it, but rather a focus on the bag as vessel; it’s a study less in stripping back and more in adding intentionality.
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7 Design Insiders On Their 2015 Faves … And What’s Coming Up Next

We come here every day to tell you about our favorite things — so for our last round-up of 2015, it seemed only fair that we spread the love! We asked seven of our favorite design insiders to reflect on their best design moments of the past year — an experience they had, an exhibition they saw, a discovery they made, an interior they fell in love with — as well as offer the one thing they're most looking forward to in 2016. Enjoy, and see you back here next Monday!
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Group Partner's Boob Pots

The Brooklyn Ceramicist Behind the Insanely Popular “Boob Pots”

Even with its door wide open, Isaac Nichols’s Greenpoint studio is easy to miss. Walk past, look around, turn back, and there it is, tucked inside a cavernous, garage-like space that’s served as a creative home base for Nichols (who works under the name Group Partner) and a wide circle of artist friends for the past two years. The studio, unassuming from the outside, hums within: music plays; the stretch and tear of packing tape is constant. All around, laid out on makeshift surfaces and shelves, are Nichols’s signature pieces in varying stages of completion: ceramic pots molded to mimic breasts, each adorned in a hand-painted outfit, and his famous face pots, each with one of three appointed names: Adam, Rory, or Pat.
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Set Designer Robert Storey

Robert Storey, Set Designer for Kenzo, Nike, and More

What really interests Storey is creating immersive environments. “A spatial design work can exist in an image and it’s great for people to experience it that way,” but it’s not the same as being there. The temporariness is an essential part of the experience. Here are 8 of the London set designer's most lasting inspirations.
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Week of September 14, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A series of things we never dreamed we'd be able to buy (a huggable Greek column, an original Sottsass pen), a special guest report from Maison et Objet, and the most beautiful sculpture we've seen in ages, pictured above, spotted at Art Berlin Contemporary.
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Week of June 8, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a look inside Andreas Murkudis's new full-service design outpost in Berlin, a sneak peek at our favorite projects launching at Design Miami/Basel next week, and our first picks from this year's degree shows, starting with the vanity above.
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Studiopepe, Stylists and Set Designers

When describing their sensibility, Arianna Lelli Mami and Chiara Di Pinto of the Milan-based Studiopepe invoke the versatility of classic white shirt: “You can wear it anytime, to go to the supermarket or to a soirée. The same is for design. Good design — whether a masterpiece or anonymous — goes with everything.” Their evocative aesthetic, though, is anything but simple. “Eclecticism and curiosity” are important starting points for them, and their output is rich with visual references, ranging from the harmony of classical forms to the glamour of Italian cinema in the ‘60s. But they don’t merely quote their source material, they transform it.
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Week of February 23, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: long-awaited collections from two of our favorite designers, a new exhibition and book from the doyenne of Memphis, and a serious contender for the best watering can we've ever seen.
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Week of December 8, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: three new jewelry lines we're coveting, our top must-have from the shop at the newly reopened Cooper Hewitt museum (above), and are speckles the new squiggles? You be the judge.
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Maryanne Moodie, Brooklyn Textile Artist

There are few people who get the opportunity to uproot, relocate, and be instantaneously welcomed by a community of powerful and creative women. But Maryanne Moodie — the Melbourne, Australia native who settled in Brooklyn last year after her husband got a job a Etsy — did just that. Since arriving, she says, “I’ve been able to meet and forge fast friendships with so many amazing textile ladies — inspirational women who are creative as well as business focused. I’ve had the chance to collaborate professionally with them — as well as down a few glasses of wine over plans for world domination.”
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Jewelry By Architects

Sight Unseen: Jewelry By Architects

Until about six months ago, there was only one Munari we idolized: Bruno, one of our favorite 20th century designers and design theorists. (If you haven't read Design As Art, we suggest you hop to it!) But then, one fateful day this past spring, we were wandering aimlessly around the internet when we stumbled on what is perhaps the biggest editorial coup we've scored in years, and thus began our love affair with Cleto Munari — the Italian designer, who as far as we can tell is unrelated to Bruno, commissioned a dream-team of architects like Ettore Sottsass and Peter Eisenman in the early '80s to create a jewelry collection for his eponymous company, and the project had almost no coverage anywhere on the web. We immediately snapped up a copy of the incredible out-of-print book that documented it, which we're excerpting just a small portion of here.
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