Design is Undead — How the Seance Aesthetic Came to Possess Our Homes

There is a great and growing interest in not-new furniture (as well as a zillion excellent sellers finding the best things and dusting them off for modern relevance). But there is another way to talk about reviving dead design — and that is reviving the dead through design. Today’s subject and current obsession by For Scale's David Michon: the SÉANCE AESTHETIC.
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Bowen Liu Was Up to the Challenge of Making Furniture in Cast Glass

Without being towering, there’s a heft and monumentality to the cast glass Helle collection by New York designer Bowen Liu. The presence of these pieces is anchoring, a solidity that’s offset by their translucency. Made by glass workers in Brooklyn, the collection includes bookends, a coffee table, floor lamp, mirror, and side table, which debuted at New York Design Week in May. While the mirror and lamp feature white oak details, the coffee and side tables and bookends are made entirely of glass. If you don’t see a lot of cast glass furniture at scale, it's because it demands expertise, skill, and time to produce. But Liu was up for the challenge.
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Inspired by a Children’s Poem, Giopato & Coombes’ Milan Exhibition Took Visitors on a Journey Through Memory

The children’s poem Il Cosario describes finding forgotten small items collected in pockets and looking at them with fresh eyes. Italian-British design duo Giopato & Coombes initially bought this poem for their son, but they kept a copy at their workstation because they found it so inspiring. When the time came, they used the process outlined in the poem's verses to guide 18 Pockets, an exhibition during the recent Milan Design Week that presented reimagined pieces from the pair’s back catalog and ideas that had yet to be realized, combined in multiple ways to help tell the designers’ personal stories. A journey through their own memories, you could say.
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On the Hunt for Objects? Shop Our Book IRL at Nordstrom’s Manhattan Flagship

In our book, How to Live With Objects, we talk a lot about how rewarding it is to slowly and thoughtfully surround yourself with unique objects you feel a connection to, hence why we also caution against the department-store mentality of treating your interior as a series of empty spaces you should fill all at once. But when the department store itself becomes the place to find those unique objects, that advice obviously no longer applies — case in point, our new pop-in inside Nordstrom's midtown Manhattan flagship store, where now through June 17, you can shop nearly 100 truly special handmade, one-of-a-kind, and vintage objects from some of the makers and dealers featured in the book (as well as the actual book).
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These Mysterious Glass Assemblages, On View at Marta, Were Inspired By Modernist Buildings and Corporate Architecture

Over the years, Jonah Takagi has worked with all kinds of materials, but it's glass that has preoccupied him throughout five summer residencies in the south of France, at the International Glass and Visual Arts Research Center, or CIRVA, in Marseilles. For Takagi, the experience yielded not only an unexpected love for Marseilles but also an ever-evolving series of mesmerizing angular vessels that reference, in their shape and in their texture, the Brutalist architecture of Kenzo Tange or Le Corbusier. His latest selection, a series of dusky, painterly assemblages, is on view through April 22 at Marta gallery in Los Angeles in a solo show called "Brut Vessels."
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The New Hennepin Made x Victoria Sass Lighting Collection Wants You to Experience the Full Spectrum of Emotion

When two longstanding Minneapolis creative forces — Jackson Schwartz, head of the lighting company Hennepin Made and Victoria Sass, founder of interior design studio Prospect Refuge — team up to create a new lighting collection, you can expect the results to be thoughtful conversation starters. Not simply in the obvious way of getting your attention and eliciting a reaction, of course — though their Ontologia series does just that, with one-of-a-kind, handblown glass globes in various sculptural permutations composed of cords, metal, and mahogany spheres. But there’s a deeper form of conversation that Sass envisioned for her first foray into lighting design, and that Schwartz made a reality: a sort of ongoing dialogue, a two-way relationship between the people living with these lights and the lights themselves, which really do seem to have distinct personalities and moods.
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In Common With and Sophie Lou Jacobsen’s Collab Lighting Collection is the Drama We Need Right Now

There’s a wonderful sense of mystery in the new lighting collaboration between Brooklyn-based studio In Common With and French-American glassware designer Sophie Lou Jacobsen. The Flora collection, as its name suggests, draws on the forms and proportions of plant life — but not your average bouquet or potted succulent. More like an unknown but totally intriguing specimen you might encounter growing on the forest floor. The 20 pieces here feature hand-blown, mold-blown, and slumped glass in milky off-white, amber, lavender, soft browns, and reds. Sconces are edged with dark, scalloped details, tables lamps and pendants are mushroom- and bell-shaped; and on a gorgeous chandelier of curving brass arms, delicate shades of draped glass resemble the blossom of an Angel’s Trumpet.
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Rasmus Nossbring’s Glass Sculptures Look Like They Were Squeezed Through a Tube of Swedish Caviar

For Swedish glassblower Rasmus Nossbring, it’s the immersive nature of the medium that’s so compelling. "Glass moves like nothing I've ever seen before and to use it demands full attention from your whole body and mind," says the Stockholm-based artist. "It’s like super Zen and an adrenaline rush at the same time. A lot of people describe it as a dance, and I would say that on the best days I feel like I become one with the material."
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Week of December 13, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a reconstructed 1960s apartment by Ettore Sottsass opens in Milan, six London designers exhibit works in glass and metal, and Sweden's David Taylor unveils his latest collection of bent-aluminum furniture and lighting.
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Hallelujah — Our Favorite Scandinavian Art Objects Retailer is Finally Shipping to the States

This week, the Swedish design object retailer The Ode To launches shipping to the United States — and just in time. We can't think of a better place to shop for gifts for people who are notoriously hard to shop for. Where else can you find a vase shaped like a white go-go boot, a sculpture meant to look like a watermelon, or a deflated mirror decorated with a truly unhinged smiley face?
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The Dutch Designer Making Colorful, Jewel-Like Cocktail Glasses

For years, de Beijer designed purely ornamental vessels made from synthetic and non-traditional materials like resin and pigmented polyurethane cast by hand. "People have frequently asked me why I didn't make these vessels in 'real' glass,” he said. And so he did. Designing out of his father’s studio and working in close collaboration with the renowned glassblowers at Van Tetterode Glass Studio in Amsterdam, de Beijer has created his first series of glassware made exclusively for Side Gallery.
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