06.15.22

Fair Report

The Best of the 2022 Salone Del Mobile — Part I

After a rocky two years, life is inching closer to normal these days, and one could use the design-world fair schedule as a barometer: After outright cancellation in April of 2020, the annual Salone del Mobile in Milan managed to squeak through a mini-show in September, only to come back with full force last week just in time for its 60th anniversary. More than 2,000 exhibitors showed at the fairgrounds this year — which we're recapping today — and we walked away from all the huge Italian dinners, garden parties, and launch presentations feeling like our sanity had finally been restored.

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05.16.22

Sighted

In Common With and Danny Kaplan Expand Their Earthy Ceramic Lighting Range

When In Common With debuted in 2018, the Brooklyn studio made their mark (no pun intended) by pairing sleek, machined lamp bases with ceramic shades that had been obviously, laboriously made by hand — pinch marks, bumps, and all. The studio soon found ways to make the shades faster and more efficient — and expanded their offerings to include glass and metal — but in a continued collaboration with ceramicist and fellow Brooklynite, Danny Kaplan, they have been able to recapture that earlier, earthier quality.

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05.13.22

Q+A

A New Lighting Brand, With Deep Roots in New Orleans and France, Putting a Modern Spin on Traditional Techniques

Swadoh — an anagram of shadow that founder Valerie Legras devised after reading the Japanese writer Junichiro Tanizaki’s “In Praise of Shadows” — works exclusively with small artisans who do intricate and often time-consuming hand work at their workshops in France. That, and the idea that each artist should be working in a wonderfully unique way with their chosen material, is the strict guiding principle behind Swadoh.

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03.04.22

Excerpt: Exhibition

Here Are a Few of Our Favorite Things From This Year’s Salón Cosa in CDMX

For its third edition, the burgeoning Salón COSA, Mexico’s biannual “gathering of contemporary objects,” returned to its roots in CDMX after a stint in Guadalajara last fall. On a relatively intimate scale — 22 participating artists and designers showed recent and unpublished works — Salón COSA occupied the dance floor of an old cantina nestled among the cafés, nightclubs, and shops of Calle de Motolinia, one of the oldest streets in the city. With the walls and furniture of the bar-turned-exhibition-space cloaked in a fresh coat of cerulean blue, this year’s curation reflected Salón COSA’s nocturnal setting.

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02.20.22

Saturday Selects

Week of February 14, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: never-produced 1970s furniture by Gabriella Crespi reissued by Gubi, a sprawling solo show of works by Simone Bodmer-Turner, and a new wallpaper series (pictured) whose bold geometries have a painterly feel.

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02.07.22

Excerpt: Exhibition

At Barber Osgerby’s Galerie Kreo Exhibition, An Exploration of the Artisanal and the Industrial

Though the London-based studio Barber Osgerby first started working with Galerie Kreo more than half a decade ago, with their monolithic, shinto shrine–inspired Hakone collection of tables, last month marked their debut as a solo exhibitor. In a show called Signal, on view until April 16, the London duo finally gets to show off their impeccable color sense, which has always seemed a natural fit with Galerie Kreo's aesthetic.

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12.16.21

Excerpt: Exhibition

Get Good Vibes Only From this Show of Grandma-Inspired Lamps and Balloon-Like Chairs

Sister-Sister, Léa Mestres's new show at the Paris gallery Scene Ouverte, is a highly photogenic pairing of two sides of the up-and-coming French designer's practice. One the one hand, there are her puffy, balloon-like chairs, benches, and tables. On the other hand, there are her colorful stucco lamps. "I see them as old ladies," she says. "They each have a names and personality. That's why I called the show 'sisters sisters' — it’s an old ladies' gang."

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12.01.21

Gift Guides

Pom Pom Pillows and Hand Rugs: The Sight Unseen Gift Guide, Part III

For those of you who would rather give your partner a hand-thrown ceramic vase than a mass-manufactured one, or are more into gifting your sibling a carved-wood ice bucket than the latest iPad, this guide is for you: Click through to see and shop our top 14 handmade gifts from Wescover's stable of independent makers — including Maja Dlugolecki, Christopher Norman, Esque Studio, and more.

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10.28.21

Q+A

Lighting Designer Lukas Peet on Balancing the Sculptural and the Saleable

Lukas Peet's first commercially successful lighting design — and the one that brought him to our attention way back in 2011 — looked like diamond wedding band that had been stretched into a three-foot-long oval tube. An arch of shiny gold at the top, flowing into a glowing strip of LEDs nestled inside the contoured glass, his Rudi light was inspired by his father, a jeweler. That light's success was enough to convince Peet that lighting might be the most interesting path for him to follow in design, and with his fellow Vancouver-based creatives, Caine Heintzman and Matt Davis, Peet co-founded the commercial and residential lighting manufacturer and studio ANDlight.

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10.23.21

Saturday Selects

Week of October 18, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an affordable(ish) amorphous plaster mirror, new chairs by Moroccan Renaissance woman LRNCE, lamps that are like little paintings, and a dreamy Kips Bay room by Michael Hilal (above).

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06.01.21

Up and Coming

A New Lighting Collection Inspired By the 1960s Modernism of Fire Island Pines

“Growing up, I always love stained glass,” recalls Peter B. Staples, discussing the early design experiments that would eventually lead to the launch of his lighting brand Blue Green Works. “I grew up in a Craftsman-style home, and one summer, my dad and I found the plans for the original stained glass lanterns. We taught ourselves how to fix and recreate them. I was probably 12 at the time and that experience really stayed with me.” But while the exercise was clearly formative, Staples would have to take a circuitous path through the New York design scene before returning to lighting. Having previously worked at The Future Perfect and Apparatus, Blue Green Works marks the first time Staples has designed a collection himself — which you would never guess just by looking at it.

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05.03.21

Excerpt: Exhibition

Motherhood — And the Ways In Which It Challenges Us to Create — Is At the Center of This Exhibition

The idea for Egg Collective's third "Designing Women" exhibition was born long before the pandemic struck. Back in 2018, Egg's co-founders — Hilary Petrie, Crystal Ellis, and Stephanie Beamer, along with Ellis's sister, the artist Tealia Ellis Ritter — had the idea to curate a selection of female artists and designers who also happened to be mothers, and who often worked with or chafed against the constraints of motherhood in order to create.

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