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06.20.14

Up and Coming

Our Top 5 Picks From RCA’s Graduate Show 2014

As the summer solstice approaches, so too does a wave of graduate shows offering up the latest creative projects and design solutions from the leading sphere of design schools. In London, no show is more hotly anticipated than the Royal College of Art’s annual exhibition Show RCA, noted for its impressive arsenal of postgraduate talent. We couldn’t miss the opportunity to spot this year’s pool of emerging stars across the contemporary art and design practices. The show took place simultaneously across two campuses: Design Products in Kensington, which offered its usual heady mix of modern-day design solutions, and over at the Battersea campus, Textiles, Fine Art and Sculpture students refreshed the visual senses with investigations into color and material. Here are our top five "ones to watch" from the exhibition.
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05.31.14

Saturday Selects

Week of May 26, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: super-colorful rugs and blankets that are surprisingly affordable, an 80-pound, solid-brass bookcase that's anything but, a peek inside Totokaelo's Seattle offices, and a covetable pair of Bauhausian chairs (above).
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05.03.14

Saturday Selects

Week of April 28, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a website that treats industrial supplies as art, an exhibition that treats styrofoam scraps as furniture, and a side table (pictured above) that comes in three flat-pack, numerically based configurations, each more beautiful than the next.
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03.06.14

Sighted

The Fruit Shop by Hsian Jung

Taiwan-born, London-based Hsian Jung works as a curator and interior stylist, but in his spare time, he recently started a hand-formed ceramics line called The Fruit Shop, through whose website he releases collections inspired by individual fruits and vegetables. "Friends were describing my pottery as reminiscent of sweet melons and pumpkins, an insight that inspired this project," explains Jung. To launch his first series, based around the cantaloupe, he styled a series of photographs using "cheap objects from daily life that have similar color tones as the ceramics but totally different textures," he says.
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02.15.14

Saturday Selects

Week of February 10, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: sculptures made from deconstructed window blinds and laminate floors, a book on vintage corporate identity design manuals, a series of fake Cuban shop windows (pictured above), and the most excitement we've ever experienced over a bar of soap.
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01.23.14

Sighted

Sevak Zargarian, Ceramicist

Sevak Zargarian is a London-based graduate of the Central Saint Martins undergrad course in Ceramics, for which his final project was the series of Grogged Vases pictured in the first half of this post. To make them, Zargarian first creates his own "grog" — broken-up scraps of stained and fired clay normally mixed into pottery to invisibly prevent kiln shrinkage — then makes a plaster bowl mold, which he dips into a bucket of grog-filled slip in a reverse-casting process. His Grogged Jars, below, use smaller grog bits and conventional plaster molds. Zargarian focuses on process- and materials-driven experimentation based around the tactile qualities of clay, yet rather than only celebrating the hand-made element of his work, he's more interested in how he might someday apply his studio discoveries to industrial production.
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01.22.14

Q+A

Henny Nistelrooy on I’m Revolting

Like so many small-town kids before him, Henny van Nistelrooy didn’t move to just any city. He moved to the most tightly layered and epochally dense cities he could find, the sorts of places that have already had a dozen lifetimes. After graduating from London's Royal College of Art, Van Nistelrooy launched his design studio in London in 2008 and then moved to Beijing, another capital with more than a bit of historical fiber. They’re fitting locales for Van Nistelrooy’s textile process of taking seemingly finished material and slowly unraveling the threads for an entirely new weave.
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12.20.13

Excerpt: Book

Dixonary

If we had to elect the most Sight Unseen–like book ever published, Tom Dixon's Dixonary might land at the very top of that list. In the intro he writes, "A book about me? I wasn't sure I needed one — at least until I am dead, at which point people can write what they like." But personally we wish this kind of book existed for all of our favorite visual artists. In it, Dixon pairs photographs of his own designs, dating all the way back to his early-'80s punk days, with the images that inspired them, and then tells the micro-stories behind each one.
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12.18.13

Up and Coming

Lola Lely, furniture designer

Lola Lely was born in Hanoi, Vietnam, but, having moved to London when she was only five, the rising design star can claim native east Londoner status — a rare feat in the area’s bustling international design scene. Her interest in making dates back nearly as far; her mother, a seamstress, was always “knitting or crocheting, making clothes or coasters.” Her Foundation tutor, ceramicist Bo Davies, guided Lely down the path to product design, to satisfy her interest in various disciplines and materials. But now that she’s there, she says, “none of my projects seem to have an end point. I like restlessness, when I don’t know where something is going. It's a little bit serendipitous.”
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10.15.13

Excerpt: Exhibition

Oscar Wanless for Riess, at Vienna Design Week

Oscar Wanless is one half of Silo Studio, the London twosome whose unorthodox investigations into industrial materials have graced Sight Unseen more than a few times. But when I met up with him during last month’s London Design Festival, I found that his latest solo project was also more than worth a mention. For this year’s Vienna Design Week, Wanless worked with Riess, a ninth-generation enamelware company based in Ybbsitz, a small town in southern Austria. The factory has been knocking out metal pots and pans since 1550, and enamelling them at its Austrian headquarters for nearly a hundred years as well. Wanless came on board to disrupt the company’s tried, tested, and perfected process.
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09.25.13

Fair Report

At the 2013 London Design Festival

If someone was going to attend the London Design Festival in our place this year — a circumstance that normally fills us with a mix of raging jealousy and resigned disappointment — we're super glad it was Matylda Krzykowski, one of our favorite fellow design bloggers, who on her site Mat and Me manages to nail the same up-close-and-personal vibe we hew to here at Sight Unseen. She captured the perfect overview of the fair for us, even though she only had one day to explore it: Her plane in from Hong Kong landed at 5:40AM this past Saturday, at which point she quickly took a bath, rearranged her suitcase, and bolted back out the door by 9:30AM to begin her reportage. "I had literally had six 6 hours that day to look around before departing to Switzerland the next day for my duties at Depot Basel," she says. "I started off in South Kensington, then hit the Brompton Design District, then Central London, and finally the East End." How's that for dedication? Check out the things she spotted, and the people she said hello to along the way, after the jump.
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09.17.13

What They Bought

LDF 2013: So Sottsass at Darkroom London

Had we thought of it ourselves, "That's so Sottsass" is a phrase we might have used hundreds of times over the past five years to describe all the designs spawned by the recent mega-Memphis revival. Crazy colors, clashing patterns, geometric shapes on shapes — it all came rushing back in homage to Ettore and his crew, a fact which the intrepid duo behind our fave London store Darkroom chose to acknowledge this week with the debut of their So Sottsass collection. Launching last night — day one of this year's London Design Festival — the installation includes both Memphis-like objects by outside designers and new pillows and wrapping papers conceived by Darkroom owners Rhonda Drakeford and Lulu Roper-Caldbeck as part of their ongoing in-house collection. There's also an amazing window display by up-and-coming Italian stylists StudioPepe. Drakeford took time out of her crazy LDF schedule to not only share photos of So Sottsass with us, but to tell us the inspiration behind the collection: "At Darkroom, we've always had a penchant for maximalist modernism — bold colour palettes, big patterns, and brave combinations," she says. "In a decade of 'greige,' we love exploring how being bold and playful with design can fit into modern life."
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