30 Projects We Loved at the 2024 Stockholm Furniture Fair

Perhaps no design fair makes me philosophize about the future of trade shows more than Stockholm. A small fair that has become even more compact over the past few years, as Danish brands have increasingly shifted their calendar to coincide with Copenhagen's 3 Days of Design, Stockholm tends to particularly shine in two areas that make a fair worth having in the first place: its curation — not only in booths but also in talks that one might actually care to attend — and the idea that sustainability ought to be baked in at every turn, or else what's the point of making new things?
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10 Things We’re Looking Forward To at This Year’s Stockholm Furniture Fair

Stockholm functions in many ways like a mini-Milan, which comes, in part, from being a city with an incredibly high baseline of appreciation for design: There's a predictably excellent emerging design showcase at the fair; there are exhibitions around town in the most wonderful and surprising locations (see this year's new experimental showcase at Älvsjö Gard, a never-before-used 16th-century manor on the fairgrounds); there are exciting launches from local talents, such as Fredrik Paulsen and Note Design Studio; and there is, if you can squeeze it in, an abundance of studio visits and sightseeing field trips you can take to round out your design education while you're there. (Let this be the year I finally make it to the Ragnar Östberg–designed City Hall!) Here are 10 of the things we're most looking forward to at Stockholm Design Week, which this year runs from February 6-12.
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Note Design Studio Returns a Stockholm Apartment to Its Former Glory (With a Contemporary Twist)

On today’s episode of “Why don’t we live here?!”: a 1920s Stockholm apartment reimagined by locally-based Note Design Studio. Situated in a splendorous historic building, the interior had sadly been stripped of its original character and details. But since the 3700 square feet of floor plan required a full functional rethink, everything from the flooring patterns, ceiling stucco profiles, radiator covers, and door and window frames were fair game to be restored or rethought.
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A New Collection of Expressive Rugs Channels Art Deco and the Swedish Grace Movement

The 1920s were a great decade for Swedish design and architecture, birthing the short-lived Swedish Grace movement, which combined the decorative expressiveness of Art Deco and Neo-classicism with a signature Scandinavian restraint. They were also a great decade for rugs, as talents like Eileen Gray, artist Fernand Léger, and soon-to-be-artist Francis Bacon adorned floors with vibrant geometric compositions. A new collection from the Swedish company Nordic Knots, called Art Deco, channels that magical moment in time, with three rug designs that take inspiration from the period’s ethos, shapes, and colors.
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Sara Rydberg Nilsson on the Perks and Pitfalls of Turning Your Home Into a Gallery

It may sound like some sort of aesthetic fever dream to live full time in a design gallery but, in practice, it’s not without its hazards. After a show at her flat-turned-exhibition space in Stockholm, interior designer Sara Rydberg Nilsson, aka Studio Hilda, left a pink ceramic raku sculpture by Swedish artist Bo Arenander in a corner of one of the apartment’s rooms. “My son Max accidentally knocked it over,” she says, recalling her horror. Though the sculpture ultimately survived the trauma, it was left with a deep crack, threatening the integrity of its delicate structure. The upside? She had an excuse to keep it for herself.
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With Degree Shows Cancelled, A Stockholm Museum Offers Students the Chance to Show Their Work

With the pandemic in mind, the Stockholm-based Möbeldesignmuseum — which was founded in February 2018 by collectors and design world insiders Kersti Sandin and Lars Bülow — decided to create a platform for final year students from Beckmans, HDK-Valand, Konstfack and Malmstens. Called Ex-Works, the exhibition features work by 23 designers from the four schools, and the curated works are uniformly strong.
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Week of September 14, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: three new (ish) puffy chairs, a collection of graphic ceramic tiles by Nathalie du Pasquier, and a suite of styrofoam-and-resin floral furniture with millennial-weirdo vibes.
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Oyyo’s New Swedish Flat-Weaves Are a Master Class on the Reuse of Leftover Yarns

For Oyyo's new series, Landing Site Irregular, the focus was on the reuse of leftover dyed yarns to create experimental compositions in custom colors, such as vibrant-azure blue and light tangerine. Smaller in size than their original offerings, these rugs breathe new life into the yarn, but the geometric underpinnings remain, inspired by visionary architects and artists Shusaku Arakawa and Madeline Gins’s theories on space and color.
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Our Favorite Launches From Stockholm Design Week 2020

Some of our favorite launches from Stockholm Design Week include a duo of dream sofas — one soft and pillowy, one firm yet cozy — a lamp made from cast iron, a group of student furniture made from limestone, a curated apartment that beautifully mixed art and design, and a lamp from 1953 with — you guessed it — a ball base, in production for the first time ever.
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The Soft Serve Aesthetic of Anton Alvarez’s Extruded Ceramic Sculptures

The Flavour Is So Strong — Anton Alvarez’s second solo exhibition at the Stockholm gallery Larsen Warner — opened last week, situating Alvarez’s hyper-colorful, texturally striking sculptures within a peaceful white setting at the gallery’s new space in Ostermalm. Alvarez has always been interested in formal instability, and these new objects — a continuation of his work with a kind of automated ceramic extrusion — challenge our perception of weight as well as gravity, while embracing the imperfections inherent to the process of transforming wet clay inside a kiln.
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This Swedish Illustrator’s Soft-Edged Work Might Be the Calming Influence We All Need Right Now

If you're a relatively highly attuned design person — and chances are, if you're here, you are — you might recognize the work of Swedish-born, Barcelona-based designer and illustrator Klas Ernflo (and not just because it often reminds us of another perennial SU fave, Geoff McFetridge). Ernflo's done work for Apartamento, Domus, Frame, IKEA, Mother London, Oyyo, and more, in addition to keeping up his own studio with drawings, paintings, and sculpture. But it's his latest project that we find the most fascinating.
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In a New Show, 3D Printed Objects So Real They Look Fake

Called "Transitional Speculation," the show blurs the line between the digital and physical worlds even more than Wang Söderstrom's work normally does: While their 3D illustrations often have a whiff of handicraft, here, they've made tangible objects — primarily printed in 3D — that seem to take on the blobby, hyper-real aesthetic a rendering would typically have.
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