Natalie Herrera High Gloss Ceramics

Natalie Herrera of High Gloss Ceramics

If you want to get a sense of exactly how new to the scene Natalie Herrera is — well, she just launched her online shop last night. It’s not that she’s a newly minted graduate — Herrera got a BFA from RISD in 2009, after all — it’s only that it took her this long to figure out she was really, really good at ceramics. A glimpse at her work can immediately tell you why: When you look at her forms, which have more rigorous lines than your usual wheel-thrown vessels, as well as hand-built surface decoration in the form of shapes and squiggles, it comes as no surprise that what she was doing before she stumbled into ceramics was graphic design.
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Union of Striped Yarns by Dienke Dekker

People always ask us which design fair is on our can't-miss list, and though we've never been able to make it there ourselves, we're inclined at this point to say Dutch Design Week. The work on show there is consistently kind of epic, with future design superstars springing almost fully formed each year from the Design Academy Eindhoven (see Formafantasma, Julien Carretero, and Nacho Carbonell, to name a few). Next on that list might be Dienke Dekker, a 2012 graduate whose material explorations we're featuring today. For her project the Union of Striped Yarns, which debuted at last year's DDW, Dekker used a variety of yarns — hand-dyed, industrial-printed and even non-traditional "threads" like caution tape — to explore striped patterning in textiles. Different colored and white spaces, combined with a variety of weaving methods, created the gorgeous effects on view here.
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Hanna Eshel on 1st Dibs

If you’re not in New York, you might never have heard of Hanna Eshel, the Israeli-born, 87-year-old artist who suddenly appeared in the cultural Zeitgeist this winter. We certainly hadn’t until we overheard our friend Patrick Parrish talking about her at a holiday party last month. Parrish’s Tribeca gallery is one of two spaces in Manhattan (the other being Todd Merrill) that’s simultaneously giving the talented painter–turned–sculptor a solo show, her first ever in New York. Of course, now that she’s on our radar, she’s suddenly everywhere — name-checked in hipster interiors posts and featured on 1st Dibs, in an interview we're excerpting today.
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Week of January 6, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a subscription-based travel guide with the loveliest photographs, a Memphis-inspired furniture collection by Kelly Behun (above), an Olympics-themed souvenir collection, and more.
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Rebecca Bartoshesky, prop stylist

Prop styling is a little bit like industrial design only in that some of its best practitioners never even realized it was a career until after they’d finished school. Such was the case with Rebecca Bartoshesky, an up-and-coming New York prop stylist who studied interior design at FIT.
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Eric Ashcraft, Artist

A Montana-born artist with an MFA from the School of the Art Institute of Chicago, Eric Ashcraft is an expert in mining dualities for his mixed media pieces. In his earlier work, painted still-lifes were framed by neon bulbs, junked-out TVs became a canvas for Thomas Kinkade-like paintings, and a couch cushion turned into a lightbox. In his more recent work, though, Ashcraft seems to be blurring the lines among media even more with a series of abstract shapes in wood painted with oil and acrylic. "I began the Polytopes series by experimenting with geometrical forms, attempting to create a flexible object-space where the languages of painting and sculpture could intermingle," says the artist. "The restricted correspondence of light, surface, form, color, line, perspective, and composition are used to abstract objects and images into one another, hopefully generating meaning for a viewer through associations with fundamental aspects of perception. Essentially, the polytopes are about what they are as objects and how they are experienced." See more after the jump, and then click here for the up-and-coming artist's whole portfolio.
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Josephine Meckseper in Interview Magazine

Living in New York City, you'd think it would be easy to see world-class art nearly every weekend. But life tends to get in the way, whether it's needing a haircut or having to wait in a six-hour line just to see a 45-second exhibition. But one show we're going to do our darndest to see before it closes January 18 is the first New York solo exhibition by German-born, New York–based artist Josephine Meckseper at the Andrea Rosen Gallery. While we don't often love art that appropriates advertising imagery, Meckseper's deft combinations of that imagery with things like hand made sculpture casts and paintings speaks to us somehow. This particular show deals with Meckseper's own complicated history, having moved in the late '80s as a young adult from a sheltered, artistic European community to Valencia, California, where mall was king. We spotted this recent Q&A with the artist in Interview Magazine (which has kind of been killing it on the art front, lately, what with the epic Roberta Smith/Jerry Saltz conversation) and wanted to share a tiny excerpt below. Read on and then click through at the end for the interview in its entirety.
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Kay Wang, The Things We Keep

If you only knew Kay Wang through her Instagram — and chances are you might, considering her 33,000 followers — you wouldn’t necessarily immediately know what she does for a living. She could easily be a baker, a stylist, a ceramicist, or a woodworker; in December alone, she posted pictures from her Bed-Stuy, Brooklyn, apartment of the frangipane tart she’d baked, the cherry cutting boards she’d sanded and oiled, the canvas bags she’d dyed with onion skin, and the silk cord necklaces she’d strung with hand-carved brass pendants. (And you’d certainly never guess that she spent nine years before moving to Brooklyn as an online marketer in Los Angeles and Seattle.) What she is, very clearly, is a restless creative spirit; so much so that even though her main focus right now is as a jewelry designer who crafts under the moniker The Things We Keep, she has trouble pinning herself with a specific label.
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Week of December 16, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: the best patterns of 2013, a new stationery set by one of our favorite fashion designers (pictured above), Design Prom, and more.
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Dixonary

If we had to elect the most Sight Unseen–like book ever published, Tom Dixon's Dixonary might land at the very top of that list. In the intro he writes, "A book about me? I wasn't sure I needed one — at least until I am dead, at which point people can write what they like." But personally we wish this kind of book existed for all of our favorite visual artists. In it, Dixon pairs photographs of his own designs, dating all the way back to his early-'80s punk days, with the images that inspired them, and then tells the micro-stories behind each one.
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Sunglasses by Joséphine Choquet & Virgile Thévoz

We're planning a bigger story on up-and-coming designer Joséphine Choquet in the new year, but before then, we wanted to share with you some work the French-born designer recently sent us: these gorgeously styled shots of the Luns sunglasses she created earlier this year in collaboration with fellow ECAL master's grad Virgile Thévoz. "The sunglasses use classic as well as more witty acetate patterns, as a tribute to this material, which carries on the essence of vintage and kitsch yet remains utterly contemporary," the designers write. There are 10 different models at the moment, in search of a producer, with a second collection already in the works for 2014.
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50 Gifts We’re Coveting

Introducing the first annual Sight Unseen holiday gift guide! We've been scouring our favorite shops, both here and abroad, and over the next two days we’ll be featuring 25 items per editor. Today's picks come from Jill, whose taste runs more towards all things pretty, colorful, and mid-century.
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