Meet Elisa Ossino, the Milan-Based Designer and Stylist Who’s Suddenly Everywhere

This will come as a shock to no one, but the Milan design scene can be a little insular. Some of the best things don’t make it past the border, or even beyond the chic artery of Via Solferino for that matter. And unless you speak a bit of Italian and are ordering the right magazines from abroad, it’s not always apparent who’s making waves in the city. Take, for example, up and coming Italian designer Elisa Ossino, an architect and stylist who, after more than a decade of working diligently within the Milan design scene, is finally charting international waters.
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Harvey Bouterse Ceramic Artist Antwerp

The Antwerp-Based Artist Making Sculptures in an Abandoned Ceramics Factory

Ceramic artist Harvey Bouterse had never touched a lump of clay before he walked through the doors of the Antwerp-based porcelain company, Perignem, eight years ago. “I had been collecting their pieces for a number of years,” the Surinam-born, Dutch-trained designer explains, “and wanted to have a piece signed, so I looked up their office and stopped by.” What he found was a ceramics factory — almost entirely out of use — with an atelier and workshop stocked to the brim with glazes and clay dating back to the 1950s. He's been working there ever since.
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Kwangho Lee at Design Miami/Basel 2018

Kwangho Lee On Using a 15th-Century Technique To Make Today’s Coolest Furniture

At Design Miami/Basel this week, Korean designer Kwangho Lee is presenting his latest work with the New York gallery Salon 94 Design — a 25-piece offering, spanning seating, side tables, cabinets, lamps, and planters, that continues Lee’s career-long quest to resuscitate enamel’s old-fashioned image. “Korean people aren’t very interested in it as a traditional material,” he explains of his longtime technique, chilbo, which dates back to the 15th century. “They think it’s something boring and old-fashioned.”
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The Principals’ Epic, Prismatic Plant Installation at Saturdays NYC

In the backyard of the Soho surf shop Saturdays NYC, Brooklyn design studio The Principals are exploring the border between the physical and sacred worlds. For an installation called Golden Arch, they’ve installed an 8-foot-tall triangular wave structure made from the studio’s modular, stackable Prism Planters. Spanning the garden from north to south, it symbolizes the emergence of the sun, moon, and stars from what Australian aboriginal cultures call “dreamtime” — the period during which the universe was created — into the physical world.
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