In terms of sheer distance traversed, if not content, LDF now stands nearly on par with the Milan fair. But these days it’s also becoming equally vital as a destination for open design debate, with a strong manufacturing voice represented and a buffet of ambitious installations on offer. Guide in hand, we hit the mean – but thankfully sunny – streets of London to choose our favorites from this year’s show.
Comprising four days, 12,000 square feet, and 50-something exhibitors, Sight Unseen OFFSITE is a major undertaking — a Herculean one, in fact, if you consider that there are only two of us leading the entire operation. So when we announced in April that we were doing an additional show this year, at the Collective Design fair, people quite understandably looked at us like we'd lost our minds. And yet we persisted on the sheer force of our belief that Steven Learner and his team at Collective are doing great things for design, things we wanted to be a part of — not just providing a platform for some of the world's most important design galleries to sell to clients, but attempting to widen the dialogue with special projects like (this year) on-site design performances by The American Design Club, a Nap Lab by Various Projects and Print All Over Me, installations by OS & OOS and Jonathan Nesci, and of course, an offer to let us curate a corollary to Sight Unseen OFFSITE that featured six up-and-coming American designers making gallery-level work. If you didn't get the chance to see last week's Collective Design fair, which welcomed more than 10,000 visitors, here's our best of show — and stay tuned for images from our own presentation at Collective, which we'll be posting tomorrow.
Yesterday we introduced you — both on our site and in a massive Facebook album — to all the wonderful objects we photographed while design-hunting our way through the Milan furniture fair. But thanks to seriously horrendous lighting (we're looking at you, Rho Fiera), the times we were in a hurry, and the times our camera just couldn't seem to grasp the concept of white balance while in the presence of LEDs, we couldn't possibly capture a great image of everything we saw that deserved coverage. That is where today's post steps in: Here, we bring you the best press images we gathered of all our favorite designs at this year's Salone, with nearly 50 more on offer over on Facebook.
Another year, another Milan. Every year we attend the behemoth furniture fair known as Salone expecting to come away with something smart to say about the current state of design. But the truth is, you spend the week bombarded with so much stuff that you're often left with just a few fleeting mental images of your favorite things, whether it's a colorful chair sheathed in Flyknit-esque sneaker material or a particularly delicious gnocchi you nearly licked off the plate. Luckily, that's what cameras are for. We shot nearly everything we saw this year, whether it was for an immediate Instagram, a file-away-for-later trend, or to share with you here, in our best of the best round-up from last week.
Over four days spent in Milan last week at the annual furniture fair, we saw dozens of exhibitions, spent 9 hours at the fairgrounds, and shot more than 800 photos. Pretty overwhelming. While we take a moment to regroup and put together our official coverage, which starts tomorrow, we figured we'd share with you one of the few projects that we didn't photograph in Milan, but didn't need to — SU alums Josephine Choquet and Virgil Thévoz launched an extensive new collection of marble tables and housewares with the Italian marble producer Bloc Studios, and thanks to the duo's superior art directing skills, it came complete with the perfectly styled set of images you'll see after the jump.
February: a month synonymous with diminishing New Year’s resolutions, potential polar vortices, and the world’s largest meet-up of Scandinavian furniture and lighting designs. Expectations for this year’s Stockholm Furniture Fair were higher than ever with positive winds sweeping through the industry (and Scandinavia in general, according to this week's New Yorker). Although the Nordic vernacular for high-quality craftsmanship still prevailed, this year welcomed debate around experimental methods and their significance for contemporary design. From across both the larger halls and the Greenhouse display for independent designers, we're highlighting some of our favorite products from the week here.
While the furniture market seems to be enjoying a slower pace of late – with many brands safely coasting on a design language of minimal lines and adaptable colorways geared towards the notion of versatility in our homes – the international interiors show IMM Cologne brought a smattering of unexpected and pleasing discoveries. From bold, new homegrown brands and a hall designated entirely to up-and-coming designers, to the surprising use of color across the bigger, international halls ('70s-style honey beige, maroon, and green anyone?) we bring you our favorite launches from this, the first furniture trade show of the year.
The fairgrounds at the Milan Furniture Fair are a great place to see attainable designs by established companies and talents, but typically it's not the place to go when you're scouting for new names (though this year's Satellite show, as demonstrated in yesterday's post, happened to be a surprise goldmine). For that, you have to brave the long walks, aching feet, and lack of taxis that come along with trying to get to all the shows around town, from Rossana Orlandi gallery to the far-flung Lambrate district. We say this every year, but we barely saw half of what was on offer; that said, we saw a lot of nice things.
Though we're back from Milan and already knee-deep in planning for our own design fair next month (eek!), we'll be bringing you highlights from the Italian capital all this week. Today we're focusing on our favorites from the fairgrounds, like Front's beautiful chairs for Moroso (above). The fair this year was visually quite strong, with last year's obsessive booth styling taken to even greater heights. (We actually begged the Arper folks to put some of their styling pieces into production!). The fair is also where the trends we'd been thinking about began to seriously take shape. What was in this year? Though everyone still loves that pastel mint and pink palette, we saw tons of putty — yes, putty — and other assorted non-hues (most of which didn't make it into this round-up, since we're suckers for color). For more of our take, read on, then click through to our Facebook album and come back tomorrow for more from the offsite shows.
There were two huge advantages to spring's early arrival in Milan this year, which has blessed us with 70-degree weather and constant blue skies as we've been scouting the city's annual furniture fair all week. First, it made it much easier and more enjoyable to hit up dozens of shows in a row each day, walking miles and burning off all those carbohydrates and sprawling multi-course dinners (we're looking at you, Swedish Design Goes Milan). Second, it provided the optimal lighting conditions for taking photographs of all the incredible objects we saw along the way — more than 500 of them, at last count (including a cute vignette from the Discipline party, above). We'll be sharing as many of them as we can with you over the next few days, both here and on our Facebook page, but in the meantime we wanted to take a break from all the pavement-pounding to give you a quick sampling of some of our observations.
If, like us, you spent the last week in Milan, catching up with old friends, meeting those with whom you'd only traded emails (hi Fredrik Paulsen, Adam Stech and Katrin Greiling!), and making new ones — well, you're probably in a bit of withdrawal as well. Milan, despite being frequently cloudy, transportation-unfriendly, and just too darn full of things to see, showed us an excellent time this year, and we're only just now recovering. But this post helps! It includes some of our favorite photos from the second half of our trip, but there are many, many more in our Facebook album — click here to check it out!