In a New Series, A Sicilian Still-Life Artist Says Goodbye to Beige

The Sicilian-born, London-based designer Oscar Piccolo has a self-professed obsession. He is compelled to take vases and arrange them just so, manipulating how the light shines through, meticulously moving through tableaux until arriving — ecstatically — at just the right one. This fascination, he admits, “is becoming a bit of a problem.” Yet at the core of this compulsion is a relatively simple proposition: “All in all, my work explores the relation between objects and their positioning.”
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Join Us Tomorrow for the Launch of Pieces Home at The A/D/O Shop!

For our ongoing curatorial takeover of The A/D/O Shop in Brooklyn, we'll be doing periodic showcases of a single studio's work, in addition to all of the other amazing offerings you can buy on site. Our first showcase, which launches tomorrow, puts the spotlight on Brooklyn-based trio Pieces Home. Pieces launched a sports-themed collection at this year's ICFF, and at A/D/O, they'll be offering select furniture and rugs from that line as well as a brand-new series of geometric planters.
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Week of July 16, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: The perfect desk to match your Cesca chairs, the chicest use of Gaetano Pesce furniture we've seen, and a series of tables that mark the breakout of a new female-led Thai design studio.
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Ellsworth Kelly–Inspired Sculptures in Metal and Glass, By Two of Seattle’s Best Designers

The last time Jamie Iacoli teamed up with glass artist John Hogan, in 2014, it was for a series of lamps and tables released under the banner of Iacoli & McAllister, the Seattle-based furniture company she was running at the time with fellow designer Brian McAllister. Iacoli’s second collaboration with Hogan — three large tabletop sculptures that launched this past May at the Finnish fashion brand Samuji’s Soho flagship — features a similar metal-meets-glass construction, yet nearly everything else has changed.
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Week of July 9, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: David Hockney inspires a poke spot — of all places — in Berlin, Roll & Hill reopens its New York showroom with a stellar new line-up, and two OFFSITE alums open up their respective Brooklyn apartments, furnished in works of their own making.
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The Finnish Designer Using a Traditional Moroccan Wall-Surfacing Technique to Make Furniture

Amsterdam-based designer Tuomas Markunpoika aims for “tedious functionality” in his designs, but to us there is mystery and wonder in the bulbous, colorful slabs of material that compose his furniture. His new series of works is called “Contra Naturam,” or against nature — a mauve bench, a coffee table and chair in grayish and springy greens, and a side table and console in pale yellow and cream. Each looks cut from the earth or plucked from a stage set, at once natural and totally fake.
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Seven Designers to Watch from RCA’s Ceramics & Glass Program

Is the Royal College of Art London's most important ceramics incubator? When we look back on years of covering the design school's graduation show, our favorites have invariably come from that school's department of Ceramics and Glass. So this year, we cut right to the chase, and are featuring our favorite projects from the program.
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Get Ready to Fall for Studio Proba’s New Metallic Rugs, On View at Roll & Hill

Studio Proba is debuting a new four-piece rug concept titled Luster — blending bamboo silk, New Zealand wool, and metallic yarn — at Roll and Hill’s Mercer Street showroom, starting this Thursday. Punctuated by muted tones, the collection represents a break from Proba's usual brights and was created in the spirit of embracing challenge. “It’s rare to find metallic yarn in rugs meant for everyday use,” she says. “It was interesting to introduce it into a medium where it doesn’t belong.”
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Inside Villa Stenersen, Oslo’s Under-the-Radar Gem of Modernist Architecture

We first came across Villa Stenersen on a trip to Norway in 2016 and immediately fell in love with the corrugated wall, the glass bricks, the bright blue facade, the free-standing columnal fireplace, and, of course, the colors. Our visit there was so magical that when we heard one of our favorite photographers, Tekla Severin, was visiting Oslo, we implored her to photograph the house for us in all its waiting-to-be-refurbished glory.
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