Stephanie Specht, Graphic Designer

People always ask where exactly we find our story subjects, and for the past two years, the most frequent answer has invariably been Instagram. And it’s true, in the case of Belgian-born graphic designer Stephanie Specht, we were fans of her @spechtstudio handle long before we ever knew who was behind it. But our interest was piqued even further in recent months after Specht got the imprimatur from two friends with an impeccable knack for collaborations: Sandeep Salter of McNally Jackson Picture Room, where Specht released an edition earlier this year, and Alex Proba, with whom Specht created this series of plant-inspired posters. 
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Week of July 13, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: very on-trend iridescent flatware and terrazzo coasters, gorgeous oil-slick vases from a recent RISD grad, and the debut of the booksleeve (pictured above), an innovation we never realized we needed until now.
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Lottie Hughes, Artist

London-based Lottie Hughes graduated with a Bachelor's degree in fine art only two years ago but she’s already on our radar, thanks to an exceedingly well-kept Tumblr. “My designs were initially a way for me to come up with compositions for my paintings but the more I learned, and the more confident I became with Photoshop, these have now become the main body of my work,” says the 24-year-old designer. Hughes primarily takes inspiration from artists like Camille Walala, Atelier Bingo, Trudy Benson, and Klaus Merkel, as well as from everyday life in London. "My designs are abstract versions of what I see on a day-to-day basis — colors clashing, angles of buildings interlocking, movement and light."
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Yonatan Vinitsky at Rome’s Frutta Gallery

"Loose Ends," an exhibition by Israeli artist Yonatan Vinitsky was on view at Rome's Frutta Gallery from March until May of this year, but it will be a long time before we get these rightly amazing images out of our heads. For his solo show, the young Haifa-born, London-based artist created eight coiled-metal sculptures, which hung suspended from the ceiling, as well as eight wall-based works that represented blown-up reproductions of the kind of backseat storage pockets you find on public transportation.
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Dutch Artist Thomas Raat

Unlike most of his contemporaries, Dutch artist Thomas Raat — whose colorful and intricate compositions recall the great European modernist graphic design tradition — isn't particularly concerned with the emotional aspects of art but instead focuses purely on the visual techniques and functionality of the medium. Referencing a deep and thorough understanding of modernist philosophy and analytical thinking, Raat creates large-scale paintings and sculptures that employ the use of symmetry, repetition, and other basic principles of design to create pleasing and visually stimulating compositions.
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Eric Ashcraft, Artist

A Montana-born artist with an MFA from the School of the Art Institute of Chicago, Eric Ashcraft is an expert in mining dualities for his mixed media pieces. In his earlier work, painted still-lifes were framed by neon bulbs, junked-out TVs became a canvas for Thomas Kinkade-like paintings, and a couch cushion turned into a lightbox. In his more recent work, though, Ashcraft seems to be blurring the lines among media even more with a series of abstract shapes in wood painted with oil and acrylic. "I began the Polytopes series by experimenting with geometrical forms, attempting to create a flexible object-space where the languages of painting and sculpture could intermingle," says the artist. "The restricted correspondence of light, surface, form, color, line, perspective, and composition are used to abstract objects and images into one another, hopefully generating meaning for a viewer through associations with fundamental aspects of perception. Essentially, the polytopes are about what they are as objects and how they are experienced." See more after the jump, and then click here for the up-and-coming artist's whole portfolio.
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Michael Wilkinson’s Decay-Inspired Landscape Series

Much of the collage-based work of Glasgow artist Michael Wilkinson, according to his New York gallery Tanya Bonakdar, "examines notions of power and resistance through an intricate web of political, cultural, and personal references" — among them the "histories of art and political radicalism, Marxist theory, popular music, and punk subculture of the 1970s and 1980s" — incorporating things like survival gear and vintage photographs. Yet his new gridded Landscape pieces, which we spotted in Bonakdar's booth at Frieze New York in May, take a more subtle (and visually beautiful) approach.
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Week of July 6, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a drool-worthy closet tour, a much-anticipated nail art collaboration, and a colorful update on one of our favorite pieces of furniture, the three-legged stool from Makers & Brothers (above).
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Top 5: Beach Towels

A periodic nod to object typologies both obscure and ubiquitous, featuring five of our favorite recent examples. Today, the subject is beach towels, whose increasingly complex graphic patterns offer more ways than ever to stand out on the sand.
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English Artist Henry Jackson Newcomb

While many of his peers are busy creating digital landscapes of shapes and planes that mimic three dimensions, the young Norwich, England–based artist Henry Jackson Newcomb makes sculptural assemblages that — owing in part to the aforementioned trend — often look inspired by digital ones. Yet by incorporating elements like chunks of concrete, panels painted with unfinished-looking brushstrokes, and haphazardly taped rings of rubber tubing, Newcomb introduces an imperfect rawness that keeps his work squarely rooted in the physical world.
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London Accessories Designer Ejing Zhang

Growing up in China, designer Ejing Zhang was fascinated by traditional calligraphy and ink painting — art forms that are both fine and expressive, requiring a fluid interaction with brush and ink. Zhang is now based in London, but at the heart of her work is the same sensitivity to materials that she observed growing up. Four years ago, while studying at the Royal College of Art, she developed a new technique for creating work that involved taking spalted beech wood (partially decayed wood that has a marble-like pattern), wrapping it with colored thread, and casting it in resin, before sanding and polishing it to reveal its beautiful cross-sections.
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Marcin Rusak’s Inflorescence and Other Artefacts

It may seem daring to open an exhibition on the eve of the annual design carnival that is graduate show season in London but Marcin Rusak doesn't have to worry about a lack of attention. It was a big year for the London-based designer, who kicked off his artistic career with exhibiting at the Victoria and Albert museum and securing the coveted Perrier-Jouët Arts Salon Prize for emerging talent within just a year of graduating from the RCA last year. His first solo show, "Inflorescence and Other Artefacts," is a display of dichotomies, constantly flipping between natural and synthetic, authentic and fake, beautiful and seductively grotesque, forcing viewers to form their own opinion about the value of the objects on display.
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Melbourne Creative Agency Wildhen Design

We've said it before — Australia often feels like a strange parallel universe to us. We know it's bursting with amazing design talent, but it all feels so far away, and it's not easy for us to assess what the new hot restaurant or hotel or creative agency may be at any given time. For those of us who pride ourselves on being up on the cultural landscape of the Western hemisphere, it's a weird feeling, but in a way, it's also a nice one: We didn't have to think too hard when the Melbourne firm Wildhen sent us their portfolio recently, we just poked through it and objectively liked what we saw, from packaging for a boutique pharmacy to still life shoots for an online nursery.
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