Yonatan Vinitsky at Rome’s Frutta Gallery

"Loose Ends," an exhibition by Israeli artist Yonatan Vinitsky was on view at Rome's Frutta Gallery from March until May of this year, but it will be a long time before we get these rightly amazing images out of our heads. For his solo show, the young Haifa-born, London-based artist created eight coiled-metal sculptures, which hung suspended from the ceiling, as well as eight wall-based works that represented blown-up reproductions of the kind of backseat storage pockets you find on public transportation.
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Dutch Artist Thomas Raat

Unlike most of his contemporaries, Dutch artist Thomas Raat — whose colorful and intricate compositions recall the great European modernist graphic design tradition — isn't particularly concerned with the emotional aspects of art but instead focuses purely on the visual techniques and functionality of the medium. Referencing a deep and thorough understanding of modernist philosophy and analytical thinking, Raat creates large-scale paintings and sculptures that employ the use of symmetry, repetition, and other basic principles of design to create pleasing and visually stimulating compositions.
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Michael Wilkinson’s Decay-Inspired Landscape Series

Much of the collage-based work of Glasgow artist Michael Wilkinson, according to his New York gallery Tanya Bonakdar, "examines notions of power and resistance through an intricate web of political, cultural, and personal references" — among them the "histories of art and political radicalism, Marxist theory, popular music, and punk subculture of the 1970s and 1980s" — incorporating things like survival gear and vintage photographs. Yet his new gridded Landscape pieces, which we spotted in Bonakdar's booth at Frieze New York in May, take a more subtle (and visually beautiful) approach.
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Week of July 6, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a drool-worthy closet tour, a much-anticipated nail art collaboration, and a colorful update on one of our favorite pieces of furniture, the three-legged stool from Makers & Brothers (above).
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Top 5: Beach Towels

A periodic nod to object typologies both obscure and ubiquitous, featuring five of our favorite recent examples. Today, the subject is beach towels, whose increasingly complex graphic patterns offer more ways than ever to stand out on the sand.
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Fabien Cappello, Furniture Designer

Whatever Fabien Cappello's studies at ECAL may have taught him about luxury, his subsequent grad degree at the RCA may have un-taught him: The London-based designer has made stools carved from trashed Christmas trees, Venetian glass vessels melted onto lowly bricks, and benches constructed from shipping pallets or punctuated with cheap street-vendors' umbrellas. That's not to say, of course, that Cappello's work isn't high end — it's been shown at the likes of Libby Sellers Gallery and has won him an Elle Decoration New Designers Award — just that the materials and ideas he sees value in wouldn't exactly be considered the norm. If he's come a long way since setting up his own studio in 2009, it's because his focus on local and overlooked resources has captured the curiosity of the design world, not just its eyes or its wallets. That said, with the world headed where it's headed, his style of economical chic may become the new luxury before long, so we figured he was worth checking in with. He gave Sight Unseen a quick glimpse into his practice below.
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English Artist Henry Jackson Newcomb

While many of his peers are busy creating digital landscapes of shapes and planes that mimic three dimensions, the young Norwich, England–based artist Henry Jackson Newcomb makes sculptural assemblages that — owing in part to the aforementioned trend — often look inspired by digital ones. Yet by incorporating elements like chunks of concrete, panels painted with unfinished-looking brushstrokes, and haphazardly taped rings of rubber tubing, Newcomb introduces an imperfect rawness that keeps his work squarely rooted in the physical world.
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London Accessories Designer Ejing Zhang

Growing up in China, designer Ejing Zhang was fascinated by traditional calligraphy and ink painting — art forms that are both fine and expressive, requiring a fluid interaction with brush and ink. Zhang is now based in London, but at the heart of her work is the same sensitivity to materials that she observed growing up. Four years ago, while studying at the Royal College of Art, she developed a new technique for creating work that involved taking spalted beech wood (partially decayed wood that has a marble-like pattern), wrapping it with colored thread, and casting it in resin, before sanding and polishing it to reveal its beautiful cross-sections.
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Marcin Rusak’s Inflorescence and Other Artefacts

It may seem daring to open an exhibition on the eve of the annual design carnival that is graduate show season in London but Marcin Rusak doesn't have to worry about a lack of attention. It was a big year for the London-based designer, who kicked off his artistic career with exhibiting at the Victoria and Albert museum and securing the coveted Perrier-Jouët Arts Salon Prize for emerging talent within just a year of graduating from the RCA last year. His first solo show, "Inflorescence and Other Artefacts," is a display of dichotomies, constantly flipping between natural and synthetic, authentic and fake, beautiful and seductively grotesque, forcing viewers to form their own opinion about the value of the objects on display.
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Melbourne Creative Agency Wildhen Design

We've said it before — Australia often feels like a strange parallel universe to us. We know it's bursting with amazing design talent, but it all feels so far away, and it's not easy for us to assess what the new hot restaurant or hotel or creative agency may be at any given time. For those of us who pride ourselves on being up on the cultural landscape of the Western hemisphere, it's a weird feeling, but in a way, it's also a nice one: We didn't have to think too hard when the Melbourne firm Wildhen sent us their portfolio recently, we just poked through it and objectively liked what we saw, from packaging for a boutique pharmacy to still life shoots for an online nursery.
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Portuguese Designer Célia Esteves of GUR Rugs

While Portugal is probably best known, these days, for manufacturing clothing and shoes for big brands like COS, Zara, and Camper — or if you're a product designer, for supplying 50% of the world's cork — Porto-based designer and printmaker Célia Esteves homed in on its longtime flat-weave rug-making tradition when she founded GUR two years ago. After meeting a weaver in her hometown of Viana de Castelo, who for 15 years had been handcrafting the style of rug that she'd seen on "every Portuguese kitchen floor" since she was a child, Esteves decided to hire the weaver to use the same technique to produce colorful limited-edition designs commissioned from illustrators she knew and admired, like Atelier Bingo and Ferreol Babin. We recently interviewed Esteves about the project, which has collabs with Après Ski and Reality Studio on the way; scroll down to read more about how she transformed a local craft into a contemporary design brand.
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The Top 5 Designers at RCA’s 2015 Graduate Show

It’s graduate show season in London, and though we’ll be featuring students from all over town in the coming weeks, we’ve found over the years that no show is quite as spectacular — or up our alley — as the Royal College of Art’s. With its esteemed alumni including the likes of Barbara Hepworth, Thomas Heatherwick, Tracey Emin, and David Hockney — not to mention some of our favorite contemporary designers, such as Max Lamb, Hunting & Narud, Soft Baroque, Fredrik Paulsen, and Hilda Hellström — Show RCA always boasts an impressive arsenal of postgraduate talent across a variety of disciplines.
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Q+Q’s 2015 Collection, Shot by Amanda Ringstad

When we first invited one of our favorite prop stylists, Seattle's Amanda Ringstad, to create a shoot around Q+Q's line of waterproof, solar-powered watches last year, she attempted to abstract the simple, color-blocked designs into ambiguous shapes and arrangements. For its 2015 collection, however, the Japanese brand — who partnered with us for a second time at this year's Sight Unseen OFFSITE — went wild with pattern, so we thought it would be especially compelling to return to Ringstad once again and see how that might change her aesthetic approach. The result is a series of playful, summery images shot inside a big bucket of water that imagine the watches as eye-catchingly outfitted, anthropomorphized bathers.
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