05.14.12

Sight Unseen OFFSITE

The Balloon Factory at Japan Premium Beef

As traditions go, you can't get much better than the one that will commence this Friday in the window of the tiny Great Jones butcher shop Japan Premium Beef: An annual display of custom meat-themed installations, rendered in various incongruous materials. It started during the 2010 Noho Design District, with the delicate glass sausages that won Fabrica's Sam Baron a similar commission for T magazine earlier this year. And it will continue for 2012 with a series of inflatable meat balloons — whose prototypes are pictured above — that are being specially created for us by the Chicago designers behind the Balloon Factory project. We asked Caroline Linder, Lisa Smith, Michael Savona, and Steven Haulenbeek for the skinny on their savory new creation, which we invite you to visit this weekend at the Noho Design District.

05.10.12

Sighted

An Exclusive First Look at Roll & Hill’s 2012 Collection

Three ICFFs ago, when we launched the Noho Design District, our biggest exhibition was the debut of Jason Miller's highly anticipated new lighting company Roll & Hill, which took over the top floor of our beloved former lumber building (RIP) and cozily lit its dilapidated interior with a string of gorgeously modern chandeliers. It's hard to believe how far both of us have come since then. With the imminent redevelopment of the NDD's former hub at 45 Great Jones, we went hunting for a new home, and instead found two. And Roll & Hill — in addition to showing its new collection at the Javits Center — will join up with us once again in Noho, this time spreading out over 3,500 square feet on the ground floor of 2 Cooper Square, where a monthlong showroom will showcase the brand's full collection in addition to its new products for 2012.

04.26.12

Fair Report

The Best of the 2012 Milan Furniture Fair, Part III

To quote Pilar Viladas in her roundup on The Moment this week, "Another year, another Milan Furniture Fair." Seriously. The Salone always seems so crazy and exciting while you're actually there — if not important, depending on whether any offerings managed to impress — but looking back on it a week later, it inevitably melts into one big blur of chairs and tables that probably already existed, in one form or another, the year before. With today's album of snapshots, some taken by Future Perfect owner and intrepid reporter Dave Alhadeff and some by the Eindhoven-based designer Max Lipsey, we offer you one last chance to relive the experience of the 2012 fair, up close and personal, before it gets written into the great furniture catalog in the sky. Maybe next year we'll go back ourselves, and remember what the fuss is about all over again. Until then...

04.23.12

Fair Report

The Best of the 2012 Milan Furniture Fair, Part II

We'd scarcely pressed "Post" on last week's Milan Furniture Fair recap when another round of photos arrived in our inbox, this one featuring the jaw-droppingly amazing Sedimentation vases pictured above, which could be our favorite thing to emerge from the weeklong festivities. The fact that they're the work of a student — the Swedish-born Royal College of Art up-and-comer Hilda Hellström — makes them even more exciting, especially when the fair can sometimes seem dominated by glitzy launches from the megabrands. "I am OBSESSED with these," wrote The Future Perfect's Dave Alhadeff. "The forms feel well beyond student work and the 'on-trend' marbling technique." We couldn't agree more, and Hellström's urns were just one of the products we fell in love with by proxy; as the weekend wore on, we received picks from Mary Wallis, a designer at Lindsey Adelman's studio, and the American designer Jonah Takagi to round out our second wrap-up from the year's biggest furniture event. Mirrored crates, portable terrariums and zinc-coated screens are now tops on our wish lists. What's on yours?

04.19.12

Fair Report

At the 2012 Milan Furniture Fair

While nothing will ever compare to the Great Ash Cloud of 2010 in terms of strange events surrounding the Milan Furniture Fair, there seems to be a fair amount of juju going on with this year's festivities — or at least with the members of our hand-picked street team, who were meant to upload photos from their bases around the Italian metropolis all this week. Pin-Up editor Felix Burrichter reported a suddenly collapsed eardrum, which stranded him in Berlin and prevented him from attending the fair entirely, while designer Sam Baron confessed his attempts to take photos at a dinner for Fiat's Lapo Eklann were sadly thwarted by bodyguards. Lucky for us, then, that we've been able to follow along on Instagram, Twitter, blogs, and a steady stream of photos arriving in our inbox from The Future Perfect's Dave Alhadeff, who's been firing off everything from potential products for his store to OMG moments to jealousy-inducing images of gelato. We'll be bringing you more photos as they roll in, but for now, here's a sampling of the first few days from one of our favorite fairgoers.

08.13.10

What It's Like

To Live in a Schindler House, by Pin-Up Editor Felix Burrichter

In March, Pin-Up magazine editor Felix Burrichter packed his bags and left New York for an extended stay in Los Angeles, where he met up with the Vienna artist Sarah Ortmeyer. Chosen for one of four annual residencies with Vienna's Museum for Applied Arts (MAK) — whose L.A. branch is based in architect Rudolph Schindler's 1922 Kings Road House — the pair have spent the intervening months shacked up in a two-bedroom apartment at the museum's Mackey building, working on a joint project they'll present on September 10. Called "XXX BURRICHTER ORTMEYER," its main element is a publication focused on the mercurial relationship between Schindler and his wife; Burrichter has also taken advantage of the proximity to give the fall issue of Pin-Up an L.A. theme. Architecture buff that he is, we got to wondering how else he'd been inspired by his surroundings, so we invited him to share with us the experience of living in the recently renovated Mackey building, whose five apartments Schindler built in his trademark style in 1939. "It’s like living in a little museum," he says. "At first we were like, this is crazy, but it’s really the perfect apartment, even though it’s so basic. We’ve been here for four and a half months now, and the longer we stay, the more we realize how well thought-out it is."

04.17.12

The Making of

Philippe Malouin’s Intarsia Bowl for Carwan Gallery

On Friday we introduced you to Oeuffice's Ziggurat Towers for the Beirut-based Carwan Gallery, and today it's the gallery's contribution from London designer Philippe Malouin, who's also showing with Plus Design and Kvadrat in Milan this week. Malouin was one of nine designers — along with Karen Chekerdjian, Khalid Shafar, Lindsey Adelman, Studio mischer’traxler, Nada Debs, Oeuffice, Paul Loebach, and Tamer Nakisci — who traveled to the Middle East late last year for a grand tour of artisan’s studios, each pairing up with a different craftsperson to produce a new twist on an old archetype or technique. What caught Malouin's eye was the wood-inlay method called intarsia, in which pieces of various types of wood are cut and assembled into a jigsaw-puzzle like image or pattern that often has the illusion of depth. Rather than using the method in a conventional way, however — as a decorative add-on — he tried something a little bit different; here, he explains how he arrived at the final design for his Intarsia Bowl.

04.16.12

Sighted

Balanced by Mischer’Traxler at Wait and See

Two years ago, we went to Milan for the annual furniture fair and noticed, to our delight, a very Sight Unseen–appropriate theme: Rather than just presenting their work, designers were using their Salone exhibitions to showcase their process alongside their finished products. Last year was no exception to the trend, and this year, one of the most promising Milan preview emails to come across the transom at Sight Unseen HQ saw the Vienna-based duo mischer'traxler poised to create a new piece from the tools and inspirations used to develop their old ones. For Balanced, an installation opening tomorrow at the Milanese concept shop Wait and See — a kind of next-gen 10 Corso Como tucked inside a former monastery — the machine-obsessed couple dug up artifacts from the creation of four of their most popular projects and envisioned them laid out perfectly on either side of four gigantic homemade scales. Mischer'traxler gave Sight Unseen an exclusive first look at the show, by way of images they shot in their studio earlier this month, and told us a bit more about its genesis.

04.13.12

The Making of

Oeuffice’s Ziggurat Tower for Carwan Gallery

The Milan furniture fair starts next Tuesday and, crazy enough, the editors of Sight Unseen are sitting this one out — we've got too much going on at home this year, between our pop-up shop at Creatures of Comfort and the 2012 Noho Design District, which is shaping up to be much bigger and better than ever. We'll still be reporting on Milan via the snapshots of a select group of friends and collaborators, but meanwhile, we figured we'd at least bring you one or two previews of pieces you'll be seeing next week, beginning with the latest offerings from the Beirut-based Carwan Gallery. Founded by architect Pascale Wakim and jetsetter Nicolas Bellavance-Lecompte, who's also a partner in Montreal's Samare and the newer Milan-based design outfit Oeuffice, Carwan began its second collection — which technically launched last month at Design Days Dubai — by organizing a field trip of sorts for its designers. Karen Chekerdjian, Khalid Shafar, Lindsey Adelman, Studio mischer'traxler, Nada Debs, Oeuffice, Paul Loebach, Philippe Malouin, and Tamer Nakisci all traveled to the Middle East for a grand tour of artisan's studios, each pairing up with a different craftsperson to produce a new twist on an old archetype or technique. Here, the duo behind Oeuffice, whose work revolves around research into architectural forms, reveal the story behind their contribution to the exhibition, a series of boxes inspired by ancient Middle Eastern structures.

04.12.12

Sight Unseen Presents

The Sight Unseen Shape Shop at Creatures of Comfort

By the close of Sight Unseen's four-day pop-up during the Noho Design District last year, we'd come to realize a few things. One: that we quite enjoy being shopkeepers — the merchandising of objects, the banter with the public, the satisfying swipe of each credit card through our handy Square readers. And two: that four days was not nearly enough. As we watched the objects we'd put so much effort into procuring move on to more permanent retail homes, we felt a vague sense of deflation, almost like a break-up, and we immediately began plotting for pop-up number two. Never, though, did we dream what would happen next: We were approached by Jade Lai, owner of the impeccably curated Creatures of Comfort store in New York and Los Angeles, to create a Sight Unseen pop-up in the gallery space of her New York store, which had previously played host to temporary outposts from the likes of Confettisystem, Textfield, and the Japanese housewares shop Playmountain. After months of planning, we finally debuted the Sight Unseen Shape Shop this Tuesday at a blowout party.

04.10.12

Excerpt: Book

Max Lamb Outtakes from Paper View, Launching Today

It's official: Sight Unseen's first printed edition, Paper View, is finally out, and we've held it in our very own hands. Today, we've prepared something special for you in honor of the occasion, a series of outtakes from one of the articles published in Paper View: A catalog of Max Lamb's personal collections, which first ran on Sight Unseen early last year.

04.06.12

Excerpt: Magazine

Nicolas Trembley’s Fat Lava vases in Apartamento 07

If I hadn't taken as long as I did to read issue number 07 of Apartamento, which came out around this time last year, I would never have gone stumbling around the web only to realize that Nicolas Trembley's wonderful Sgrafo vs Fat Lava exhibition — which started in Geneva last year, making stops along the way at Galerie Kreo in Paris and Gisela Capitain in Cologne — will end its world tour this June in my own backyard, at the Zachary Currie gallery in New York. In this excerpt from Apartamento, the Parisian art critic and curator explains how his collection of more than 150 instances of the bizarre German ceramics came to be.

04.04.12

Sighted

Lindsey Adelman’s Clamp Light and Wooden Branching Bubble

When we asked Lindsey Adelman to shoot one of her new pieces for our Self Portrait column earlier this winter, she took this photo of her newest Agnes chandelier for Roll & Hill, aiming to contrast its luxe slickness with the industrial backdrop she’d discovered just outside her studio window. But she didn’t stop there — having gone to the trouble of descending all the way into the bowels of her building’s shaftway, she figured why not make a day of it? With her studio assistants dangling from poles and teetering atop ladders, she managed to hang two more new fixtures in the dingy setting: a wood-encased update on her signature Branching Bubble chandelier, and a series of lamps for The Future Perfect made from c-clamps and blown glass blobs. Here, she tells us how she got the shots.

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