Week of March 2, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a scathing takedown of the millennial aesthetic, the first-ever museum exhibition on ASMR, and oh, a bunch of new design objects, too.
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Bofred Cape Town design studio

An Earthy New Furniture Collection, Inspired By the South African Coastline

There’s a lot that separates Muscat, Oman’s port capital, and Durban on the east coast of South Africa. But it’s their similarities that have inspired the new Bask Collection by up and coming South African design studio Bofred. Christa Botha and Carla Erasmus are the design duo behind Bofred, whose concept of home is an eclectic mix of the two coastal cities where they feel most relaxed and inspired.
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Katie Stout and the Subversion of American Craft

In her latest solo exhibition at Nina Johnson Gallery in Miami, called Sour Tasting Liquid, Katie Stout focuses her experiments exclusively in ceramics, exploring processes like slab-building, mosaic, pinching, kintsugi, and more to make a body of work that is at once figurative and abstract, logical and absurd.
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Week of February 24, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, proof that floor-to-ceiling carpet is having a moment, an freshly optimistic take on the armchair, and some solace to art-loving Angelenos.
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This Barcelona Studio Asked a Painter to Choose the Colors of Its New Chair

When Gerrit Rietveld designed his famed Red and Blue Chair in 1917, it wasn't red and blue at all, but plain, unstained beech wood. Only six years later, after his De Stijl collaborator Bart van der Leck suggested he add bright colors, did Rietveld create the version that went on to make history. The same is true, in a way, of the Barcelona studio AOO's Chair 8, whose colors were envisioned by painter Claudia Valsells for a recent collaborative exhibition in Spain.
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Jagged, Glacier-Inspired Glass By a California Icon, On View at Hauser + Wirth

Larry Bell's latest exhibition at Hauser + Wirth, on view until April 11, might be the California Light & Space artist's largest presentation of work in New York yet. Called Still Standing, the title refers both to the octogenarian's practice, which shows no signs of slowing, and to what Bell calls his "standing walls" — aka the architecturally-scaled crystalline forms that result from Bell deconstructing his signature colored glass cubes.
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Week of February 17, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an ironically-named (and perfectly executed) wine bar-cum-bookshop, an Upper East Side duplex with downtown credentials, and the third, tousled-'70s version of Casa Perfect LA (above).
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Meet The RISD Grad Pushing Pastel Pulp To The Forefront of Sustainable Design

Twenty-two-year-old Mike Ruiz-Serra grew up in Westchester, a great vantage point from which to peer in on New York’s constantly evolving design scene. And for his first collection as an industrial design graduate from RISD, he cites barely-older-than-him contemporaries like Zach Martin and Thomas Barger as people whose work helped him to understand the full potential of his favored medium: paper pulp.
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