It’s Colin King’s Tastefully Curated, Beige-Hued, Branch-Forward World. We’re Just Living In It.

If you were paying close attention, you might have noticed Colin King's slow creep towards ubiquity over the last five years. First came the styling credits for unabashedly chic interiors, like Giancarlo Valle's New York apartment in Architectural Digest, or any number of the exactingly produced homes for Athena Calderone's, Live Beautiful. Then came the brand work — styling for the likes of Anthropologie, Hay, and B&B Italia — and the collabs: a collection of small goods for the Danish brand Audo, a rug series for Beni, and a collection for West Elm, among others. But things really began to ramp up when King's book, Arranging Things — a lavishly illustrated how-to guide to his own particular style — announced its 2023 release. By all accounts, a book by a stylist — normally a solidly behind-the-scenes job — is somewhat of a novelty. While those on the inside may be well-versed in the who’s who of creatives realizing magazine editorials and brand campaigns, rarely does someone break out and make themselves known in the mainstream. But King has achieved just that.
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CB2 Black in Design Collective

Studio Anansi’s Latest Collaboration with CB2 Materializes the Unlimited Possibility of Black Futures

Evan Jerry was, in his own words, on a quest to explore the relationship between contemporary design and Black culture when he founded Studio Anansi in 2018. Now five years into the artist’s practice, he has launched the Black in Design Collective, a collection of works curated in partnership with and for sale at CB2 that brings together 10 Black artists from Los Angeles to Lagos, including Jerry himself. The range of pieces respond to Studio Anansi’s initial question around the project: How do you see the future of design if Blackness was included? The result makes tangible the heterogeneity of Black culture — spanning centuries, materials, objects, and themes.
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With Prints Inspired By Art-Store Pen-Test Doodles, These Curtains Are ‘Free and Wild’

Sarah Illenberger has a talent for recontextualizing everyday items in ways that are deceptively simple, yet at the same time so clever that there's an irresistible kind of magic in it. The same is true for her new collaboration with Danish textile purveyor Kvadrat, a series of three vibrant curtain panels created by scanning the little pads of paper people test pens on in stationery stores — the unremarkable made remarkable, through little more than a flash of creative inspiration and a change in scale.
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Wayne Pate’s Homeware Collections Are Inspired by Classical Motifs and Ancient Color Palettes

A magpie for references, American artist Wayne Pate is largely inspired by classical architecture, decor and interior design, whose shapes he abstracts and brings up to date; on his trips to Europe, he collects ceramic vessels and historical objects — lebrillos from Spain, terracotta pieces from Italy and Greece. His forays into homeware, then, are always a homecoming and his latest are a collection of decorative terracotta tiles in collaboration with Balineum, and a series of cashmere throws and pillows for Saved NY, both released in late 2020.
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Week of April 15, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A sneak preview of an all-star Spanish design exhibition coming to New York next month, the hard-to-get pastel-colored glassware we're pining for, and a jaw-dropping new collaboration between a Belgian fashion designer and architect, pictured above.
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In Brussels, New Designs at the Place Where Art, Architecture, and Industry Meet

When we first heard that Belgian architects Kersten Geers and David Van Severen were collaborating with the Kortrijk-born, Turin-based painter Pieter Vermeersch for an exhibition at Maniera Gallery, we became, we'll admit, somewhat unreasonably excited. Our love for Vermeersch's signature gradients is well-documented on this site, and, if you'll recall, Office KGDVS's angular furniture collection was what set off our love for the Brussels-based Maniera all the way back in 2014.
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Wall-to-Wall Carpeting Inspired By Architectural Jewelry? Yes, You Heard That Right

It might seem odd that a 235-year-old company — specializing in wall-to-wall carpeting for hotels, airports, casinos, and cruise ships — would collaborate with a relatively unknown jewelry designer from Australia, as is the case with Brintons' recent collaboration with Studio Elke. But in fact, it makes sense that Brintons would be moved by Elke's designs, which are often inspired by things like architecture, geometry, Art Deco, terrazzo, marble, and stone — in other words, things that easily and naturally translate into two-dimensional patterns.
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Metaflora x West Elm faux anthurium

The Interiors Trend With More Staying Power Than Millennial Pink — And How to Incorporate It Into Your Own Home

Metaflora recently teamed up with West Elm to create a series of faux botanical bouquets — orchids mixed with fan palms, proteas mixed with banana leafs or feathers, and the ubiquitous anthurium opening its waxy shell against a huge, graphic palm frond. The bouquets look shockingly real — the ends of the palm leaves are even browned and frayed a bit to mimic decay — and are also a shockingly affordable way to bring a sense of drama into anyone's home.
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Arlo Skye x Sight Unseen suitcase

Like Sight Unseen? You’ll Love the New Suitcase We Designed With Arlo Skye

For years, people had been asking us when Sight Unseen might start getting into products. But what would we make? Tastemakers, we may be; designers, we are not. Then, earlier this year, we were approached by Arlo Skye, a new luggage company founded by alums from Tumi and Louis Vuitton, about collaborating on a limited-edition suitcase that would help launch their new, lightweight polycarbonate line. Today, we are excited to launch our first-ever product: the Arlo Skye x Sight Unseen suitcase, a carry-on and check-in available exclusively in sage, our pick for the next big color trend.
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