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Pop Perf Nesting Tables

Eric Trine Wants to Bring Powder-Coated Joy to the Masses

In the three years since we met Eric Trine — who, at the time, was a grad student skipping his art-school graduation to show with Sight Unseen during New York Design Week — the Long Beach, California–furniture designer has emerged as a true talent. And though his powder-coated pieces — geometric, clean, bright, and fun — have wowed us from the start, over time he’s honed his approach and philosophy, shifting from a DIY mentality to a full-fledged operation with a driving vision behind it: to make great-looking, high-quality products that are actually affordable.
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Metz027

For Brooklyn Artist Landon Metz, Painting Takes on a New Dimension

Surprising elements — from a Duchamp readymade and postmodern tables to avant-garde music and architecture — are the seedlings with which 30-year-old Landon Metz sows his artistic philosophy. For Metz, whose studio resides in Bushwick, these are all materials that belong to the same creative ecosystem. They also provide fertile ground for his spare, lighter-than-air paintings, which tend toward the biomorphic and richly hued repeating patterns. His latest exhibition, open now through April 9th at Paul Kasmin Gallery in New York, centers around Metz’s affinity for the work of Color Field painter Morris Louis, one of the movement’s central figures.
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HUYS GYM ASSISTANT JOSH

A New Brooklyn Talent Turning Paint, Cement, and Scraps Into Of-the-Moment Objects

Cooper Union grad Nick Parker has been working steadily since 2009 to refine a materials-driven, process-based approach to making. His vases are composed of cement that he pigments, layers, and sands until it starts to resemble some hyperactive version of linoleum. His "paintings" are made from layers of paint and paint-like materials embedded with scraps. We visited his home studio in East Williamsburg, Brooklyn, to learn more about his craft.
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On the evolution of her practice: “I think when I started the weavings, they were more like a pattern and I think now they’re more abstract, combinations of different textures. It’s less about being graphic.”

Beautiful, Textured Wall Hangings By the Los Angeles Studio All Roads Design

Janelle Pietrzak has made a name for herself as a Los Angeles-based textile artist and one half of All Roads Design, the creative studio she runs with boyfriend Robert Dougherty. It’s fair to say her thickly textured woven wall hangings helped usher in the trend; in Pietrzak's distinctive work, abstract fields of color and looping yarns meet shaggy, silky fringe in pieces that are warm and fuzzy yet elegant.
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Dutch design studio Os ∆ Oos

Dutch Design Studio Os ∆ Oos Makes Work That’s Brainy But Beautiful

Four years ago, Sight Unseen featured the first product by what was then a brand-new studio on the scene: The Syzygy series by Dutch duo Os ∆ Oos consisted of three lamps whose intensity depended on the subtle rotation of three light-filtering discs placed in front of the bulb; it was inspired by the astronomical phenomenon of three celestial bodies aligning in space. As a design product, it was both conceptually driven and artistically minded, but it was, at the end of the day, a lamp. “We’re definitely not artists; we’re designers,” clarifies Oskar Peet, who with Sophie Mensen makes up the Eindhoven-based studio. “We like to make functional projects.”
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Ladies & Gentlemen's Brooklyn studio

Playing Around With the Cool Kids of American Design

Inside the experimental playground that is Ladies & Gentlemen's new Brooklyn studio: “All of our work is an evolution of itself,” says Dylan Davis, one-half of the up-and-coming design couple. Shapes on a piece of jewelry might lead to a geometric take on lighting; that, in turn, might inspire the assorted forms suspended on a mobile. However distinct, each piece is unmistakably linked to the next, joined by an understated elegance and what the two refer to as "playful austerity." “We try to embrace that feeling you had as a kid when you got to really explore,” Davis says. “Our goal is to take that spirit of play and figure out how to use it professionally.”
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Chiyome minimalist handbags

Chiyome’s Japanese-Inspired, Minimalist Handbags

It’s easy to look at the work of designer Anna Moss and draw associations with a familiar sort of functional Japanese minimalism: her line of handbags, CHIYOME, is named for her Japanese great-grandmother. Yet for Moss, the starting point is plainly straightforward: “I strive for simplicity and that can take many forms,” she explains. What interests her is not minimalism for the sake of it, but rather a focus on the bag as vessel; it’s a study less in stripping back and more in adding intentionality.
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Material Lust American furniture designers

Exploring Furniture’s Dark Side with Material Lust

Just a year and a half old, Material Lust was born of a desire to fill glaring gaps in the world of home design: lighting that isn’t overpowered by its surroundings, for example, or a rug that does double duty as sculpture. Now four collections in, the studio's work is singular, striking, always made with extreme care and attention. It’s also often and unreasonably stereotyped.
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HUYS GYM ASSISTANT JOSH

Tureens, Totems, & Tables: What’s Next for Workaday Handmade

When we think of ceramicists at work, we often conjure romantic visions of noble artisans wearing clay-streaked aprons and strenuously channeling their artistic magic behind a potter’s wheel. Which is mostly true, to a point, and yet — what happens once that noble artisan also has to figure out how to run a thriving, growing business? To find out, we visited the Brooklyn studio of the hugely successful Forrest Lewinger (aka Workaday Handmade) with photographer Paul Barbera.
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Hunting & Narud Studio Visit

Hunting & Narud Are Rewriting the Rules of Scandinavian Design

Originally from Norway, Amy Hunting and Oscar Narud both completed design education abroad — Hunting at the prestigious Royal Danish Academy of Fine Arts (KADK) in Copenhagen and Narud at the RCA in London — but the design heritage of their home country remains an important theme in their work. "There's obviously this romanticized cliché of Scandinavian style but a lot of young designers are now trying to push back," says Narud when we talk about their aspiration to reinterpret the stereotypical notions of a Nordic aesthetic. "Scandinavian design is redefining itself with our generation. We all struggle with the weight of the heritage, but there's a lot of stuff happening now."
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