Sight Unseen, in Williamsburg, Brooklyn

Last month, when the watch brand Mondaine asked for a peek into a day in the life of a Sight Unseen editor, I dragged our trusty photographer Paul Barbera all around the Brooklyn enclave popping in on our friends and shooting future studio visits for the site, from Workaday Handmade to Confettisystem.
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The Houses of Prickly Mountain, from Collective Quarterly 2

Collective Quarterly is a niche journal that deep-dives into a different locale with each issue. In Vermont, the journal pointed its camera lenses at a region known as the Mad River Valley, spotlighting the craftspeople and personalities based in the area, from puppeteers to knife-makers to the brilliantly quirky architects whose profile we're excerpting today.
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Week of October 5, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. In this week's post: Peek at Chamber gallery's newest collection, own an Andrew Kuo artwork for $35, drool over new jewelry by Mociun, and mentally transport yourself to a mind-bending installation in Amsterdam, pictured above.
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Mast Brothers Creative Director Nathan Warkentin

The Influences of Mast Brothers Creative Director Nathan Warkentin

Nathan Warkentin has been driving Mast Brothers's creative direction for the past three years, nudging it away from its original Brooklyn aesthetic and towards something more relevant. “In the beginning everything was a little old-timey, with a lot of classic or nautical patterns,” says Warkentin, whose influences we’re profiling today. “I started looking for inspiration in interesting art and architecture movements, and the work of current textile and pattern designers, to make it feel more contemporary.”
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New Ceramics By Saint Karen

Many ceramicists have day jobs, but few have ones as incongruous as Karen Aragon of Saint Karen, who spends the majority of her hours working as a web developer. Her latest ceramics collection is an attempt to bridge those two interests by pulling influences from her more technical role into her creative one. “I wanted to be able to marry these two parts of my life, so I fed what I learn and research as a developer into my ceramic designs," she explains.
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Los Angeles Textile Artist Rachel Duvall

Since moving to Los Angeles five years ago, the artist Rachel Duvall has been refining an almost scientific approach to handweaving, based as much in foundational considerations like hue and line as in methodical chemical experimentation. She uses only natural dyes and modifiers such as copper and iron to “investigate the subtlety of colors,” she says, though the range she achieves — including a bright neon yellow and purple from fermented lichen she collects herself and then brews in her backyard — is striking.
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OTTO Objects by Roula Nassar

Nassar runs the Brooklyn studio OTTO, through which the erstwhile fashion student and ever-curious autodidact became known primarily for her art books and artisanal knitwear — the items that caught our eye back when we first featured her last February — before turning her hand to the vessels featured here, partly because of their appeal as a consummate blank canvas.
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SARKOS' hand-painted wallpaper

SARKOS, a Brooklyn Wallpaper Company

One of the primary objectives of Sight Unseen OFFSITE has always been to feature up-and-coming designers who are experimenting with materials and processes in interesting, and often very personal, ways. So we were delighted earlier this year to welcome Stephanie Dedes Reimers’s just-launched wallpaper company SARKOS to our line-up. SARKOS — whose name translates from an Ancient Greek word for the tactile sense of our earthly spirit — mixes deeply personal inspiration with fine art, hand-painting techniques, creating a line of papers that are muted and highly individual.
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At the 2015 London Design Festival

In terms of sheer distance traversed, if not content, LDF now stands nearly on par with the Milan fair. But these days it’s also becoming equally vital as a destination for open design debate, with a strong manufacturing voice represented and a buffet of ambitious installations on offer. Guide in hand, we hit the mean – but thankfully sunny – streets of London to choose our favorites from this year’s show.
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Laura Houseley on Ready Made Go at the London Design Festival

Last week's London Design Festival included plenty of beautiful objects thoughtfully displayed on pedestals or on gallery walls. But possibly even more compelling was the setup at the Ace Hotel's Ready Made Go exhibition, curated by Laura Houseley of Modern Design Review magazine, where visitors could experience a handful of new designs by local up-and-comers actually put to work in their intended habitat.
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