Danish graphic designer Kristina Krogh

Week of December 14, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A killer new objects line by a Danish graphic designer, new wall-coverings by two Sight Unseen–approved artists, and a timely primer on James Turrell — for all your Hotline Bling–inspired holiday party chatter needs.
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Studio Cofield Emerging Designers

Brooklyn’s Cofield Is Scaling Up

Though Sara Ebert and Jason Pfaeffle studied in the same industrial design program at Pratt, it wasn’t until they started working together on a post-grad project for West Elm that a partnership developed. As they started spending more time together, they would often ask each other’s opinion on personal projects. They soon realized they shared a creative point of view; love blossomed and their design studio Cofield was formed.
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Junpei Inoue

Junpei Inoue’s Technicolor Wall Hangings

Being multi-taskers ourselves, we have nothing but admiration for people like Junpei Inoue — not only does he split his time between Brooklyn and Tokyo, he spends his days toggling between running and designing an art magazine, designing websites and logos for other people, and creating illustrations for textiles and fashion. Not such a stretch —until you consider his art practice as well, in which he creates intricate yarn-based wall hangings that are dyed using careful applications of acrylic paint.
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Meet Frama, the Studio That’s Reinventing Danish Design

Copenhagen-based Frama is forging a new direction in contemporary Danish design, giving its clean lines and mid-century shapes a new sense of warmth and sophistication. In addition to producing handsomely understated products — some designed by its in-house team, others commissioned from top Nordic talents — the studio has recently begun to branch into interiors, infusing them with character by blending old and new contexts, materials, and influences. Simply stepping into their showroom and studio, which is housed in a centuries-old pharmacy with original woodwork, you can easily see how effortlessly they meld the two together.
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The Faye Toogood Collection at We See Beauty

When we first heard that Faye Toogood, one of our all-time favorite furniture designers and stylists, had been trysting with the make-up industry, creating a concept collection for the recently launched beauty brand MAKE — well, we weren’t one bit surprised. After all, Toogood has made a career of never quite doing what you’d expect her to do. What’s surprising, actually, is why more designers haven’t tried their hand at beauty. To dabble in a new discipline like fashion or ceramics would involve acquiring a rigorous new skill set. But to devise a collection for an existing makeup brand, as Toogood has, requires only a preternatural sense of materiality and color, both of which the designer has in spades.
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Week of December 7, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A hot tip on a stealth sale of Barber Osgerby goods, ideas for ultra-design-y stocking stuffers, and a new collection of understated wood furniture by French studio Dessuant Bone, pictured.
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Norwegian Designer Kim Thome

Kim Thomé, A Norwegian Designer By Way of London

Think of the London-based, Norwegian designer Kim Thomé’s playful approach to design as a Venn diagram of sorts: On the one side is a fondness for color and geometric pattern play, and on the other is an affinity for reflection and creating optical scenarios that can change at the viewer’s discretion. Where the two overlap is a creative region in which the designer thrives.
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Group Partner's Boob Pots

The Brooklyn Ceramicist Behind the Insanely Popular “Boob Pots”

Even with its door wide open, Isaac Nichols’s Greenpoint studio is easy to miss. Walk past, look around, turn back, and there it is, tucked inside a cavernous, garage-like space that’s served as a creative home base for Nichols (who works under the name Group Partner) and a wide circle of artist friends for the past two years. The studio, unassuming from the outside, hums within: music plays; the stretch and tear of packing tape is constant. All around, laid out on makeshift surfaces and shelves, are Nichols’s signature pieces in varying stages of completion: ceramic pots molded to mimic breasts, each adorned in a hand-painted outfit, and his famous face pots, each with one of three appointed names: Adam, Rory, or Pat.
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The New Wave of Los Angeles Design, On View Now at Our Site Specific LA Show at Austere

When the folks behind the airy Los Angeles design showroom Austere asked us to create an installation in their space, the theme was a no-brainer — we'd showcase the new wave of L.A. design, inviting 11 of our favorite studios to install a selection of their work. The result is Site Specific L.A., which opened on Saturday and runs through February 14, and is like a mini, localized version of our New York show, Sight Unseen OFFSITE.
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Soft Baroque in PIN-UP No.19

Up until recently, there were only a few chairs, mostly vintage, that I'd consistently dreamed of decorating an entire room around: Vico Magistretti's green Selene stacking chairs for Artemide come to mind, as does the sheepskin coziness of Hans Wegner's Flag Halyard chair for PP Mobler. But in Milan last spring, I found a new contender: Soft Baroque's Enzo Mari–inspired, infinitely changeable New Surface Strategies armchair, available only in electric blue.
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Week of November 30, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. After spending the week culling our gift guides to just 75 items, we're still including a Shopping section — there's just too much good stuff! Plus: a sneak peek at our LA show, a mega-design auction preview, and Oyyo's new rug collection (above) styled by one of our favorite photographers.
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